Little Deaths (2024) – Written Review
In “Little Deaths,” we watch the ebb and flow of a relationship plagued by a disease that doesn’t cause a lockdown but certainly puts immense stress on a delicate relationship.
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In “Little Deaths,” we watch the ebb and flow of a relationship plagued by a disease that doesn’t cause a lockdown but certainly puts immense stress on a delicate relationship.
Colman Domingo uses his talents to give us a prison story about how the RTA (Rehabilitation Through The Arts) changed the lives of some incarcerated people.
Sadie Sink is seduced into joining a cult despite her father, played by Eric Bana, making a career about community and loneliness.
“Humanist Vampire Seeking Consenting Suicidal Person” uses people’s love for vampires as a hook, but maintains your attention through its sweet, comical, and awkward characters.
With “Sins of the Bride,” get ready for a slightly different take on the crazy light-skinned character who becomes disruptive to someone’s relationship.
A young woman with notoriety as a game tester and professional gamer is gifted a new headset that syncs with her brain and brings painful memories to life.
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“Kill” may seem like your straight forward beat em’ up, but it provides so much more than that, to the point of putting all action films released after it on notice.
In “Kill Your Lover,” we get a literal depiction of a toxic relationship as a couple finds themselves at a crossroad with one wanting to work things out and the other wanting to leave.
A young woman investigates a church whose pastor may have killed her mom.
Starring MacKenzie Davis and Christopher Abbott, between them we watch a increasingly estranged couple, potentially towards the end of their relationship, try to enjoy a vacation featuring a young woman enamored by Abbott’s character.
Starring Margaret Cho and Kenneth Choi, in “All That We Love,“ we watch as an estranged ex husband and father with the best/worst timing, tries to reconcile with his ex wife and daughter.
As two long time friends, deal with how they have become estranged, one is dealing with the weight of pending fatherhood, which is leading them to become an anxious mess.
Starring Natalie Dormer and Naomi Harris, prepare for twists, reveals, and a shocking ending that reminds you the writing needs to match the performances for any surprises to work.
Three brothers, mourning their mother, are tasked with creating a machine that could bring her back. However, as they make progress, things and people end up sacrificed.
Friends with secrets and drama between them begin to get killed off right before an infamous music festival.
After her best friend’s wake, a woman travels back to a weekend they shared to relive experiencing her friend one last time.
Starring Elizabeth Banks, we watch as a doctor handles the death of a patient from her protégé’s guilt, the administration’s desire to lessen the blow, to parents who just want answers.
In a multi week spanning movie, Farrah tries to navigate her feelings and frustrations as another wave of COVID hits, as well as the realization some of her relationships might be over.
Starring Yu Aier, a housewife slowly watches her world fall apart and finds herself in constant search for something to grab onto that will hold her up.
Starring Jenna Ortega and Percy Hynes White known for “Wednesday”, in this Tribeca Film Festival release, the two are seniors unsure of where their relationship could or should go.
“Incision” seems to forget to give you reasons to get invested, beyond familiar faces and the assumed empathy for people being victimized.
“Love Kills” loses its luster as you figure out it is using sex and violence to compensate for a lackluster story.
In “Guy Friends,” a young woman discovers, despite thinking she is a guy’s girl, she’s really just someone multiple guys are waiting for their chance with – and they all make a move when her relationship goes awry.
At times feeling like a visual album, “The Young Wife” delivers both the anxiety and sense of overstimulation that can come when two worlds collide via marriage – especially when there are unresolved issues.
Megan Park delivers another coming-of-age story, but this one focuses on a young woman meeting herself in the future and questioning the sexuality she thought she was firm in.
Starring Elliot Page, known for “The Umbrella Academy”, in this NewFest Pride release, Page plays a transman returning home for the first time in 4 years since transitioning and dealing with their friends and family awkwardly trying to reintegrate back into his life.
Starring Natasha Marc and Robert Ri’Chard, in this BET+ release, a man decides to get revenge for his fallen wife, and you’re sadly left taking his word due to a lack of character development.
Starring Mark Clennon, based on the experience of director, writer, and editor M.H. Murray, in this theatrical release, we experience the aftermath of a man being assaulted.
Starring Glen Powell, known for the recent hit “Anyone But You”, in this Netflix release, he plays an everyday guy thrust to pretend to be a hitman for the New Orleans Police Department in a movie based on a real person.
You may see yourself in Michael Glover Smith’s “Relative,” but that doesn’t make for an exciting watch.
“Darkness of Man” shows Jean-Claude Van Damme can still take a punch and provide emotional gravitas.
“Faceless After Dark” has a lot to say and a lot to stab.
Starring Cassiel Eatock-Winnik and Savana Tardieu, this Tubi release sends teenage boys and girls to a Catholic camp to repent and reform from acting depraved.
Starring Ryan Reynolds, Cailey Fleming, and John Krasinski, in this theatrical release, prepare to cry as a young girl deals with her father needing surgery and imaginary friends grieving over being forgotten.
“Lazareth” feels like a first draft of an intriguing dystopia.
“Babes,” starring Ilana Glazer of “Broad City” and “Survival of the Thickest” star Michelle Buteau, lead Pamela Adlon’s movie depicting the changes a person goes through once they have kids, from their romantic to platonic relationships.
Starring Sasha Pieterse of “Pretty Little Liars” fame, in this digital release, we watch as twin girls attracted to the same man create collateral damage in pursuit of that man.
“Not Another church Movie” is barely a parody of Tyler Perry’s work and person, it is an hour-and-a-half series of insults.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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