Discover our top picks and latest reviews spanning from blockbuster hits to indie films, shorts, and festival premieres across various platforms.
Discover our top picks and latest reviews spanning from blockbuster hits to indie films, shorts, and festival premieres across various platforms.
A mother starting over after a divorce finds herself enamored by a young girl with a heartening story who is homeless. Thus she takes her in and finds a renewed energy in her household.
“Gran Turismo” is a well-told but predictable underdog story that coasts to the finish line.
“Susie Searches” struggles due to letting you in on the secret that the film is about.
Delving into the dark underbelly of wealth and deception, ‘The Housekeeper’ masterfully weaves a tale of faith, betrayal, and chilling mysteries that will leave audiences on the edge of their seats.
Netflix and Gal Gadot’s “Heart of Stone” is a disappointing spy film without any heart put into the script or action.
In this soap opera styled movie, there are so many twists, turns, surprises, and betrayals that, while you’ll be able to keep up, you might be left exhausted.
In ‘Brother (2023)’, the compelling tale of two young brothers navigating life in a lower-income community unveils the struggles of immigrant families and the pervasive influence of societal pressures, beautifully framed within a web of budding romances, community bonds, and shocking revelations.
“Corner Office” is a dark comedy starring John Hamm as a disgruntled employee, but you may be just as disgruntled after watching this movie.
“Zom 100: Bucket List of the Dead” is a joyous and bonkers live-action adaptation of the manga. The movie celebrates friendship, dreams, and plenty of zombies.
“Passages,” on the surface, can seem like a narcissistic man trying to have his cake and eat it too, but the deeper it goes, the more you see how relationships were long troubles before social media and app dating.
“Sisters” rushes through most of the sisters’ struggles and even the crimes they try to commit to get themselves out of succeeding bad situations.
The cinematic narrative, “Rub,” unfolds the tribulations of an archetypal everyman figure named Neil, who finds himself teetering on the brink due to his emotionally barren existence and malignant professional setting.
“Big Nunu’s Little Heist” is a South African gem of a movie.
See Jackie Chan and John Cena sit down and talk a lot in “Hidden Strike,” a movie that has had a stalled post-production for 5 years.
Similar to the Spiderman franchise, it seems all the “Teenage Mutant Ninja Turtle” franchise needed was to be rebooted enough times to recapture the magic.
In the midst of glittering coastal settings and high-tech antics, “Zoey 102” takes viewers on a nostalgic trip back to explore unresolved sentiments and unveil the unforeseen transformations of beloved characters.
“The Baker” entertains throughout its run time but is ultimately forgettable.
“The Beanie Bubble” is a comedic and dramatic tale about the ’90s Beanie Baby mania, but it’s light on comedy and drama.
While a unnecessary reboot, there is no denying this adaptation aims to bring something different.
Jim Cavaziel auditions to be Liam Neeson’s successor as he takes on becoming the savior for children kidnapped and put into the sex trafficking industry.
To some surprise, “Strays” not only delivers the kind of jokes and situations those who love politically incorrect comedy will enjoy but get dog lovers in their feelings.
“Three Months” is a vibrant coming-of-age film that explores a young man’s journey through potential HIV diagnosis, untraditional relationships, and self-acceptance in a visually compelling and emotionally resonant narrative.
The great talent and interesting concept in “Natty Knocks” can’t create the chills and jumps needed for this to be a memorable scary movie.
“Fear The Night” is for those who want a simple action movie where you watch a woman whip a lot of ass without using a gun.
“Barbie” and “Oppenheimer” may be all over the news, but Juel Taylor’s “They Cloned Tyrone” is an inventive joy that shouldn’t be missed.
Christopher Nolan has turned one of the most complicated scientists and his horrific creation into a blockbuster movie. The result is a beautifully shot film that pushes Nolan into exciting experimental territory, but an icky feeling of Hollywood tropes may take you out of the film.
Anyone who has been part of a theater production will recognize any of the shenanigans that take place in Theater Camp, a funny love letter to young thespians.
The film ‘Mickey Hardaway,’ is a thought-provoking narrative that showcases the poignant themes of mental health, its associated stigmas, and the mutable power of resilience, making it a must-watch for fans of deeply moving indie flicks.
“Cobweb” has a wonderful mystery and build that it squanders thanks to its ending.
“Barbie” is a fun, often comical movie laced with a strong feminist message and depiction of what can happen if toxic masculinity and patriarchal views go unchecked.
“The Flood” isn’t as bad as one might think, but because of a dull story, it’s more boring than it should be.
Kellan Lutz and Torrey DeVitto star in “Divertimento,” a twisty tale about how the games we play can turn deadly. Keyvan Sheikhailshai’s short film has plenty of intrigue and flair to be a full-length film.
“Birdbox Barcelona” navigates a hauntingly captivating journey of survival, illusion, and redemption, where love, faith, and human resilience are tested against a backdrop of dystopian horror and suspense.
“Earth Mama,” lacking notable male characters, presents a different take on someone who is pregnant, experienced trauma, and is trying to move forward despite a slew of personal and external obstacles in her path.
The issue with “Mission: Impossible- Dead Reckoning Part One” is that, like its title suggests, the plot and exposition can be so dense that the audience may yawn or laugh.
While “Talk To Me” comes with graphic imagery and the occasional comical moment, the characters have hastened development which doesn’t really push you to care about who lives or dies, but rather how.
“The Lesson” is like a well-crafted book adaptation that knows when to progress the story and when to give its audience time to reflect, theorize, and then press on.
In the gripping BET film “Call Her King,” Judge Jaeda King finds herself in the midst of a high-stakes murder case, while her personal and professional life collides under immense pressure and challenged beliefs.
“The Out-Laws” is a pleasant “watch because it is new, and you feel you’ve watched everything else” movie.