Gleipnir: Season 1 – Review/ Summary with Spoilers
While an inconsistent villain presence does sometimes plague “Gleipnir,” in terms of character investment and story? It goes beyond expectations.
In this sub-category, you’ll find TV series that are generally Japanese anime, but also animation from across the world.
While an inconsistent villain presence does sometimes plague “Gleipnir,” in terms of character investment and story? It goes beyond expectations.
In what hopefully is just the season finale, not series finale, Shuichi gets a glimpse of his past and encounters the only one who can provide answers: Elena.
“Sing ‘Yesterday’ For Me” does well in the beginning, but as time goes on, its pacing starts to dismantle its highlights.
Shuichi’s past, as well as Elena’s and their friends, is revealed – thus answering a handful of questions.
It’s a bit of an odd end for “Sing ‘Yesterday’ For Me,” as a few snap decisions happen that may not make the most sense.
After the massacre of Madoka’s group, all eyes are on Clair and Shuichi. Which leads to the question of what started all this, and must it end in bloodshed?
With Rikuo and Shinako coming to terms with their feelings for one another, now it is time for those with unrequited crushes to find out.
With everyone outnumbered and their lives threatened, it is determined something drastic must be done – leading to the death of a group member.
Baby steps are taken as people verbalize what they feel, and while things are still painfully slow, at least they are finally moving.
Shuichi and Clair’s group encounter gatherers who are perverted, dangerous, and ready to fight – thus leading to Yota revealing his skill.
As Shinako reconciles with Rou, so comes more pressure on Rikuo to make another move and the question of whether Haru should just give up.
For those who missed getting a ton of ecchi from “Gleipnir,” they compensate this episode. But, alongside that, a magnifying glass is put on Shuichi that leads to a notable reveal.
In a possibly triggering episode, at least we were triggered, the regrets and indecision of the characters reach new levels as it no longer can be seen as passive choices.
As we encounter a member of Elena’s crew, Shuichi not only creates a new monstrous transformation but reveals what may have been a suppressed memory.
As one of their friends hit a milestone, Shinako and Rikuo find themselves triggered and looking at their young admirers in a different light.
Thanks to a little blackmail, Clair finds a group of gatherers that might have some information. However, the initiation process is a bit uncomfortable – even for her.
A familiar face reenters Rikuo’s world, and with their presence comes renewed questions in Shinako’s mind.
For the first time in what feels like forever, Shuichi and Claire find themselves in a battle. One they maybe outclassed in.
A challenger for Haru’s heart enters the fray, and you’re led to wonder, will he break Rikuo’s spell on Haru?
The person who is creating all the “monsters” is properly introduced as well as their motive.
In a Rou focused episode, we learn about his life in his older brother’s shadow and watch Shinako’s grieving process.
As Elena is introduced, we also learn what may have led to the death of her and Clair’s parents.
Haru reveals a lot of herself to Rikuo and the audience in an episode that may feel like a gut punch.
“Gleipnir” vastly improves as we see our first monster battle, alongside us getting to know the darkness in the characters beyond their anger.
While the panty shots are unnecessary, “Gleipnir” does present itself as an intriguing action anime with eyebrow-raising characters.
Unrequited love is a big theme in the latest episode as someone from Shinako’s past is introduced, and they flesh out what happened in Kanazawa.
“Sing ‘Yesterday’ For Me,” as it addresses the regrets that come with early adulthood, makes you hyper-aware of what is and isn’t going right in your life.
“In/Spectre” tries to have romance, gore, comedy and the supernatural all in one, but it is hard to say it ever perfectly blends the three together.
Medrano solidifies her brand as a dark comedy animator with Helluva Boss, a workplace comedy.
Welcome to Hell! A place where the princess, rather than prep for her eventual reign, is trying to encourage the incorrigible so that they could ascend towards heaven.
It’s the end of an era, or just 7th grade if you want to be lame and less dramatic. But, nonetheless, things may never be the same.
The importance of the female orgasm is explored, Jay overstaying his welcome at Nick’s house, alongside dick pic etiquette.
Nick and Andrew head to Florida, and between cousin love, babies with guns, and crazy people, we get a lot of what Florida is known for.
It’s a very homoerotic episode of Big Mouth as Jay and Missy collaborate, Matthew has his first kiss, and we learn about Elliot’s moisturizing regimen.
Jay learns the spectrum of gender and sexual identities, as phone addiction cripples everyone’s ability to socialize.
Big Mouth returns, and thanks to the stupid action of the boys, the girls get punished. Leading to Missy deciding it is time to let her dark side out.
After yet another outburst from Ikoma, he is put into holding and with doing so, Mumei ends up in serious danger – as the rest who hope to take back the castle.
Part 1 is a quick recap of who is who, and their relationships, as we prep for the epic battle to retake Unato!
In what could be considered a world-building episode, Kei experiences a betrayal, and once more names are dropped left and right to be fleshed out later.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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