Rebel Moon – Child of Fire (Part One) – Movie Review
“Rebel Moon —Part One: Child of Fire,” I’d love to say, was all visuals and no substance, but the visuals don’t necessarily leave you awestruck either.
Discover our top picks and latest reviews spanning from blockbuster hits to indie films, shorts, and festival premieres across various platforms.
“Rebel Moon —Part One: Child of Fire,” I’d love to say, was all visuals and no substance, but the visuals don’t necessarily leave you awestruck either.
In this relatively short drama, two people, trying to immigrate to the United States, find themselves getting interrogated at Newark Airport.
Between the music and performances, the 2023 version of “The Color Purple” does enough to stand out, but it sometimes falters if you compare it to the 1985 movie.
In this dream-jumping fantasy, a young woman, reeling from her father’s death, gets involved with boys who take part in something supernatural and potentially deadly.
With the recent death of the friend who bound them, the five who remain try to see if they can move forward together rather than continue to drift apart.
In what may feel like a stuffed holiday movie, three women face romantic or platonic love, with reactions that remind you how challenging serious relationships can be.
Lifetime’s “A Christmas Intern” is a fine but forgettable holiday romance.
In Christopher B. Stokes and Marques Houston’s latest, there is the question of whether a comeuppance will come for a man who stepped out on his marriage for feeling neglected.
In “Anyone But You” two people find themselves in a push and pull situation as they fake a relationship they realize might be just what they needed.
Like Leonard Bernstein himself, Bradley Cooper’s “Maestro” stays intriguing and frustrating in what it decides to show and hide about the legendary composer.
A murder accusation leads a woman to try to work with a corrupt cop for her freedom or suffer jail time.
In a film heavily focused on the art of food, sometimes it makes the characters and story secondary.
The cast and crew all seem to be part of this bad action movie as a “Last Resort.”
If you ever wondered how far can Christmas movies go to make it seem like love can push past damn near anything, come and read about “Christmas Rescue.”
“Poor Things” is a bizarre dark comedy featuring a coming-of-age story and the sexual awakening of a woman given a second chance at life.
“The Iron Claw” may not go far enough to push any specific actor into an accolade conversation, but there is no denying this movie can drive you to tears.
Timothee Chalamet, in channeling the light, curiosity, and silliness of Willy Wonka, brings the more lovable side out of the iconic character.
“Lord of Misrule” excels at setting the tone for a frightening time, but after a while, the shadows and masks can be tiresome.
“The Sacrifice Game” starts promising but by the end, the real crime is sacrificing time to watch this movie.
In this sweet-as-can-be movie, a woman learns to say yes to something outside of working toward career goals, allowing her to have a fulfilling personal life.
In this Santa Claus horror film, you get blood, literal guts, and the type of scenes that aren’t noteworthy until they get particularly gruesome.
Bollywood takes on the Archie comics in Netflix’s clever and creative “The Archies.”
Thanks to cops wanting to get a local dealer by any means necessary, a young mother finds herself becoming an unwilling CI.
In a rather simple horror-esque movie, a young man finds himself hesitant to befriend a new girl, and it seems he should have followed his instincts.
Three women who spend nearly the entire movie in bikinis handle high-level drug deals in a film that straddles being corny and notably intriguing.
“A Christmas Serenade” feels like a rare, tame holiday movie. But with a heavy focus on faith, a church setting, and quoting of scripture, it might be for those who grow tired of how Christmas movies have become very liberal and dramatic.
“How the Gringo Stole Christmas” is a prime example of how not to shoot a comedy.
“Surprised By Oxford” pushes you to recognize it as a romance film, but without having the lead obsessed with the idea of finding love.
“How I Learned To Fly” is weighed down by focusing heavily on the struggles of its lead characters for too long before giving us a silver lining, levity, or some sign things are going to get better.
“Monster,” as it shifts perspectives from one character to the next, pushes you to ask who the real monster of this story is.
While “Family Switch” hits all the familiar beats of a body swap comedy, it still has enough heart to get you pass the expected results.
Eddie Murphy has his first, surprisingly, holiday movie, and between Jillian Bell and Chris Redd, you’ll find yourself laughing with the kids in the room too.
Let the “The Holdovers” be your family in what’s possibly my favorite movie this year.
“American Fiction” may not have anything new to say with its social commentary about media, but it still is able to deliver laughs, touching moments, and a handful of frustration.
In this holiday movie definitely just made for the adults, after feeling neglected by her husband, Mrs. Claus decides to head to Miami and let her friend potentially push her to do the unthinkable.
Christopher B. Stokes, with Marques Houston, bring you another film in their wheelhouse focused on cheating, secrets, and revenge.
“So Fly Christmas” doesn’t include that awkward gray between relationships, as it focuses on a friendship in which one half has been far more lucky in love than the other.
Who is “Good Burger 2” for? Kenan and Kel are having too much flipping burgers to answer.
In this disaster movie, instead of action stars, we get leads known for their dramatic abilities who are tasked with surviving apocalyptic situations with none of them playing the role of the world’s savior.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.