Love Me – Movie Review and Summary
Like most Sci-Fi movies void of action or suspense, “Love Me” feels longer than it needs to be, leading to its highlights becoming muddled.
Discover our top picks and latest reviews spanning from blockbuster hits to indie films, shorts, and festival premieres across various platforms.
Like most Sci-Fi movies void of action or suspense, “Love Me” feels longer than it needs to be, leading to its highlights becoming muddled.
Shuchi Talati’s “Girls Will Be Girls” is a gorgeous labyrinth of womanhood and mother-daughter relationships that should not be missed.
“Trunk – Locked In” reminds you of one of the many irrational fears a person can have, and why not prepping for the worst and hoping for the best can mean whether you live or die.
“In The Summers” is an almost bittersweet look at the relationship between a father and his daughters, as you question if his imperfections may sour their relationship to the point of abandonment.
Sean Wang’s “Didi” is an impressive and intimate visual diary of teen life in the early 2000s.
“Beautiful Wedding” exists because there is an audience more than it has any desire to move the story forward or mature its characters.
“Exhibiting Forgiveness” might be a challenging watch for anyone who has a less-than-ideal relationship with a parent, especially if drugs and family violence is why.
“Which Brings Me To You” is an Olympic showing of Nat Wolff and Lucy Hale’s abilities as romantic leads, but beyond the romance their characters share are the lessons that made them right for each other.
“The Breaking Ice” may lack what you’d expect from a love triangle, but you can appreciate each character’s humanity in its subtlety.
With less characters to keep track of and the eponymous Angel taking lead, “Dutch II: Angel’s Revenge” is an improvement but follows familiar beats.
In what feels like a wasted opportunity for a show vs. a movie, a man goes on a trial where he knows the cards are stacked against him.
“Time Still Turns The Pages” will make you cry for slightly unexpected reasons and delivers perhaps one of the best juvenile performances.
Jake Johnson’s “Self Reliance” is the type of original and breezy comedy more studios should be making.
In what is another push to transform Kevin Hart from his “Big Little Man” persona into a legitimate action star, he leads a heist crew forced to work for Interpol.
An isolated AI finds themselves luckily being in the company of two criminals who can potentially give them freedom, if they are foolish enough to let them out.
In this watch and forget you saw it type movie, we learn about a woman who is trying to end her contract killer so that, for the first time in her life, she can have normalcy.
In many ways, “Origins” feels like a one-hour documentary turned 2+ hour drama despite having strong enough thoughts and messages that didn’t need a dramatization.
With “The Beekeeper,” Jason Statham continues to be the reigning king of action movies and is likely to deliver the first hit of 2024.
“One Night Stay” is a thriller that doesn’t know how to end, so it delivers something quick and shoddy.
“Society of the Snow” is a harrowing and horrific depiction of survival.
In “Good Grief,” the universality of loneliness is explored, whether single due to death, a break-up, rejection, or just never getting to be “The One.”
“Night Swim” may scratch that itch for horror fans who need a jump scare, but it certainly won’t start off the year on a high note for Blumhouse like “M3GAN” did.
While “The Book of Clarence” may seem potentially controversial because it contains Jesus of Nazareth, outside of some of the conversations it could start, it is tame to the point of being boring.
As migrant workers increasingly disappear, a cop still mourning their partner finds the case to be just the distraction she needs.
“The Pod Generation” explores what childbearing and rearing might be like in a future where women don’t have to get pregnant.
While it has a bit of a slow start, once “Bad Lands” gets into the personal drama of its lead with others, it picks up quickly.
Out of Hand, a Tubi original, feels like a porno without any porn.
“Rebel Moon —Part One: Child of Fire,” I’d love to say, was all visuals and no substance, but the visuals don’t necessarily leave you awestruck either.
In this relatively short drama, two people, trying to immigrate to the United States, find themselves getting interrogated at Newark Airport.
Between the music and performances, the 2023 version of “The Color Purple” does enough to stand out, but it sometimes falters if you compare it to the 1985 movie.
In this dream-jumping fantasy, a young woman, reeling from her father’s death, gets involved with boys who take part in something supernatural and potentially deadly.
With the recent death of the friend who bound them, the five who remain try to see if they can move forward together rather than continue to drift apart.
In what may feel like a stuffed holiday movie, three women face romantic or platonic love, with reactions that remind you how challenging serious relationships can be.
Lifetime’s “A Christmas Intern” is a fine but forgettable holiday romance.
In Christopher B. Stokes and Marques Houston’s latest, there is the question of whether a comeuppance will come for a man who stepped out on his marriage for feeling neglected.
In “Anyone But You” two people find themselves in a push and pull situation as they fake a relationship they realize might be just what they needed.
Like Leonard Bernstein himself, Bradley Cooper’s “Maestro” stays intriguing and frustrating in what it decides to show and hide about the legendary composer.
A murder accusation leads a woman to try to work with a corrupt cop for her freedom or suffer jail time.
In a film heavily focused on the art of food, sometimes it makes the characters and story secondary.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.