Discover our top picks and latest reviews spanning from blockbuster hits to indie films, shorts, and festival premieres across various platforms.
Starring Elliot Page, known for “The Umbrella Academy”, in this NewFest Pride release, Page plays a transman returning home for the first time in 4 years since transitioning and dealing with their friends and family awkwardly trying to reintegrate back into his life.
Starring Natasha Marc and Robert Ri’Chard, in this BET+ release, a man decides to get revenge for his fallen wife, and you’re sadly left taking his word due to a lack of character development.
Starring Mark Clennon, based on the experience of director, writer, and editor M.H. Murray, in this theatrical release, we experience the aftermath of a man being assaulted.
Starring Glen Powell, known for the recent hit “Anyone But You”, in this Netflix release, he plays an everyday guy thrust to pretend to be a hitman for the New Orleans Police Department in a movie based on a real person.
You may see yourself in Michael Glover Smith’s “Relative,” but that doesn’t make for an exciting watch.
“Darkness of Man” shows Jean-Claude Van Damme can still take a punch and provide emotional gravitas.
“Faceless After Dark” has a lot to say and a lot to stab.
Starring Cassiel Eatock-Winnik and Savana Tardieu, this Tubi release sends teenage boys and girls to a Catholic camp to repent and reform from acting depraved.
Starring Ryan Reynolds, Cailey Fleming, and John Krasinski, in this theatrical release, prepare to cry as a young girl deals with her father needing surgery and imaginary friends grieving over being forgotten.
“Lazareth” feels like a first draft of an intriguing dystopia.
“Babes,” starring Ilana Glazer of “Broad City” and “Survival of the Thickest” star Michelle Buteau, lead Pamela Adlon’s movie depicting the changes a person goes through once they have kids, from their romantic to platonic relationships.
Starring Sasha Pieterse of “Pretty Little Liars” fame, in this digital release, we watch as twin girls attracted to the same man create collateral damage in pursuit of that man.
“Not Another church Movie” is barely a parody of Tyler Perry’s work and person, it is an hour-and-a-half series of insults.
“Turtles All the Way Down” should have come out 10 years ago.
The Hulu documentary “The Contestant” conveys what happens when you take reality TV to its extreme.
As two friends seek out prom dates to hold up a pact they made as kids, you watch a film that seems as beholden to the familiar as its leads are to their promise.
“Tarot” scrapes the surface of the major arcana to create beings good for a jump scare but delivers a story that is more to holdover horror fans than become a classic.
“I Saw The TV Glow” contains a show you’d want to watch, in a movie which may leave you with mixed feelings.
Ryan Gosling reminds you that while “Barbie” was a high point, there is a reason he has been working for three decades.
Stylish, fun, and gross, “Infested” is the most effective spider-horror movie I’ve seen.
In this post-apocalyptic tale, Milla Jovovich continues to show she is one of the top action stars out there, but the writing and story don’t deserve her.
Bloody and gory, as promised, “Boy Kills World” is an action movie that, in the latter half, tries to switch things up to possibly good results.
While you may think “Wildcat” is a biopic, more so, it is a series of short stories by Flannery O’Connor linked up and barely featuring the writer in a notable capacity.
Zendaya plays the third wheel in one of the most intense love triangles in modern cinema.
“Asleep In My Palm” is one of those movies that drop you into a character’s life, doesn’t make much of a push to catch you up, and instead leans towards you seeing someone as they are.
Set in 1992, Chicago, specifically the – projects “We Grown Now,” is a coming-of-age film with few peers to compare it to quickly.
“The Brink Of” may have a few catchy indie pop songs, but the will they or won’t they at the heart of it may not win too many over.
While “Abigail” certain has developed characters that could derive interest, the story is made to only be good enough if the only thing you desire is the type of violence only a vampire movie could have.
In “Parachute,” we’re reminded how love and romance isn’t a cure but sometimes a drug to alleviate symptoms.
Netflix’s Swedish drama “Stolen” will educate and thrill viewers.
As a mutations cause some of humanity to turn into animals, we watch as one family deals with the government’s response.
“Don’t Tell Mom The Babysitter Is Dead” might be another remake of a popular property, but for those unfamiliar with the original, you may find yourself enjoying this.
In a world where monsters attack at night, we see yet another world, post-apocalypse, where a handful of people struggle to survive.
Grab a friend and watch the spicy fun that is “Becky.”
“Snack Shack” is fun but may leave you hungry for something more fulfilling.
There’s more to Derek Pike’s slasher thriller “Model House” than meets the eye.
In a movie that largely sidesteps what the war is about, “Civil War” puts us in the point of view of journalists who make it clear there are no heroes in war, just dead bodies.
“The Greatest Hits” brings visuals to the saying, “Music moves you,” as a woman is repeatedly transported through time when triggered by songs that hold memories of her deceased ex.
“Baby Assassins 2: Babies” delivers much of the same, but without the Yakuza and instead wannabe assassins who want to be official like our leads.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.