Cold Copy (2023) – Movie Review and Summary (with Spoilers)
Tracee Ellis Ross continues to push beyond her comedy empire with the kind of role which deserves to be in awards contentions.
Some of the best-seen movies we have ever watched and mentioned to friends, family, and strangers as films that need to be seen.
Tracee Ellis Ross continues to push beyond her comedy empire with the kind of role which deserves to be in awards contentions.
“The Listener,” focused on a peer crisis hotline worker, is a stirring, frustrating, and potentially tear-inducing film.
“The Blackening” is one of the funniest films I’ve seen in years and has the makings of being a classic thank to being funny throughout the whole film, and not just a handful of scenes.
“Book Club 2: The Next Chapter” is a light-hearted, funny, and beautiful portrait which uses Paulo Coelho’s “The Alchemist” as the catalyst for everything.
An Army sergeant gathering intel on the taliban enlists the aid of an Afghan translator/interpreter who ends up saving his life through impossible odds.
This nightmare comedy dives into your worst fears. You could love it and you can hate it, but you should really see Beau is Afraid.
In “John Wick: Chapter 4,” the sheer relentless craft in action will amaze you, exhaust you, then amaze you again.
RRR is an epic adventure tale showcasing the power of resilience, friendship, and Indian cinema.
The Last Wish adds emotional depth in a blast of color and fun antics throughout the film.
Beyond airing out his feelings about Will Smith, Chris Rock reminds you why he is one of the most revered comedians in comedy.
If Teyana Taylor is going to give up on her music career, the gift of her performance in “A Thousand And One” makes up for it.
In this epic exploration of an Iranian Mother and her American-raised daughter’s relationship, you get a story that feels like a friend revealing a recent discovery of their family history to you.
“Little Richard: I Am Everything” is more than a documentary on the architect of Rock n’ Roll, but an Ivy League course, shrunk to a little over an hour and a half, about his social and musical impact.
What starts as a cute love story set in the financial world becomes the type of film that will infuriate you and make you yell at the protagonist about what they need to do to win you back.
“Missing,” a pseudo-sequel to 2018’s “Searching,” is the kind of mystery/ thriller that gets your heart pumping and glued to the screen like a kid watching Cocomelon.
While I don’t think anyone was asking for a “House Party” remake, you’ll be glad we got one.
“A Man Called Otto” is the perfect way to end 2022, especially if you need a good cry.
“Whitney Houston: I Wanna Dance With Somebody” will make you forget the countless TV movies that predates it.
“In Her Hands” is a draining, in the best way, documentary to watch as you come to understand how imperialism affects those subjugated.
In “Selena Gomez: My Mind & Me,” we’re reminded how easily a celebrity becomes a product, as they are stripped of their humanity and spend their whole career trying to regain what it means to be a normal person.
“Bro” lives up to the hype and precedent it wants to set as one of the biggest gay romantic comedies, if not one of the best romantic comedies.
“Don’t Worry Darling” solidifies Olivia Wilde’s name as someone who can be trusted when they’re noted as the director.
“Not Okay” may star Zoey Deutch and feature her on the poster, but Mia Isaac’s performance and character becomes the shining star.
In this alternate take on what happened in the Garden of Eden, Lilith decides to illuminate Eve to the truth about Adam and who is the first woman.
In “Pete,” whether trans, non-binary, or simply Pete, we watch as a young kid and their mom pursue the joys of little league baseball.
When your culture is commercialized and its history downplayed or erased, there are times you have to remind yourself and others that who you are isn’t for someone’s entertainment.
“Cha Cha Real Smooth” is an undisputable reason to dust off your Apple TV+ account or start a free trial.
In perhaps the cutest short you’ll ever see, we watch a little girl idolize her mother’s hoop earrings and question what powers they hold.
With “Hustle,” Netflix has seemingly made a commitment not only to Adam Sandler’s career as a comedian but also as a notable dramatic actor.
Better than the first, Grace VanderWaal returns as Stargirl, but now in Los Angeles, and as she crafts a new community, she hopes her mom’s instability doesn’t ruin her new home.
Vermin are invading forces, and Mason decides, with them escalating things, he is going to match their energy and surpass them.
Swarm is one of the first from Volume III which pushes you to want a sequel if/when we get a volume IV.
In the musical Sneakerella, you get an almost DCOM vibe from the latest Disney+ release.
Along For The Ride takes you on an emotional journey as you watch people heal, grow, experience many first-time moments, and get the strength to start a new chapter in their lives.
Pompo The Cinephile is an ode to anyone who has a dream who sacrificed for it, and were ready to settle when they thought their dream was soon to die.
As They Made Us is an ode to children with complicated relationships with their parents, who stuck by them even when they knew, and were told they shouldn’t.
Moon Manor is a beautiful, quirky film that discusses the serious topic of death in a way that still manages to be lighthearted and comedic.
As it presents a wonderful mob who did it story, The Outfit puts all its weight behind Mark Rylance, who absolutely kills it!
Heart Shot feels like a cruel tease of a show or film Netflix should have financed already.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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