Rebel Ridge: Movie Review
Aaron Pierre and AnnaSophia Robb star in a too long for its own good revenge tale that lacks what it needs to justify a 2+ hour runtime.
Discover our top picks and latest reviews spanning from blockbuster hits to indie films, shorts, and festival premieres across various platforms.
Aaron Pierre and AnnaSophia Robb star in a too long for its own good revenge tale that lacks what it needs to justify a 2+ hour runtime.
“The Front Room” starring Brandy is the kind of film that needs to be seen with an audience that will make commentary throughout in order to have the best experience.
“Beetlejuice Beetlejuice” may avoid feeling like a cash grab, but there is no denying it doesn’t present anything notable to justify being made.
Lucy Hale and Keir Gilchrist may deliver familiar characters from their repertoire, but amongst the odd story and comedy of “Running On Empty,” they make it work.
“The Deliverance” mixes the family drama Lee Daniels has become known for with a supernatural horror element that, with Glenn Close’s performance, is a notable watch.
“Hoard” may not use its two hours to the best of its abilities, but star Saura Lightfoot-Leon will keep you engaged throughout.
“Afraid” compensates for not really tapping into the fear it could have consistently produced by giving you characters who deserve a better horror movie.
Willa Fitzgerald and Kyle Gallner star in a violent film where it appears a man is hunting down a woman for reason you’d have to watch the movie to learn why.
Elizabeth Olsen, Natasha Lyonne, and Carrie Coon star as three daughters, partly estranged, who spend time together as they await their father to take his last breath.
Serayah stars in “Robbin,” which, in the pursuit of entertainment, avoids getting bogged in what some may feel would have been worthwhile details.
Hunter Schafer stars in what can be described as a slightly different horror movie than what usually comes out State side, even if it follows familiar beats.
Blake Lively stars in the adaptation of Colleen Hoover’s hit novel, which focuses on a woman with a traumatic childhood who is trying to secure her purpose, reciprocate love, and break generational trauma.
“I Thought My Husband’s Wife Was Dead,” starring Letoya Luckett starts off complicated and intriguing, but as it has to answer questions, it devolves into your usually over the top and messy drama.
Starring Brittany S. Hall, in this AllBlk release, she finds a potential love in a beautiful man played by Lanre Idewu who, like her, holds secrets that someone wants to use to make one of them into a killer.
Josh Hartnett delivers a notable performance under M. Night Shyamalan’s direction and writing, but while the premise is good, things go downhill once it has to be more than a singular idea.
Starring Dylan Sprouse and Patrick Warburton, “The Duel” provides just as many laughs as it creates opportunities to discuss the modern state of masculinity.
Kit Harrington stars in a werewolf movie that is more about the human being, the tortured, insecure soul, than the beast within (no pun intended).
Ryan Reynolds is back as Deadpool and Hugh Jackman comes out of Wolverine retirement to deliver a film more focused on nostalgia than anything else.
Starring Nick Jonas and Alexandra Shipp, we watch a young man romances one woman while he mourns, with his family, the death of his mother.
Naturi Naughton and Tanyell Quian star in “Abducted at an HBCU: A Black Girl Missing Movie,” which explores a fictionalized story of a young woman who gets kidnapped.
Starring actual twins Nicole and Lauren Peters, the two perform in this quick-paced film where actor Shaun Benson plays an intense CEO falling for a lying escort.
In this short film starring India Amateifio of “Queen Charlotte,” Cat Burns’ music is used as inspiration to introduce us to a set of young adults, some of whom are going through it.
Dave Bautista and Chloe Coleman return as their characters face new dynamics in their relationship that brings laughs, action, and some generic Russian villains.
Featuring Peyton List, “The Inheritance” delivers a lot of familiar characters, and a well-tread story, but does give a certain creepiness factor.
In the adaptation of Olaf Olafsson’s hit book, “Touch,” we witness a tear-inducing story of an old man trying to reunite with the woman who got away decades prior.
“Dragonkeeper” focuses on a young girl who is tasked with rescuing a baby dragon, and discovering her true fate, not the assumed one of being a servant.
In this movie featuring Indigenous people and stories, a young woman played by Isa Antonetti, is trying to adjust to her new foster home as her girlfriend is kidnapped by people from her past.
Starring Samantha Neyland Trumbo, we watch as a highly educated surgical resident joins a practice marred by a burgeoning scandal of recent patients being murdered.
Starring “Primo” actress Stakiah Lynn Washington, we watch as she plays an up-and-coming rapper who tries to navigate a cutthroat music industry.
Mia Goth returns as Maxine Minx, and with Pearl in her rear-view, so comes the question if Goth can find a way to justify the latest entry of this franchise as she did in “Pearl?”
In “Little Deaths,” we watch the ebb and flow of a relationship plagued by a disease that doesn’t cause a lockdown but certainly puts immense stress on a delicate relationship.
Colman Domingo uses his talents to give us a prison story about how the RTA (Rehabilitation Through The Arts) changed the lives of some incarcerated people.
Sadie Sink is seduced into joining a cult despite her father, played by Eric Bana, making a career about community and loneliness.
“Humanist Vampire Seeking Consenting Suicidal Person” uses people’s love for vampires as a hook, but maintains your attention through its sweet, comical, and awkward characters.
With “Sins of the Bride,” get ready for a slightly different take on the crazy light-skinned character who becomes disruptive to someone’s relationship.
A young woman with notoriety as a game tester and professional gamer is gifted a new headset that syncs with her brain and brings painful memories to life.
In “I Used To Be Funny,” Rachel Sennott veers towards a more dramatic role, which may struggle at times to hold your attention.
“Kill” may seem like your straight forward beat em’ up, but it provides so much more than that, to the point of putting all action films released after it on notice.
In “Kill Your Lover,” we get a literal depiction of a toxic relationship as a couple finds themselves at a crossroad with one wanting to work things out and the other wanting to leave.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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