Discover our top picks and latest reviews spanning from blockbuster hits to indie films, shorts, and festival premieres across various platforms.
Discover our top picks and latest reviews spanning from blockbuster hits to indie films, shorts, and festival premieres across various platforms.
In “I.S.S.,” it appears Ariana DeBose plans to actively avoid the usual Oscar slump a lot of people, especially people of color, experience via a sci-fi drama where there is a nuclear war and a battle for the International Space Station.
“The Line” is a wonderful showcase for Austin Abrams’ talent as it wastes both Halle Bailey and Angus Cloud.
David Gelb and Disney’s “Stan Lee” is a sweet yet flawed and watered-down documentary about the Marvel creator’s life that becomes more interested in the superheroes rather than Lee himself.
“Sublime” delivers a slice-of-life story, and performances that gives perhaps the most tame LGBT story you may have ever watched.
Jennifer Lawrence plays what feels like an embellished version of her public persona in a pleasant film that seems like it should have been released on Hulu.
“Dead Girls Dancing” feels aimless as you await the story to pick up and make clear what we’re building up to.
“The Perfect Find” makes a decent romantic comedy once it moves past its ageism and misogynoir jokes.
Alongside delivering the expected laughs, “Joy Ride” is an emotional story about culture, identity, and how friends can reaffirm who you are.
“Suitable Flesh” may lack an explanation regarding what is happening, but you’ll be so locked in you may forget your questions until after the movie is over.
Mary Herron and John C. Walsh’s “Dalíland” portrays the life of one of art’s most celebrated and inspiring figures with a tame and uninspiring story.
“Perpetrator” is more interested in ways to use and shoot blood than truly give life to its characters and anything it sets up plot-wise.
Tracee Ellis Ross continues to push beyond her comedy empire with the kind of role which deserves to be in awards contentions.
“The Listener,” focused on a peer crisis hotline worker, is a stirring, frustrating, and potentially tear-inducing film.
“The Secret Kingdom” is a fantasy story for the family with unique visuals and character designs. Yet you’ll feel like you’ve seen this story before.
Starring only two people, “You Will Never Find Me” is a masterful depiction of building up to something bizarre and making every moment worth it.
“The Graduates,” thankfully avoids showing a school shooting, but what’s left leaves you wanting more.
“Our Son” presents a shift in Billy Porter’s career from being the loudest in the room due to his booming voice to being the most notable due to his performance.
Georgia Oakley’s “Blue Jean” is an honest, complex, and relevant portrait of how anti-LGBT laws impact the individual.
D.W. Medoff’s “Pollen” is a horror film that doesn’t frighten you with scares, but chills you with its authentic portrait of trauma.
“The Blackening” is one of the funniest films I’ve seen in years and has the makings of being a classic thank to being funny throughout the whole film, and not just a handful of scenes.
Tina Satter’s direction and Sidney Sweeney’s performance create a terrifying yet true nightmare in “Reality.”
“Spider-Man: Across the Spider-Verse” is a thrilling and gorgeous tribute to animation and superheroes, yet it spins more webs than it can handle.
“Bottoms” might be one of the first notable dark-humor teen sex comedies that don’t feel like a female version of something you saw before.
Beautiful and slow-moving, “Past Lives” reminds you that love is often a series of decisions that inspire feelings, not the other way around.
“The Boogeyman” crafts grief, scares, and compelling performances in a way few monster movies do.
Some of the most memorable moments from your favorite comedies aren’t from the lead actor, but the supporting star!
Sebastian Maniscalco’s “About My Father” showcases a sweet relationship between De Niro and Maniscalco, but it’s coated in forgettable comedy and a story we’ve seen too many times.
“The Wrath of Becky” largely delivers what is to be expected—a sarcastic, violent, teenage girl killing nationalists who underestimate her.
A few chronically funny mishaps and personalities lead to a half-a-million-dollar reward.
For Mental Health Awareness Month, here are 10 movies and shows that explore mental illness and how it impacts people.
While “Mother’s Day” has a big personality character and decent action scenes, it lacks the emotion, adventure, or drive necessary to keep it from becoming background noise.
“The Little Mermaid” thankfully takes enough from the Broadway musical and further creative license from the Hans Christian Anderson story to make an entertaining, though serviceable, film.
While at times slow-moving, the love story between Rosemary and Henry will make you swoon, just as much as Michael Richardson plays up a tortured soul type.
“Robots” is a forgettable comedy that seems to yearn for when men got to be funny and women were meant to be seen and buzzkills.
In honor of Asian American and Pacific Islander Month, check out some of these movies and shows that convey the upbringing and culture of Asian Americans and Pacific Islanders!
“Fast X” is so entertainingly bad that it might be considered good.
Margaret Qualley presents a dictionary-worthy depiction of mind f*** that deserves notice.
A summary of how “Knights of the Zodiac ” (2023) ended and whether a prequel or sequel is possible.
Save your time by skipping “Knights of the Zodiac” and read or watch the original 1980s “Saint Seiya” series instead.