Sorry, Baby (Sundance 2025) Review – Imagine If Empathy & Understanding Were Offered Throughout Your Life
“Sorry, Baby” is proof that being subtle can work if you know how to craft interesting characters and relationships.
Whether you’ll have to go to the movies, download or stream, movies of this category are worth your time and money with few, if any, qualms from us.
“Sorry, Baby” is proof that being subtle can work if you know how to craft interesting characters and relationships.
“Virgin of the Quarry Lake” is a surprisingly bloody coming of age story, focused on a girl looking to have just one thing after a life filled with abandonment.
“Love, Brooklyn” has the makings of a classic that evolves as its initial audience watches it over and over throughout their lifetime.
“Companion” pushes Sophie Thatcher to the point of showing not only is she the top scream queen out there, but she could conquer the drama genre next.
“Disfluency” delivers a nuanced take on a devastating life event in ways that remind you there is no one way you must handle things.
“I Feel Fine” lulls you into the sense that this will be like any other coming-of-age movie, leading to the gut punch of realizing this is a film that may not have a happy ending.
While sometimes feeling like it lacks the expected payoff, “Inheritance” helps Phoebe Dynevor seem like a safe bet if she’s associated with a production.
“The Colors Within” creates what feels like a coming of age tale that doesn’t have overdone characters, struggles, or triumphs.
With Martin Portlock switching between Pennywise and Joker, and the surprising LGBT+ themes make “Peter Pan’s Neverland Nightmare” shocking in more ways than one.
“One Of Them Days” is the kind of comedy that you can see become a single outing or a franchise in Issa Rae and Keke Palmer’s filmographies – depending on how well it does.
“Bloody Axe Wound” achieves the rare balance of being funny, heartfelt, romantic, and bloody.
“Babygirl” is the rare example where the story deserves more attention than the performances.
Beyond being an inspirational story focused on Claressa Sheilds, “The Fire Inside” is a coming-of-age story you rarely see Black girls have on the big screen.
“Allswell In New York” will likely become a movie you badly wish was at least a mini-series, for while a completed film, it feels like such a tease.
“The Day Before Christmas” gives you a corny but likable romance building around Christmas.
“The Fix” is a reminder that sci-fi productions don’t always need a major backer to look good and hold something compelling.
BET+’s staple holiday franchise returns with the Wesley family heading to South Africa as Todd and Chris’ company tries to close a deal with a major South African tech firm and family.
“An Almost Christmas Story” is the perfect way to start the season, especially if you have little ones.
A cast of familiar faces, ranging from Lynn Whitfield to J. Alphonse Nicholson, delivers a holiday movie that is dramatic but a bit more serious than your usual fare.
“The Best Christmas Pageant Ever” is a tear-inducing movie that reminds us that it really only takes one person, giving grace and kindness, to change the hearts of many.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.