Audrey (2025) Review & Summary
Audrey is bizarre, usually in the best way, but sometimes it does veer towards doing the most and potentially ruining what it was doing so well at.
Whether you’ll have to go to the movies, download or stream, movies of this category are worth your time and money with few, if any, qualms from us.
Audrey is bizarre, usually in the best way, but sometimes it does veer towards doing the most and potentially ruining what it was doing so well at.
In Mumu, the father-daughter relationship will bring you to tears, as the title character advocates for her deaf father and their community.
While reminding us that villains often have better stories than heroes, The Ugly Stepsister also creates empathy for those who didn’t feel enough.
Sinners further cements that Coogler and Jordan are one of the top actor and writer/director duos in American media currently, with signs they will raise each other’s pedestal each time they work together.
While On Swift Horses might be longer than many may care for, it is undeniably engaging and you’ll wish it were a mini-series to allow you bite-sized pieces of more.
“The Woman In The Yard” is a reminder of how our thoughts and feelings, the lies we tell ourselves, often play the villains in our story.
Barbie Ferreira moves on from her Euphoria fame to a role which has the potential to make her a indie darling.
“A Thousand Faces” feels like a play where two people needed to take a long hard look at themselves, through the reflection of another.
“Novocaine” is a reminder that spring is coming and we’re exiting the period where movies aren’t expected to be huge hits, but potentially the biggest of the year – with films like “Novocaine” being a warmup.
“Totto-Chan: The Little Girl at the Window” is a sweet movie, which not only gives a historical peek into Japan in the early 1940s but also delivers Totto-chan to the world.
The younger years of Frida Kahlo are brough to life via animation, and produce a wonderful display for those families or kids with someone who has sometimes debilitating ailments.
“The Unbreakable Boy” will make you cry because of the performances that get you so invested in the individual and shared lives of the characters.
“My Dead Friend Zoe” is a tear inducing towards the end and primarily held together by Sonequa Martin-Green’s performance.
“I Love You Forever” joins a growing group of movies that exhibit how abuse begins from even the most unlikely of people, specifically men.
“Ragamuffin” with a focus on a burgeoning queer girl raised in a southern motorcross world, creates the type of story that, with being based on its creator’s life, hopefully becomes a long term passion project.
“Hoops, Hopes & Dreams,” alongside presenting how President Obama used Dr. Martin Luther King Jr.’s playbook, also presents MLK in the most engaging way you’ve ever seen.
“Remember Me” feels like the pitch for an odd, but lovable and relatable show.
A trip home doesn’t always mean a safe nor happy place, but you learn to make the best of it for the silver lining of what family could be.
“Como Si La Tierra Se Las Hubiera Tragado” reminds you of one of the many stories that continue, even when they aren’t the latest headline.
“Inkwo for When the Starving Return” has the makings of an anime that could aspire to the levels of “Avatar: The Last Airbender.”
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.