Surprised By Oxford (2023) – Movie Review/Summary
“Surprised By Oxford” pushes you to recognize it as a romance film, but without having the lead obsessed with the idea of finding love.
Whether you’ll have to go to the movies, download or stream, movies of this category are worth your time and money with few, if any, qualms from us.
“Surprised By Oxford” pushes you to recognize it as a romance film, but without having the lead obsessed with the idea of finding love.
Eddie Murphy has his first, surprisingly, holiday movie, and between Jillian Bell and Chris Redd, you’ll find yourself laughing with the kids in the room too.
Let the “The Holdovers” be your family in what’s possibly my favorite movie this year.
In this disaster movie, instead of action stars, we get leads known for their dramatic abilities who are tasked with surviving apocalyptic situations with none of them playing the role of the world’s savior.
Connie Cocchia’s “When Time Got Louder” is a gentle and heartfelt coming-of-age movie and family drama.
While Julianne Moore and Natalie Portman face off in ways that remind you of their most wicked characters, Charles Melton, trapped in the middle, finds room to have a remarkable performance, likely to shift his career.
“Rustin” depicts a civil rights icon in ways not seen since Denzel Washington played Malcolm X.
Matthias Hoene and Neil Linpow’s “The Last Exit” is a good rainy day movie with plenty of twists and thrills.
If you wanted violence, gore, and a villain whose madness is almost justifiable, “Thanksgiving” makes up for the rather tame offerings we got in October.
In one of Angus Cloud’s final movies, he plays a Fez-like character who ends up in a situation where you not only question if he may live but damn near everyone in the movie.
Netflix’s “The Killer” showcases David Fincher at his most wry and ruthless. Fedoras and Hawaiian shirts have never been so menacing.
“The Tunnel to Summer, the Exit of Goodbyes” doesn’t overstay its welcome, and by getting to the point, getting you invested, teary-eyed, and sending you on your way, it is the best kind of entertainment.
Daisy Ridley continues to prove she’ll have a career beyond Star Wars as she plays the daughter of a kidnapping and murderer.
“Anatomy Of A Fall” will likely become this year’s top mystery movie, with the kind of performances that will likely cause the film and its lead actress to resurge in the zeitgeist when it’s time to dole out accolades.
In what may feel like a slightly familiar underdog story, a woman, who has recently been widowed, has to fight for what’s left from her marriage to secure her comforts and future.
Martin Scorsese’s “Killers of the Flower Moon” is a disturbing yet necessary story depicting genocide in Osage County and the horrors of greed.
While we are the first to call to question why any movie needs to be three hours, “About Dry Grasses” makes the best use of its time through enviable conversations and how it deconstructs its lead.
Juan Sebastian Torales’ “Almamula” demonstrates that for gay youth, religion can be far scarier than the demons it preaches about.
Sandra Itäinen and Eman Abdelhadi’s documentary “Coming Around” displays the pain and beauty of generational change and intersectionality for a Muslim gay woman.
Luke Gilford’s queer cowboy movie “National Anthem” exudes so much warmth that it bursts from the screen and wraps its arms around you.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.