Discover our top picks and latest reviews spanning from blockbuster hits to indie films, shorts, and festival premieres across various platforms.
Discover our top picks and latest reviews spanning from blockbuster hits to indie films, shorts, and festival premieres across various platforms.
While “Talk To Me” comes with graphic imagery and the occasional comical moment, the characters have hastened development which doesn’t really push you to care about who lives or dies, but rather how.
“The Lesson” is like a well-crafted book adaptation that knows when to progress the story and when to give its audience time to reflect, theorize, and then press on.
In the gripping BET film “Call Her King,” Judge Jaeda King finds herself in the midst of a high-stakes murder case, while her personal and professional life collides under immense pressure and challenged beliefs.
“The Out-Laws” is a pleasant “watch because it is new, and you feel you’ve watched everything else” movie.
“Insidious: The Red Door” is a reminder of why it has been so refreshing for new horror movies to not only come out but also get a marketing budget so that you know they exist.
“My Eyes Are Up Here” presents to you a romance complicated by more than just someone’s personal baggage.
In this step-by-step short regarding an environmental apocalypse, a couple meets, reaches a high, and falls apart as their means of fighting what’s coming differs short term, and the long-term goal is unable to unite them.
Can you imagine, to hopefully have kids one day, having to go to a room where everyone knows what you are doing and… you know.
While comical in some ways, “Voice Activated” reminds you how much accessibility matters in the development of technology and patience when dealing with other people.
A young woman who has figured out a way to barely survive finds her estranged father at her doorstep, willing to offer help, but there is a question if old memories will impede forgiveness.
In a therapy session, Mara recounts all the people who have died she has grown close to and her anxiety that it could soon happen again.
“Regular Rabbit” is absolutely absurd without having to be violent, slapstick, or implement farce comedy.
“Sealed Off” acts as a reminder that nowhere you go, or what time period, men can be trash. Also, there are certain parts of history that, for some, have been muzzled a bit.
When you learn how to fight back, it is hard to show restraint when there remain bullies in the world, as shown by “The K-Town Killer.”
Pitching any kind of film, short film included, and getting financing is hard – but imagine trying to pitch to your dad and uncle who don’t get your vision that much.
Welcome to the 00s when TRL was huge, magazines mattered more than ever, and bellybutton piercings were all the rage thanks to so many pop princesses like Britney Spears.
A half-Tongan girl is being raised by her White mother, surrounded by her mother’s family, and finds herself enchanted by a pocket of her father’s culture in a local market.
Alcoholism is a disease which can get passed down from generation to generation but separately, then together, a mother and daughter seek out help with their addiction.
The lack of a coherent plot and action in “The Dial of Destiny” brings Indiana Jones to a frustrating and disappointing end.
“Murder City” is a movie with fine actors and cinematography that’s in search of a more riveting story.
“Starling” balances being cute and sad as a young spirit returns home for their birthday.
“A Fox In The Night” seems like the beginning of an unexpected romance, and this is an extended trailer.
What better way to end 2023 Pride than a movie like “Nimona,” which reminds you how quickly hate spreads when powered by fear and the power behind being able to self-identify?
Work can often get in the way of romance, especially when survival is more paramount than quality time.
“Fairytales” is an exception to what you usually get when you see a young person in that it isn’t a coming-of-age tale or a sterile children’s story, but what it is like to be a kid.
With the type of animation which pushes you to think something nefarious could happen, “Witchfairy” sets you up for one thing but pleasantly gives you another.
Presenting multiple examples of advocating for others and yourself, “Restless Is The Night” is both cautionary and a call to action.
“Corvine” reminds you how much the support of parents matters when you are a little kid.
From Psycho’s Norman Bates to Marvel’s Thanos, villains can be sympathetic, horrific, funny, or characters the audience loves to hate. Here are 10 villains that deserve their own movie.
While many horror films have drama elements, “Run Rabbit Run” flips things and is a drama with horror elements that doesn’t necessarily do much beyond give us a creepy child.
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“Blood” takes a different approach than many when it comes to questioning or bringing up a cultural faux pas.
“Sheroes” is the generic yet less entertaining version of Spring Breakers, with more guns and less sense. If I could walk out of this movie, I would.
“Cinnamon” packs multiple genres and cinematic flourishes within its 90 minutes that will leave your mouth agape, shaking your head, sometimes laughing, but never looking away.
“Daddy Issues” is a reminder of the awkwardness which can come the final stages of coming-of-age.
“The Mecca of Comedy” is an intriguing look into the DC comedy scene, but it could use another edit and more comedy.
While tediously as long as its predecessor, “Through My Window: Across The Sea” still works well as “365 Days” young adult counterpart.
“Boca Chica” is a gorgeous, painful, yet sobering look at the lies families tell themselves in order to survive.
Tragic and graphic, “The Angry Girl and Her Monster” causes the kind of combative feelings that make it something you have to experience for yourself.
A disturbing, cinematic journey, offering a thought-provoking exploration of toxic relationships, and resilience, alongside cultural and personal patterns.