Sinners (2025) Review & Summary
Sinners further cements that Coogler and Jordan are one of the top actor and writer/director duos in American media currently, with signs they will raise each other’s pedestal each time they work together.
Some of the best-seen movies we have ever watched and mentioned to friends, family, and strangers as films that need to be seen.
Sinners further cements that Coogler and Jordan are one of the top actor and writer/director duos in American media currently, with signs they will raise each other’s pedestal each time they work together.
“I Love You Forever” joins a growing group of movies that exhibit how abuse begins from even the most unlikely of people, specifically men.
“Ragamuffin” with a focus on a burgeoning queer girl raised in a southern motorcross world, creates the type of story that, with being based on its creator’s life, hopefully becomes a long term passion project.
“Hoops, Hopes & Dreams,” alongside presenting how President Obama used Dr. Martin Luther King Jr.’s playbook, also presents MLK in the most engaging way you’ve ever seen.
“Como Si La Tierra Se Las Hubiera Tragado” reminds you of one of the many stories that continue, even when they aren’t the latest headline.
“Love, Brooklyn” has the makings of a classic that evolves as its initial audience watches it over and over throughout their lifetime.
“Allswell In New York” will likely become a movie you badly wish was at least a mini-series, for while a completed film, it feels like such a tease.
“An Almost Christmas Story” is the perfect way to start the season, especially if you have little ones.
“The Best Christmas Pageant Ever” is a tear-inducing movie that reminds us that it really only takes one person, giving grace and kindness, to change the hearts of many.
“Kill” may seem like your straight forward beat em’ up, but it provides so much more than that, to the point of putting all action films released after it on notice.
Starring Natalie Dormer and Naomi Harris, prepare for twists, reveals, and a shocking ending that reminds you the writing needs to match the performances for any surprises to work.
Starring Jenna Ortega and Percy Hynes White known for “Wednesday”, in this Tribeca Film Festival release, the two are seniors unsure of where their relationship could or should go.
Zendaya plays the third wheel in one of the most intense love triangles in modern cinema.
Set in 1992, Chicago, specifically the – projects “We Grown Now,” is a coming-of-age film with few peers to compare it to quickly.
In a complicated revenge tale, one assault leads to the desire to create revenge porn but when a romance blooms, so begins the question of whether to take things that far?
“Welcome Home, Franklin” does more than give Franklin Armstrong’s backstory; it reminds you of when you were young, yearning for a friend, and found that perfect person.
Netflix’s “Orion and the Dark” is a colorful display of our childhood fears and a movie Pixar wish it had made.
“Which Brings Me To You” is an Olympic showing of Nat Wolff and Lucy Hale’s abilities as romantic leads, but beyond the romance their characters share are the lessons that made them right for each other.
Let the “The Holdovers” be your family in what’s possibly my favorite movie this year.
While Julianne Moore and Natalie Portman face off in ways that remind you of their most wicked characters, Charles Melton, trapped in the middle, finds room to have a remarkable performance, likely to shift his career.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.