Warfare (2025) Review & Summary
Warfare brings what Alex Garland learned about the brutality of sound in Civil War, but lacks the characters and story to make this film comparably noteworthy.
Due to this movie having a few quirks, of which may work for some and for others be a problem, we believe your enjoyment of this movie will depend on your taste.
Warfare brings what Alex Garland learned about the brutality of sound in Civil War, but lacks the characters and story to make this film comparably noteworthy.
With already being an EGOT, it seems Viola Davis’ next goal is to become one of the biggest names in the action genre.
“The Accused” may contain interesting ideas, but it lacks the characters and story to execute them.
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“The Amateur” may not feel as long as it is, but it is certainly forgettable, despite the names involved.
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“Locked” gives you an idea of what the 1% wishes they could do in reaction to those who, at best, inconvenience them or, at worst, make them feel unsafe.
While there is a certain beauty to “Ash” it maybe questionable if it has the substance you’d want or expect.
“Sugar Baby” is strangely not as explicit as the TV-MA rating would lead you to believe and fits the mold of being too tame despite its subject matter.
“The Monkey” with being inspired by a short story by Stephen King, and slight “Final Destination” vibes, gives you a horror movie that will hit the spot.
“Almost Certainly False” feels like a preview to a movie you could love as it presents a slightly different take on the refugee experience.
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“Love Hurts” may present interesting action sequences, but it falters, maybe even fails, regarding everything else it is expected to deliver.
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“Ricky” begins as a rarely seen point of view about post-incarceration, follows a recidivisim storyline that is all too familiar.
“Bunnylovr” presents subtle and tame in ways that indeed are not for everyone.
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“Marked Men” is made for a specific audience, and to capture that audience, it contains everything that could be interesting about this film – but fails in execution.
While Isabelle Fuhrman creates a connection with viewers, her connection with Mena Massoud is tainted too early in “Wish You Were Here” to remain in love with the idea of these two.
While Pamela Anderson reinvents herself, it sometimes seems at the cost of giving the spotlight to her peers, with perhaps as much to prove.
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“Blended Christmas” shows the challenges of a family which includes bonus children, an ex-spouse, and the effort for everyone to come together during Christmas.
“Nosferatu” doesn’t justify bringing back the dead, even with Robert Eggers’ brand of visuals and eccentric performances to expendable characters.
“F Mary Kill” presents a lighter and comical version of “Cat Person ” regarding what women may fear when dating men.
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“Heretic” uses the hook of horror as an entry point for a deeper conversation about the role and purpose of religion in society.
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“The Outrun” is a bit too dry to recommend to a general audience, unless they love someone involved or starring in the film.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.