Ghost Killer – Review
A young woman, vulnerable and to a point defenseless, comes across the bullet casing that killed a hitman, and by touching it, she finds herself becoming his medium for revenge.
Discover our top picks and latest reviews spanning from blockbuster hits to indie films, shorts, and festival premieres across various platforms.
A young woman, vulnerable and to a point defenseless, comes across the bullet casing that killed a hitman, and by touching it, she finds herself becoming his medium for revenge.
Wonderfully mad, Killing Mary Sue, is the type of action comedy that deserves every synonymous word to bizarre it clearly wanted to achieve.
The requel of I Know What You Did Last Summer struggles to do what most horror films need to in order to revive a franchise.
Last Swim will bring you to the brink, tease even, and make you wish you got all the details one day couldn’t possibly cover.
Stranger Eyes has a strong middle, but its beginning and ending? It lacks what most films pursue to hook you and compensate for its weaker moments.
With Little Trouble Girls, those waiting for a more grounded, but still explorational, coming-of-age story featuring girls get their movie.
M3GAN 2.0 earns its name by showcasing an evolved version of M3GAN, particularly in how she processes her emotions – not just kick ass.
I’m Your Venus, in focusing on Paris Is Burning star, Venus Pellagatti Xtravaganza, acts as a companion piece to get to know the legendary figure better and gain a three-dimensional version of her story.
Sometimes I Feel Like Walking may start off interesting, due to the assumed subject matter, but then it shifts in such a way that makes it feel like that initial hook was a Trojan Horse.
Otherlands explores the quiet ache of loneliness and the emotional risk of seeking connection, through a deeply human story about chosen family and unspoken longing.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.