Drop (2025) Review & Summary
“Drop” wastes a perfectly good romance for a so-so thriller that has a decent mystery element and backends all the action seen in the trailer.
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“Drop” wastes a perfectly good romance for a so-so thriller that has a decent mystery element and backends all the action seen in the trailer.
“The Amateur” may not feel as long as it is, but it is certainly forgettable, despite the names involved.
With a interesting gimmick, simple romance, and a touch of risque moments, while “My Love Will Make You Disappear” won’t be a classic, it is a good romantic comedy to hold you over till one shows up.
A mix between taking advantage of how much Ray Nicholson looks like his father and the name recognition of Samara Weaving only to make Alba Baptista the most interesting part of “Borderline.”
“The Woman In The Yard” is a reminder of how our thoughts and feelings, the lies we tell ourselves, often play the villains in our story.
While Jenna Ortega makes the best out of what is offered, a lot of “Death Of A Unicorn” is hit or miss.
Barbie Ferreira moves on from her Euphoria fame to a role which has the potential to make her a indie darling.
“Locked” gives you an idea of what the 1% wishes they could do in reaction to those who, at best, inconvenience them or, at worst, make them feel unsafe.
While there is a certain beauty to “Ash” it maybe questionable if it has the substance you’d want or expect.
“A Thousand Faces” feels like a play where two people needed to take a long hard look at themselves, through the reflection of another.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.