Bunnylovr (Sundance 2025) Review – Is It Wrong To Judge Someone By Their Kinks?
“Bunnylovr” presents subtle and tame in ways that indeed are not for everyone.
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“Bunnylovr” presents subtle and tame in ways that indeed are not for everyone.
“Companion” pushes Sophie Thatcher to the point of showing not only is she the top scream queen out there, but she could conquer the drama genre next.
“Disfluency” delivers a nuanced take on a devastating life event in ways that remind you there is no one way you must handle things.
While “Grafted” has a body horror element that appeals to subgenre fans, it lacks anything else that will captivate them.
“I Feel Fine” lulls you into the sense that this will be like any other coming-of-age movie, leading to the gut punch of realizing this is a film that may not have a happy ending.
While sometimes feeling like it lacks the expected payoff, “Inheritance” helps Phoebe Dynevor seem like a safe bet if she’s associated with a production.
“Marked Men” is made for a specific audience, and to capture that audience, it contains everything that could be interesting about this film – but fails in execution.
“The Colors Within” creates what feels like a coming of age tale that doesn’t have overdone characters, struggles, or triumphs.
While Isabelle Fuhrman creates a connection with viewers, her connection with Mena Massoud is tainted too early in “Wish You Were Here” to remain in love with the idea of these two.
With Martin Portlock switching between Pennywise and Joker, and the surprising LGBT+ themes make “Peter Pan’s Neverland Nightmare” shocking in more ways than one.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.