Your Lucky Day (2023) – Movie Review/Summary
In one of Angus Cloud’s final movies, he plays a Fez-like character who ends up in a situation where you not only question if he may live but damn near everyone in the movie.
Discover our top picks and latest reviews spanning from blockbuster hits to indie films, shorts, and festival premieres across various platforms.
In one of Angus Cloud’s final movies, he plays a Fez-like character who ends up in a situation where you not only question if he may live but damn near everyone in the movie.
Michael Farris Smith and the Phillips Brothers’ “Rumble Through the Dark” makes some bold choices in storytelling, but they don’t quite pay off.
While it does waste its lead’s personal story, it compensates with a cute romantic relationship as its centerpiece.
Netflix’s “The Killer” showcases David Fincher at his most wry and ruthless. Fedoras and Hawaiian shirts have never been so menacing.
“It’s A Wonderful Knife” is a bit corny, undeniably bloody, but has a silver lining to it because of its supporting actors.
“Helen’s Dead” is a murder mystery, but the real mystery is why anyone would want to be in this movie.
“The Tunnel to Summer, the Exit of Goodbyes” doesn’t overstay its welcome, and by getting to the point, getting you invested, teary-eyed, and sending you on your way, it is the best kind of entertainment.
Daisy Ridley continues to prove she’ll have a career beyond Star Wars as she plays the daughter of a kidnapping and murderer.
Christopher Zalla and Eugenio Derbez’s “Radical” is based on a true story, but it’s a story audiences have seen plenty of times.
“A Wesley Christmas Wedding” largely sets aside the drama experienced in the first movie and more so gives us laughs, love, and a touch of loneliness from a few.
Hulu’s “Quiz Lady” squanders the comedy talents of Sandra Oh and Awkwafina to deliver a movie meant to play in the background.
Netflix and Melanie Laurent’s “Wingwomen” is a fun but forgettable action-comedy that is light in drama and plot.
“What Happens Later” may feature the archetypes that made Meg Ryan and David Duchovny staples in the entertainment industry, but they lack the chemistry needed to make this film good.
“Anatomy Of A Fall” will likely become this year’s top mystery movie, with the kind of performances that will likely cause the film and its lead actress to resurge in the zeitgeist when it’s time to dole out accolades.
In what may feel like a slightly familiar underdog story, a woman, who has recently been widowed, has to fight for what’s left from her marriage to secure her comforts and future.
In this revenge tale featuring voodoo, a nephew is tasked with executing their uncle’s revenge against their will.
Martin Scorsese’s “Killers of the Flower Moon” is a disturbing yet necessary story depicting genocide in Osage County and the horrors of greed.
While we are the first to call to question why any movie needs to be three hours, “About Dry Grasses” makes the best use of its time through enviable conversations and how it deconstructs its lead.
Juan Sebastian Torales’ “Almamula” demonstrates that for gay youth, religion can be far scarier than the demons it preaches about.
Zeno Graton’s “The Lost Boys” is an LGBTQ+ drama that creates a lovely atmosphere within a juvenile hall, but you may wonder where exactly this story is headed.
“Fingernails” is a sluggish two hour movie which lacks a hook.
“Perfect Days” spends nearly an entire hour testing its viewers loyalty, and once it makes an effort to get interesting, it doesn’t compensate for lost time as some may wish it had.
“Something You Said Last Night” exists in the very tame depiction of LGBTQ+ issues, and as much as it makes clear that something is going on with the lead, it doesn’t dig deep in any form or fashion to get you interested.
“Night of the Hunted” is an intense shooter that may start to drag in the end, but with the life-or-death situation the lead goes through, you’ll be on edge for most of the film.
Sandra Itäinen and Eman Abdelhadi’s documentary “Coming Around” displays the pain and beauty of generational change and intersectionality for a Muslim gay woman.
Jason Karman and Gorman Lee’s “Golden Delicious” is a fine coming-of-age story with a coming-out story we’ve seen all too often.
Luke Gilford’s queer cowboy movie “National Anthem” exudes so much warmth that it bursts from the screen and wraps its arms around you.
Chestnut,” with its lukewarm three-way romantic drama, is watchable but not must-see cinema.
At the minimum, “Eileen” delivers entertaining performances worth the ticket price, and at max, you will witness at least one performance worthy of a major accolade.
“The Elderly” takes forever to get to the point, which may or may not be a play on who and what it focuses on.
Addressing both characters’ individual cultures and how sometimes the personal clashes with the timing of something romantic, “This Place” is less about causing butterflies and more about how the timing of love can be imperfect, but people can make time if they can and want to.
As usual, a person with a mental illness ends up killing people, with the only difference in “Wake” being that person is a rapper.
“Vindicta” is a Latin term that refers to “just revenge,” yet after watching “Vindicta,” viewers might want to enact their own justified revenge on the filmmakers.
Sean Price Williams and Nick Pinkteron’s “The Sweet East” is equally a fantastical road trip and giant trolling effort.
In a tragic, long-in-the-tooth, multi-generational love story, two people have a constant case of bad timing, which ruins the love that could be.
Ryûsuke Hamaguchi’s “Evil Does Not Exist” is a quiet film that whispers questions that can linger long after the film ends.
Josh Sharp and Aaron Jackson’s “Dicks: The Musical” is gross, horrid, and very funny. If you ever wanted to see John Waters’ version of The Parent Trap, this movie is for you.
In this simple revenge tale, a young lady’s best friend decides she no longer wants to be alive, which sets off a chain of events to kill off the man who blackmailed her.
“Totally Killer,” as its title implies, is a fun horror movie to watch but ultimately is more content to consume than a new movie to put into your annual Halloween rotation.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.