9-1-1: Season 1/ Episode 8 “Karma’s a Bitch” – Recap/ Review (with Spoilers)
9-1-1 continues to fully commit to doing themes and for this one, it is all about karma being a bitch.
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9-1-1 continues to fully commit to doing themes and for this one, it is all about karma being a bitch.
As Violet succumbs to PTSD and depression, so comes the question of not only does she have the right to live but her purpose.
With Lady Eve and Gambi trying to maintain this balance of power they created, people die and one, strangely, comes alive.
Like most of the season, the ending leaves you with a sort of mixed reaction. One that makes it waiting until after the credits to hin to a second season very understandable.
Another twist is presented to liven up the end of the season, or series, and… well because of all that led up to this point, it kind of falls flat.
Our new certified villain continues to prove themselves as what we have needed all along. But, with two episodes left, will they get a fitting end or end their pursuers?
It seems all this show really needed was for a RIS member’s life to be threatened to become interesting. Well, that and a compelling villain.
As we learn there is yet another level to those similar to Koku and Minatsuki, Keith is pushed to talk more about his sister Erika.
We may have reached a point where B – The Beginning can redeem itself as it dives just a bit deeper into the last time Yuna and Koku saw each other.
While her career may seem a little shaky, seemingly the rest of her life is hanging on by a thread.
As Juri does something drastic, we discover someone else in her family has a power which may shift who has the upper hand.
Kuzu finally meets the girl he has long been waiting for, and we get a background on the Market Makers.
While Kamui goes mad and we learn there is a mole in the RIS, Koku and Keith finally come face to face.
As Lily drowns us in the type of theory which requires you really being into the show to get, Keith deals with Boris deciding he needs to be more social.
As Brandon figures out how to start his next chapter, Quentin treks backwards to prove a point to Trice and Reg of who not to f*** with.
After showing a nearly obscene amount of forgiveness, Elias finally does something Chise can’t excuse and it pushes her to turn to an unexpected being.
Matsuri and Mei have their final battle and Yuzu ends up being the deciding factor.
Sword and Sophie seemingly will only be in El Dorado for just this episode, but what happens seems to be part of the show’s redemption mission.
Atlanta returns after an extended hiatus and still has that impeccable balance of being weird as hell yet seemingly rooted in reality.
B – The Beginning, might have begun to lose its luster as neither the villains or heroes are presenting reasons to invest in their stories, or the show.
As Minatsuki’s group is given a name, we also witness what the criminals of the kingdom are willing to do to its leaders.
B: The Beginning, is very likely to become a new obsession for anime fans, which will make you glad the whole season has been released at once.
While we are given nearly all the answers you’d require in terms of Carys and her disappearance, there is something left over for a possible second season.
A major reveal about Sylvia and Janice points us towards answers, but there are still a few lurking issues we need to be solved.
After dancing around it for awhile, we finally get a full episode of Violet’s past. At least from meeting Major Gilbert to the height of his military career.
Masters of Sex’s premiere isn’t so appealing that it will be something, on its own, to make you get Showtime but, as a show, it does seem to have potential.
As it seems 9-1-1 digs into the idea of doing themed episodes, we witness the strange calls which happen the night of a full moon.
As Eva continues to go head to head with Officer Early, she finds growing opposition from students and staff in regards to her tenure.
As Gambi’s secrets slowly are revealed to us, Jefferson comes to a crossroad of whether or not he’ll officially become a murderer.
Something about Good Girls may very well remind you of Weeds, and that’s a good thing.
Unpredictable and outlandish is the only way to describe Marlon Wayans: Woke-ish, as he proves not just why the Wayans are one of the funniest families in comedy, but why he is one of the funniest comedians period.
Shaun gains invaluable lessons from Morgan, unexpected kindness from Dr. Andrews, and poor Claire experiences a moment she didn’t see coming.
With this series, we get a taste of the Black Panther in such a way that may never be seen with this much investment again.
People pay for their deeds, good or otherwise, and while some are as sweet as a kiss, others are as brutal as a bullet.
As Sagawa tests the possibility of being a human with Herald like abilities, Juri and co. struggle on how to combat their disadvantage.
As usual, as Chise commits an act of sacrifice to protect or help someone, she ends up making things terribly worse for herself. Something Elias is growing tired of.
Over the course of 18 characters, Anna Deavere Smith doesn’t just present a masterclass in acting but also understanding the various aspects of the school to prison pipeline.
As Matsuri takes in what she is dealing with, when it comes to Mei, Yuzu tries to explain Matsuri’s relationship to her.
As we learn what is causing the whispers, it also becomes clear who the members of the occult likely are.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.