Proof Of Concept (2023) – Movie Review and Summary (with Spoilers)
Pitching any kind of film, short film included, and getting financing is hard – but imagine trying to pitch to your dad and uncle who don’t get your vision that much.
Whether you’ll have to go to the movies, download or stream, movies of this category are worth your time and money with few, if any, qualms from us.
Pitching any kind of film, short film included, and getting financing is hard – but imagine trying to pitch to your dad and uncle who don’t get your vision that much.
A half-Tongan girl is being raised by her White mother, surrounded by her mother’s family, and finds herself enchanted by a pocket of her father’s culture in a local market.
Alcoholism is a disease which can get passed down from generation to generation but separately, then together, a mother and daughter seek out help with their addiction.
“Starling” balances being cute and sad as a young spirit returns home for their birthday.
“A Fox In The Night” seems like the beginning of an unexpected romance, and this is an extended trailer.
What better way to end 2023 Pride than a movie like “Nimona,” which reminds you how quickly hate spreads when powered by fear and the power behind being able to self-identify?
“Fairytales” is an exception to what you usually get when you see a young person in that it isn’t a coming-of-age tale or a sterile children’s story, but what it is like to be a kid.
Presenting multiple examples of advocating for others and yourself, “Restless Is The Night” is both cautionary and a call to action.
“Corvine” reminds you how much the support of parents matters when you are a little kid.
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“Blood” takes a different approach than many when it comes to questioning or bringing up a cultural faux pas.
“Cinnamon” packs multiple genres and cinematic flourishes within its 90 minutes that will leave your mouth agape, shaking your head, sometimes laughing, but never looking away.
“Daddy Issues” is a reminder of the awkwardness which can come the final stages of coming-of-age.
“Boca Chica” is a gorgeous, painful, yet sobering look at the lies families tell themselves in order to survive.
Tragic and graphic, “The Angry Girl and Her Monster” causes the kind of combative feelings that make it something you have to experience for yourself.
A disturbing, cinematic journey, offering a thought-provoking exploration of toxic relationships, and resilience, alongside cultural and personal patterns.
Alongside being visually stunning, almost AAA video game quality at times, “Deep Sea” is an emotional experience, especially as it enters its third act.
“Surrounded” is a terrific and brutal showcase for Letitia Wright and Jamie Bell with gorgeous scenery in this Western.
“Let the Canary Sing” is an intimate portrayal of struggle and joy for Cyndi Lauper’s voice and activism.
In “I.S.S.,” it appears Ariana DeBose plans to actively avoid the usual Oscar slump a lot of people, especially people of color, experience via a sci-fi drama where there is a nuclear war and a battle for the International Space Station.
“The Line” is a wonderful showcase for Austin Abrams’ talent as it wastes both Halle Bailey and Angus Cloud.
Alongside delivering the expected laughs, “Joy Ride” is an emotional story about culture, identity, and how friends can reaffirm who you are.
Tracee Ellis Ross continues to push beyond her comedy empire with the kind of role which deserves to be in awards contentions.
“The Listener,” focused on a peer crisis hotline worker, is a stirring, frustrating, and potentially tear-inducing film.
“Our Son” presents a shift in Billy Porter’s career from being the loudest in the room due to his booming voice to being the most notable due to his performance.
Georgia Oakley’s “Blue Jean” is an honest, complex, and relevant portrait of how anti-LGBT laws impact the individual.
“The Blackening” is one of the funniest films I’ve seen in years and has the makings of being a classic thank to being funny throughout the whole film, and not just a handful of scenes.
Tina Satter’s direction and Sidney Sweeney’s performance create a terrifying yet true nightmare in “Reality.”
“Spider-Man: Across the Spider-Verse” is a thrilling and gorgeous tribute to animation and superheroes, yet it spins more webs than it can handle.
“Bottoms” might be one of the first notable dark-humor teen sex comedies that don’t feel like a female version of something you saw before.
Margaret Qualley presents a dictionary-worthy depiction of mind f*** that deserves notice.
“Book Club 2: The Next Chapter” is a light-hearted, funny, and beautiful portrait which uses Paulo Coelho’s “The Alchemist” as the catalyst for everything.
Guardians of the Galaxy may be a rocky and exhaustive journey, but its heart in Rocket provides a fitting end to Marvel’s gang of misfits.
While there has always been peer pressure and conversations regarding a biological clock regarding maternity, “Clock” depicts the experience in all its horror.
An Army sergeant gathering intel on the taliban enlists the aid of an Afghan translator/interpreter who ends up saving his life through impossible odds.
Family togetherness takes a dark turn as Mommy is possessed by the Deadites and looks to unite her whole family in her bloody quest!
“Polite Society” has all the workings of a sleeper hit thanks to its blend of action, comedy, and injection of culture to make it stand out.
This nightmare comedy dives into your worst fears. You could love it and you can hate it, but you should really see Beau is Afraid.
“Are You There God, It’s Me Margaret” is the kind of coming-of-age story that isn’t produced enough with this amount of marketing.
An ancient evil possesses a 12-year-old boy with larger designs on the pope’s exorcist.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.