Millennials: Season 1 – Overview/ Review (with Spoilers)
Despite the show being called Millennials, most of the jokes will feel very much rooted in the 90s – especially considering how politically incorrect they are.
You can see potential in the future, but it is hard to tell if you’re being optimistic or the series just needs time to flesh everything out.
You can see potential in the future, but it is hard to tell if you’re being optimistic or the series just needs time to flesh everything out.
Despite the show being called Millennials, most of the jokes will feel very much rooted in the 90s – especially considering how politically incorrect they are.
It’s A Sin does deserve points for slightly altering the narrative regarding the AIDS pandemic’s early years, but eventually, it’ll feel like more of the same.
The Chilling Adventures of Sabrina comes to an end, and, honestly, you’re reminded more so of where the series went wrong than what it did right.
Bridgerton on its surface can be breezy and a quick watch. However, if you choose to analyze it, it can be far deeper than a girl finding love in a newly diverse world.
Adachi and Shimamura takes the slow and steady approach to love. Thus giving you something which may feel annoyingly slow at times, but often authentic.
While “Raised By Wolves” starts off with so much promise, by the end of season 1, nearly every bit of its potential is lost.
While “Rent A Girlfriend” began with the possibility of being more than another male fantasy anime, it shifts to being what was expected.
While P-Valley takes a while to get its groove, and has misplaced focus with its characters, by the end you’re hooked.
The first half of Lucifer’s 5th season reminds you how procedural storylines impede greater development of characters, no matter what the show.
In the final season of Trinkets you can see there was so much left to cover, but the writers salvaged what plans they could.
Don’t Look Deeper feels limited by the way Quibi handles its productions, considering it ends almost as soon as it finishes laying down its foundation.
Season 2 of “The Umbrella Academy” still has a villain problem, but with heading to the 60s comes a new timeline to save and blessed characters.
The end if “Greenleaf” may not have begun as a triump finale to the 5 season series, but as it played on viewers’ nostalgia, you were reminded of how great it once was.
At times, “Hot For My Name” may make you wish Esther Povitsky didn’t say no to MTV about a reality series, for her parents damn near steal what should be her moment.
While “Hightown” struggles to find its groove at first, after discarding a few storylines and characters, it picks up the pace and becomes a reason to subscribe to Starz.
The first season of “Legendary” has quite a few kinks to it, but there is a serious effort through the performances and backstories to compensate.
While an inconsistent villain presence does sometimes plague “Gleipnir,” in terms of character investment and story? It goes beyond expectations.
“Sing ‘Yesterday’ For Me” does well in the beginning, but as time goes on, its pacing starts to dismantle its highlights.
“Eric Andre: Legalize Everything” is pure and utter shock value that, if your tolerance is high, your laughs might be low.
While “Love Life” does avoid certain topics and stories to maintain its levity, it is definitely a hit for HBO Max for a reason.
“Dare Me,” as it explored the intimate relationships between a small town’s cheerleading squad, provides some of the best teen drama, not (originally) on FreeForm or Netflix.
Season 3 of “The Good Doctor,” especially the second half, felt like it was meant to do course correction and present fans with long-desired moments and open them to new possibilities.
Like many thrillers/horror shows, if not movies, “The Stranger” is pretty good until it needs to wrap things up.
“Dummy” is one of those shows which toe the line between having deep meaning and being mindless entertainment.
While the development of Jasmine is ace this season, the other elements of season 3 of “On My Block” are frustrating, inconsistent, or feel like a repeat of the past.
Thanks to minimal dialog, “Wicca Book” has a specific creep factor but leaves you disconnected from its characters.
In one of the few comedy tapings you may ever see with a co-writer, Leslie Jones will get a few laughs out of, but doesn’t craft what we formerly called a special.
Loss and the adjustment required to bring something into your heart is the focus of the first half of season 3, and for no character is it easy.
“High School Musical: The Musical: The Series” is a showcase of Disney’s up and coming talent beyond what we’ve previously seen.
“Ready To Love” still has the issue where it seems more about people “Ready To Date” and that continues to complicate the show’s overall goal.
The second season of “You” feels a bit formulaic, but Penn Badgley makes up for it by continuing to make you wonder how far Joe can go before he’s unforgivable?
In “The Planet Is Burning,” Ilana Glazer speaks to her people and her core audience. If that isn’t you, I can’t necessarily say she’ll win you over.
His Dark Materials, while wonderfully led by Dafne Keen, of Logan fame, struggles with weak reveals and lack of urgency.
With a change in one-half of the shows, and no crossing over, is the newest entry of Live In Front Of A Studio Audience as good as the first?
While it takes Chieng to warm up a little longer than it should, once he sets up the jokes for the latter half, it is all smooth sailing.
Being married and a stand up comic, especially a female one, isn’t a common thing, so Iliza Shlesinger takes advantage of this to break down how strange weddings are.
Greenleaf’s fourth season pushes the idea that it should get one more season to wrap things up, and leave it at that.
Rhythm + Flow, one of Hip-Hop’s first popularized music competitions, may have a few flaws but shows potential.
As long as you like the idea of strictly hearing sex jokes for an hour, you’ll enjoy Nikki Glaser: Bangin’.