Como Si La Tierra Se Las Hubiera Tragado: Review
“Como Si La Tierra Se Las Hubiera Tragado” reminds you of one of the many stories that continue, even when they aren’t the latest headline.
Whether you’ll have to go to the movies, download or stream, movies of this category are worth your time and money with few, if any, qualms from us.
“Como Si La Tierra Se Las Hubiera Tragado” reminds you of one of the many stories that continue, even when they aren’t the latest headline.
“Inkwo for When the Starving Return” has the makings of an anime that could aspire to the levels of “Avatar: The Last Airbender.”
“Sorry, Baby” is proof that being subtle can work if you know how to craft interesting characters and relationships.
“Virgin of the Quarry Lake” is a surprisingly bloody coming of age story, focused on a girl looking to have just one thing after a life filled with abandonment.
“Love, Brooklyn” has the makings of a classic that evolves as its initial audience watches it over and over throughout their lifetime.
“Companion” pushes Sophie Thatcher to the point of showing not only is she the top scream queen out there, but she could conquer the drama genre next.
“Disfluency” delivers a nuanced take on a devastating life event in ways that remind you there is no one way you must handle things.
“I Feel Fine” lulls you into the sense that this will be like any other coming-of-age movie, leading to the gut punch of realizing this is a film that may not have a happy ending.
While sometimes feeling like it lacks the expected payoff, “Inheritance” helps Phoebe Dynevor seem like a safe bet if she’s associated with a production.
“The Colors Within” creates what feels like a coming of age tale that doesn’t have overdone characters, struggles, or triumphs.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.