Dutch – Movie Review and Summary
In what feels like a wasted opportunity for a show vs. a movie, a man goes on a trial where he knows the cards are stacked against him.
Discover our top picks and latest reviews spanning from blockbuster hits to indie films, shorts, and festival premieres across various platforms.
In what feels like a wasted opportunity for a show vs. a movie, a man goes on a trial where he knows the cards are stacked against him.
“Time Still Turns The Pages” will make you cry for slightly unexpected reasons and delivers perhaps one of the best juvenile performances.
Jake Johnson’s “Self Reliance” is the type of original and breezy comedy more studios should be making.
In what is another push to transform Kevin Hart from his “Big Little Man” persona into a legitimate action star, he leads a heist crew forced to work for Interpol.
An isolated AI finds themselves luckily being in the company of two criminals who can potentially give them freedom, if they are foolish enough to let them out.
In this watch and forget you saw it type movie, we learn about a woman who is trying to end her contract killer so that, for the first time in her life, she can have normalcy.
In many ways, “Origins” feels like a one-hour documentary turned 2+ hour drama despite having strong enough thoughts and messages that didn’t need a dramatization.
With “The Beekeeper,” Jason Statham continues to be the reigning king of action movies and is likely to deliver the first hit of 2024.
“One Night Stay” is a thriller that doesn’t know how to end, so it delivers something quick and shoddy.
“Society of the Snow” is a harrowing and horrific depiction of survival.
In “Good Grief,” the universality of loneliness is explored, whether single due to death, a break-up, rejection, or just never getting to be “The One.”
“Night Swim” may scratch that itch for horror fans who need a jump scare, but it certainly won’t start off the year on a high note for Blumhouse like “M3GAN” did.
While “The Book of Clarence” may seem potentially controversial because it contains Jesus of Nazareth, outside of some of the conversations it could start, it is tame to the point of being boring.
As migrant workers increasingly disappear, a cop still mourning their partner finds the case to be just the distraction she needs.
“The Pod Generation” explores what childbearing and rearing might be like in a future where women don’t have to get pregnant.
While it has a bit of a slow start, once “Bad Lands” gets into the personal drama of its lead with others, it picks up quickly.
Out of Hand, a Tubi original, feels like a porno without any porn.
“Rebel Moon —Part One: Child of Fire,” I’d love to say, was all visuals and no substance, but the visuals don’t necessarily leave you awestruck either.
In this relatively short drama, two people, trying to immigrate to the United States, find themselves getting interrogated at Newark Airport.
Between the music and performances, the 2023 version of “The Color Purple” does enough to stand out, but it sometimes falters if you compare it to the 1985 movie.
In this dream-jumping fantasy, a young woman, reeling from her father’s death, gets involved with boys who take part in something supernatural and potentially deadly.
With the recent death of the friend who bound them, the five who remain try to see if they can move forward together rather than continue to drift apart.
In what may feel like a stuffed holiday movie, three women face romantic or platonic love, with reactions that remind you how challenging serious relationships can be.
Lifetime’s “A Christmas Intern” is a fine but forgettable holiday romance.
In Christopher B. Stokes and Marques Houston’s latest, there is the question of whether a comeuppance will come for a man who stepped out on his marriage for feeling neglected.
In “Anyone But You” two people find themselves in a push and pull situation as they fake a relationship they realize might be just what they needed.
Like Leonard Bernstein himself, Bradley Cooper’s “Maestro” stays intriguing and frustrating in what it decides to show and hide about the legendary composer.
A murder accusation leads a woman to try to work with a corrupt cop for her freedom or suffer jail time.
In a film heavily focused on the art of food, sometimes it makes the characters and story secondary.
The cast and crew all seem to be part of this bad action movie as a “Last Resort.”
If you ever wondered how far can Christmas movies go to make it seem like love can push past damn near anything, come and read about “Christmas Rescue.”
“Poor Things” is a bizarre dark comedy featuring a coming-of-age story and the sexual awakening of a woman given a second chance at life.
“The Iron Claw” may not go far enough to push any specific actor into an accolade conversation, but there is no denying this movie can drive you to tears.
Timothee Chalamet, in channeling the light, curiosity, and silliness of Willy Wonka, brings the more lovable side out of the iconic character.
“Lord of Misrule” excels at setting the tone for a frightening time, but after a while, the shadows and masks can be tiresome.
“The Sacrifice Game” starts promising but by the end, the real crime is sacrificing time to watch this movie.
In this sweet-as-can-be movie, a woman learns to say yes to something outside of working toward career goals, allowing her to have a fulfilling personal life.
In this Santa Claus horror film, you get blood, literal guts, and the type of scenes that aren’t noteworthy until they get particularly gruesome.
Bollywood takes on the Archie comics in Netflix’s clever and creative “The Archies.”
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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