Played and Betrayed – Movie Review and Summary
“Played and Betrayed,” featuring “House of the Dragon” actress Savannah Steyn is in line with many of Tubi’s offerings, for better or worse.
Discover our top picks and latest reviews spanning from blockbuster hits to indie films, shorts, and festival premieres across various platforms.
“Played and Betrayed,” featuring “House of the Dragon” actress Savannah Steyn is in line with many of Tubi’s offerings, for better or worse.
Many films claim to be a sex comedy, but “Sex-Positive” truly lives up to its name and title of the subgenre.
While “Upgraded” is predictable and doesn’t pursue standing out, it is enjoyable if you allow it to be.
“Calamity Jane” feels like 90 minutes of people doing cosplay.
“Lisa Frankenstein” doesn’t merely ride the wave of Frankenstein-type movies but carves out its own little niche thanks to the combination of those in front of and behind the camera.
While it hones in on the comedy, “Scrambled” also recognizes the societal pressure to have kids and a family, and having things figured out by a certain age can trigger a meltdown.
Jenna Ortega matches wits with Martin Freeman, in a movie that has them blur the lines between student and high school teacher.
Daniel Hoesl and Julia Niemann’s dark satire “Veni Vidi Vici” begins with an extreme premise and no where else to go afterwards.
“Rob Peace” brings you into the world of a brilliant young man whose love for his hood may end up being his downfall.
Astrid Rondero and Fernanda Valadez’s “Sujo” is a beautiful, quiet Mexican film about a boy trying to escape the dangers and trauma of generations.
Mikko Makela’s “Sebastian” presents sex work in a curious and empowering light that we rarely see on screen.
In a movie that may have more scenes of landscapes and walking than dialog, viewers are pushed to notice the subtle shift in dynamics between a father, daughter, and the father’s odd friend.
Like most Sci-Fi movies void of action or suspense, “Love Me” feels longer than it needs to be, leading to its highlights becoming muddled.
Shuchi Talati’s “Girls Will Be Girls” is a gorgeous labyrinth of womanhood and mother-daughter relationships that should not be missed.
“Trunk – Locked In” reminds you of one of the many irrational fears a person can have, and why not prepping for the worst and hoping for the best can mean whether you live or die.
“In The Summers” is an almost bittersweet look at the relationship between a father and his daughters, as you question if his imperfections may sour their relationship to the point of abandonment.
Sean Wang’s “Didi” is an impressive and intimate visual diary of teen life in the early 2000s.
“Beautiful Wedding” exists because there is an audience more than it has any desire to move the story forward or mature its characters.
“Exhibiting Forgiveness” might be a challenging watch for anyone who has a less-than-ideal relationship with a parent, especially if drugs and family violence is why.
“Which Brings Me To You” is an Olympic showing of Nat Wolff and Lucy Hale’s abilities as romantic leads, but beyond the romance their characters share are the lessons that made them right for each other.
“The Breaking Ice” may lack what you’d expect from a love triangle, but you can appreciate each character’s humanity in its subtlety.
With less characters to keep track of and the eponymous Angel taking lead, “Dutch II: Angel’s Revenge” is an improvement but follows familiar beats.
In what feels like a wasted opportunity for a show vs. a movie, a man goes on a trial where he knows the cards are stacked against him.
“Time Still Turns The Pages” will make you cry for slightly unexpected reasons and delivers perhaps one of the best juvenile performances.
Jake Johnson’s “Self Reliance” is the type of original and breezy comedy more studios should be making.
In what is another push to transform Kevin Hart from his “Big Little Man” persona into a legitimate action star, he leads a heist crew forced to work for Interpol.
An isolated AI finds themselves luckily being in the company of two criminals who can potentially give them freedom, if they are foolish enough to let them out.
In this watch and forget you saw it type movie, we learn about a woman who is trying to end her contract killer so that, for the first time in her life, she can have normalcy.
In many ways, “Origins” feels like a one-hour documentary turned 2+ hour drama despite having strong enough thoughts and messages that didn’t need a dramatization.
With “The Beekeeper,” Jason Statham continues to be the reigning king of action movies and is likely to deliver the first hit of 2024.
“One Night Stay” is a thriller that doesn’t know how to end, so it delivers something quick and shoddy.
“Society of the Snow” is a harrowing and horrific depiction of survival.
In “Good Grief,” the universality of loneliness is explored, whether single due to death, a break-up, rejection, or just never getting to be “The One.”
“Night Swim” may scratch that itch for horror fans who need a jump scare, but it certainly won’t start off the year on a high note for Blumhouse like “M3GAN” did.
While “The Book of Clarence” may seem potentially controversial because it contains Jesus of Nazareth, outside of some of the conversations it could start, it is tame to the point of being boring.
As migrant workers increasingly disappear, a cop still mourning their partner finds the case to be just the distraction she needs.
“The Pod Generation” explores what childbearing and rearing might be like in a future where women don’t have to get pregnant.
While it has a bit of a slow start, once “Bad Lands” gets into the personal drama of its lead with others, it picks up quickly.
Out of Hand, a Tubi original, feels like a porno without any porn.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.