Mixed (Divisive)

Due to this movie having a few quirks, of which may work for some and for others be a problem, we believe your enjoyment of this movie will depend on your taste.

Deadpool & Wolverine (2024) – Written Review

Ryan Reynolds is back as Deadpool and Hugh Jackman comes out of Wolverine retirement to deliver a film more focused on nostalgia than anything else.

The Good Half (2024) – Written Review

Starring Nick Jonas and Alexandra Shipp, we watch a young man romances one woman while he mourns, with his family, the death of his mother.

The Inheritance (2024) – Written Review

Featuring Peyton List, “The Inheritance” delivers a lot of familiar characters, and a well-tread story, but does give a certain creepiness factor.

Dragonkeeper (2024) – Review

“Dragonkeeper” focuses on a young girl who is tasked with rescuing a baby dragon, and discovering her true fate, not the assumed one of being a servant.

Sinister Surgeon (2024) – Written Review

Starring Samantha Neyland Trumbo, we watch as a highly educated surgical resident joins a practice marred by a burgeoning scandal of recent patients being murdered.

Killer Beat (2024) – Written Review

Starring “Primo” actress Stakiah Lynn Washington, we watch as she plays an up-and-coming rapper who tries to navigate a cutthroat music industry.

MaXXXine (2024) – Written Review

Mia Goth returns as Maxine Minx, and with Pearl in her rear-view, so comes the question if Goth can find a way to justify the latest entry of this franchise as she did in “Pearl?”

Little Deaths (2024) – Written Review

In “Little Deaths,” we watch the ebb and flow of a relationship plagued by a disease that doesn’t cause a lockdown but certainly puts immense stress on a delicate relationship.

A Sacrifice (2024)

Sadie Sink is seduced into joining a cult despite her father, played by Eric Bana, making a career about community and loneliness.

Latency (2024)

A young woman with notoriety as a game tester and professional gamer is gifted a new headset that syncs with her brain and brings painful memories to life.

I Used to Be Funny (2024)

In “I Used To Be Funny,” Rachel Sennott veers towards a more dramatic role, which may struggle at times to hold your attention.

The Sintern (2024)

A young woman investigates a church whose pastor may have killed her mom.

Starring MacKenzie Davis and Christopher Abbott, between them we watch a increasingly estranged couple, potentially towards the end of their relationship, try to enjoy a vacation featuring a young woman enamored by Abbott’s character.

#AMFAD: All My Friends Are Dead (2024)

Friends with secrets and drama between them begin to get killed off right before an infamous music festival.

Don’t You Let Me Go (2024) – Written Review

After her best friend’s wake, a woman travels back to a weekend they shared to relive experiencing her friend one last time.

Incision (2024) Movie Review

“Incision” seems to forget to give you reasons to get invested, beyond familiar faces and the assumed empathy for people being victimized.

Love Kills (2024) Movie Review

“Love Kills” loses its luster as you figure out it is using sex and violence to compensate for a lackluster story.

The Young Wife (2024) Movie Review

At times feeling like a visual album, “The Young Wife” delivers both the anxiety and sense of overstimulation that can come when two worlds collide via marriage – especially when there are unresolved issues.

Close To You (2024) – Movie Review

Starring Elliot Page, known for “The Umbrella Academy”, in this NewFest Pride release, Page plays a transman returning home for the first time in 4 years since transitioning and dealing with their friends and family awkwardly trying to reintegrate back into his life.

RSVP (2024) Movie Review

Starring Natasha Marc and Robert Ri’Chard, in this BET+ release, a man decides to get revenge for his fallen wife, and you’re sadly left taking his word due to a lack of character development.

Relative (2024) Review – A Frustrating Family Dramedy

You may see yourself in Michael Glover Smith’s “Relative,” but that doesn’t make for an exciting watch.

Darkness of Man (2024) Review – A Solid Action Flick

“Darkness of Man” shows Jean-Claude Van Damme can still take a punch and provide emotional gravitas.

Faceless After Dark (2024) Review – A Satiric Horror

“Faceless After Dark” has a lot to say and a lot to stab.

Killer Body Count (2024) Movie Review

Starring Cassiel Eatock-Winnik and Savana Tardieu, this Tubi release sends teenage boys and girls to a Catholic camp to repent and reform from acting depraved.

Lazareth (2024) Review – A Vague Dystopia

“Lazareth” feels like a first draft of an intriguing dystopia.

The Image of You (2024) Movie Review

Starring Sasha Pieterse of “Pretty Little Liars” fame, in this digital release, we watch as twin girls attracted to the same man create collateral damage in pursuit of that man.

Not Another Church Movie (2024) Movie Review

“Not Another church Movie” is barely a parody of Tyler Perry’s work and person, it is an hour-and-a-half series of insults.

Turtles All the Way Down (2024) Review

“Turtles All the Way Down” should have come out 10 years ago.

Prom Dates (2024) Movie Review

As two friends seek out prom dates to hold up a pact they made as kids, you watch a film that seems as beholden to the familiar as its leads are to their promise.

Tarot (2024) Movie Review

“Tarot” scrapes the surface of the major arcana to create beings good for a jump scare but delivers a story that is more to holdover horror fans than become a classic.

Breathe (2024) Movie Review

In this post-apocalyptic tale, Milla Jovovich continues to show she is one of the top action stars out there, but the writing and story don’t deserve her.

Boy Kills World (2024) Movie Review

Bloody and gory, as promised, “Boy Kills World” is an action movie that, in the latter half, tries to switch things up to possibly good results.

Wildcat (2024) Movie Review

While you may think “Wildcat” is a biopic, more so, it is a series of short stories by Flannery O’Connor linked up and barely featuring the writer in a notable capacity.

Asleep In My Palm (2024) Movie Review

“Asleep In My Palm” is one of those movies that drop you into a character’s life, doesn’t make much of a push to catch you up, and instead leans towards you seeing someone as they are.

The Brink Of (2024) Movie Review

“The Brink Of” may have a few catchy indie pop songs, but the will they or won’t they at the heart of it may not win too many over.

Abigail (2024) Movie Review

While “Abigail” certain has developed characters that could derive interest, the story is made to only be good enough if the only thing you desire is the type of violence only a vampire movie could have.

Parachute (2024) Movie Review

In “Parachute,” we’re reminded how love and romance isn’t a cure but sometimes a drug to alleviate symptoms.

The Animal Kingdom (2024) Movie Review – Visually Interesting But A Mostly Uneventful Two Hours

As a mutations cause some of humanity to turn into animals, we watch as one family deals with the government’s response.

Don’t Tell Mom The Babysitter’s Dead (2024) Movie Review

“Don’t Tell Mom The Babysitter Is Dead” might be another remake of a popular property, but for those unfamiliar with the original, you may find yourself enjoying this.