Mea Culpa (2024) Review: Tyler Perry’s Take on Shondaland Dynamics
“Mea Culpa” portrays the struggles of Mea, a defense attorney, balancing career success with personal turmoil amid family conflicts and a high-profile murder case.
Discover our top picks and latest reviews spanning from blockbuster hits to indie films, shorts, and festival premieres across various platforms.
“Mea Culpa” portrays the struggles of Mea, a defense attorney, balancing career success with personal turmoil amid family conflicts and a high-profile murder case.
“Ashes” is more grey dirt than fire in Netflix’s new Turkish romance/thriller.
The final entry in the “Through My Window” franchise, “Through My Window – Looking At You,” might be the best one yet, partly thanks to the 2nd movie removing a certain character.
“Kemba” presents an important case highlighting how the NAACP, specifically the Legal Defense Fund (LDF), didn’t stop being assets after the 1960s.
“Bleeding Love” takes on a road trip that’s kept engaging by Ewan and Clara McGregor’s performances.
While “Ordinary Angels” isn’t firmly in the “faith-based” movie camp, it is undoubtedly a reminder that angels may appear in the strangest forms when you have reached a low point.
“No Way Up” feels like a fine survival drama trapped in a B-movie shark thriller.
“Welcome Home, Franklin” does more than give Franklin Armstrong’s backstory; it reminds you of when you were young, yearning for a friend, and found that perfect person.
Seemingly inspired by Jennifer Lopez’s own journey to find her forever love, “This Is Me… Now” encapsulates Lopez’s past in a way that could cause mixed feelings.
“Double Blind” is an intriguing experiment for viewers, but it wavers between making you a thrilling participant and passive observer.
“Players” has all the workings of a multi-season sitcom squeezed into a less than 2-hour movie.
Keir O’Donnell’s “Marmalade” is a madcap heist movie with plenty of charm and originality to boot.
In this campy horror-comedy, a young woman who just immigrated to England, got dumped and, alongside her co-workers, decides to get playful revenge, but things turn deadly.
Life goes from bad to worse in Nicola Peltz’s messy directorial debut, “Lola.”
“Skeletons In The Closet” may make you curious, thanks to the inclusion of Terrence Howard and Cuba Gooding Jr., but it lacks anything to justify your initial interest.
Andrea Bang stars in “Float,” which puts a dry romance front and center over all the ways this could have been intriguing.
Netflix’s “Orion and the Dark” is a colorful display of our childhood fears and a movie Pixar wish it had made.
“Played and Betrayed,” featuring “House of the Dragon” actress Savannah Steyn is in line with many of Tubi’s offerings, for better or worse.
Many films claim to be a sex comedy, but “Sex-Positive” truly lives up to its name and title of the subgenre.
While “Upgraded” is predictable and doesn’t pursue standing out, it is enjoyable if you allow it to be.
“Calamity Jane” feels like 90 minutes of people doing cosplay.
“Lisa Frankenstein” doesn’t merely ride the wave of Frankenstein-type movies but carves out its own little niche thanks to the combination of those in front of and behind the camera.
While it hones in on the comedy, “Scrambled” also recognizes the societal pressure to have kids and a family, and having things figured out by a certain age can trigger a meltdown.
Jenna Ortega matches wits with Martin Freeman, in a movie that has them blur the lines between student and high school teacher.
Daniel Hoesl and Julia Niemann’s dark satire “Veni Vidi Vici” begins with an extreme premise and no where else to go afterwards.
“Rob Peace” brings you into the world of a brilliant young man whose love for his hood may end up being his downfall.
Astrid Rondero and Fernanda Valadez’s “Sujo” is a beautiful, quiet Mexican film about a boy trying to escape the dangers and trauma of generations.
Mikko Makela’s “Sebastian” presents sex work in a curious and empowering light that we rarely see on screen.
In a movie that may have more scenes of landscapes and walking than dialog, viewers are pushed to notice the subtle shift in dynamics between a father, daughter, and the father’s odd friend.
Like most Sci-Fi movies void of action or suspense, “Love Me” feels longer than it needs to be, leading to its highlights becoming muddled.
Shuchi Talati’s “Girls Will Be Girls” is a gorgeous labyrinth of womanhood and mother-daughter relationships that should not be missed.
“Trunk – Locked In” reminds you of one of the many irrational fears a person can have, and why not prepping for the worst and hoping for the best can mean whether you live or die.
“In The Summers” is an almost bittersweet look at the relationship between a father and his daughters, as you question if his imperfections may sour their relationship to the point of abandonment.
Sean Wang’s “Didi” is an impressive and intimate visual diary of teen life in the early 2000s.
“Beautiful Wedding” exists because there is an audience more than it has any desire to move the story forward or mature its characters.
“Exhibiting Forgiveness” might be a challenging watch for anyone who has a less-than-ideal relationship with a parent, especially if drugs and family violence is why.
“Which Brings Me To You” is an Olympic showing of Nat Wolff and Lucy Hale’s abilities as romantic leads, but beyond the romance their characters share are the lessons that made them right for each other.
“The Breaking Ice” may lack what you’d expect from a love triangle, but you can appreciate each character’s humanity in its subtlety.
With less characters to keep track of and the eponymous Angel taking lead, “Dutch II: Angel’s Revenge” is an improvement but follows familiar beats.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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