Mushoku Tensei: Jobless Reincarnation: Season 2 – Review
In its second season, “Mushoku Tensei: Jobless Reincarnation” dials down a bit on the action, replacing it with diving deeper into Rudy’s efforts to not repeat the mistakes of his past life.
In its second season, “Mushoku Tensei: Jobless Reincarnation” dials down a bit on the action, replacing it with diving deeper into Rudy’s efforts to not repeat the mistakes of his past life.
“The Ms. Pat Show” continues to blur the lines between being a sitcom and drama as it gives its live and at-home audience what feels like a top-notch play.
Nathan Fielder and Benny Safdie’s “The Curse” has carved its own path of social discomfort and magical realism unlike anything on television before.
“I’m a Virgo” is Boots Riley’s satire of superheroes while confronting capitalism in a 13-foot-tall character. It’s bonkers in the best way.
Mando, Grogu, and Bo-Katan work to unite the varied Mandalorian factions under a growing threat from Moff Gideon.
All it takes is a moment to single-handedly tear apart a family while decades were spent building the legacy.
Rian Johnson and Natasha Lyonne’s Poker Face is a character-driven mystery and my favorite show of 2023 so far.
The final season of “Queen Sugar” delivers in a way few long-running series have done.
While “Mike” is an unauthorized bio-series of one of the greatest known boxers, it sets such a precedent that it’ll be hard to imagine an authorized version topping it.
Season 2 of “P-Valley” does not experience a sophomore slump as it cuts away from its less interesting characters and doubles down on the ones who’d bring you down to the valley.
Jobless Reincarnation is the epitome of a show being so good, you’ll excuse the one thing that would tank any other show.
With an FX/ Adult Swim vibe, Luv U Cuz might be one of the strangest animated shorts out of NewFest but might be one of the most memorable things we’ve seen overall.
The Ms. Pat Show, while raunchy, is also one of the funniest new shows to come out in years; while having a heart most shows struggle to make feel authentic.
Would You Rather gives you a raw teenage experience, sans the usual sex and drugs.
“Lovecraft Country” continues the burgeoning tradition of, within the fantasy/horror genre, embedding Black stories to bring America’s shameful history back to life.
“I May Destroy You” presents far more than a narrative about navigating life post being raped. It is a conversation starter with a wide range of topics.
“8:46,” is Chappelle at his best – a storyteller, in the form of a wise-man, who makes you laugh enough to pay attention as he drops the knowledge you need.
As “Unorthodox” exposes you to a Hasidic Jewish community, it also introduces Shira Haas, who has the potential to be either an indie darling or mainstream star.
In UMC’s “Behind Her Faith,” we are reminded that thanking God goes beyond the award acceptance speech and is a daily activity.
With Tomlinson avoiding joking about blackout drunk sex, there is something refreshing about her.
As Mr. Inbetween trims the fat and highlights what made the first season great, it finds the perfect balance between Oz gangster and family man.
Anne With An E proves itself to be a rare breed by maintaining its quality over three seasons, while still developing its characters and expanding its cast.
Part manic stand up special, as well as reflective documentary, Jenny Slate: Stage Fright gives you both the performer and the person who had to live life to write the jokes.
David Makes Man presents us with a coming of age story, featuring a young Black child, that often is restricted to indie movies which vie for Oscars.
Deon Cole’s Cole Hearted is the first special, in a long time, that is not only funny but quotable as hell.
Mo Gilligan: Momentum is unlike most comedy specials you may have seen before and makes Gilligan someone you have to keep a watch on.
In “Sticks & Stones” Chappelle reaches peak “I Do Not Give A F***” as he delves into Michael Jackson, the LGBTQ community, and more.
Kevin Hart’s Guide To Black History feels like a potentially classic edu-tainment program like what used to come out steadily in the 90s and early 00s.
Sharp Objects, once it gets into its groove, reminds you why mini-series make for the best method to do book adaptations.
In the first half of season 1, Jada Pinkett-Smith revives Red Table Talk and gives us the type of show you wish was in the headlines for more than sensationalized topics.
Vida for STARZ is perhaps the first show it has had, in a long time, which makes it a network worth subscribing to.
The Chi acts as a bridge between the 80s – 00s Black Renassiance to the modern one by reviving familiar stories, continuing ones that got cut short, as well as featuring characters who were seldom seen or heard.
Over the course of 18 characters, Anna Deavere Smith doesn’t just present a masterclass in acting but also understanding the various aspects of the school to prison pipeline.
The End of the F***ing World is undoubtedly Netflix’s first big hit of the year, and one of the few which may not be overhyped.
Big Mouth strangely finds a way to present the vulgarity of one of its few peers, South Park, alongside having the type of heart that the Disney Channel has recently afforded its shows.
The Bold Type is the perfect mold between FreeForm’s primary focus and that of its former identity, ABC Family. We get both FreeForm’s obsession with young, modelesque young adults while we get what ABC Family did best. Which is pushing the envelope, bring about diverse and intriguing stories, while also catering to that a teen…
After the still fairly recent NWA movie, Straight Outta Compton, you might think the world was done putting the spotlight on Dr. Dre. However, there is always more to a story than even a two and a half hour biopic can cover. Especially one you are sharing with 4 other men. For it was missing…
What Girl Meets World started for the Disney Channel, Andi Mack picks up the baton. In its first season, it leads Disney away from the overtly silly characters and makes things more real. Topics which perhaps may have been taboo or for one-off episodes like discovering one’s homosexuality or unwed, possibly teenaged, pregnancy are made…
Being politically correct, or fearing backlash, has changed the output of comedy. This can especially be said for network TV for the Archie Bunker types could never get a green light nowadays. However, The Carmichael Show seems to dance on that line. The line of which what an overly sensitive culture will allow for comedy…
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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