Werewolves (2024): Review and Summary
“Werewolves” reminds you why the werewolf trend hasn’t revived like vampires despite multiple movies in a year with no true revival in sight.
While one or two elements kept us going until the end, unfortunately, we’re of the opinion this film never reached the potential it was marketed to have.
“Werewolves” reminds you why the werewolf trend hasn’t revived like vampires despite multiple movies in a year with no true revival in sight.
Three brothers, mourning their mother, are tasked with creating a machine that could bring her back. However, as they make progress, things and people end up sacrificed.
Prime Video’s “Road House” remake takes the plot and none of the heart from the original ‘80s cult classic.
“Ashes” is more grey dirt than fire in Netflix’s new Turkish romance/thriller.
Life goes from bad to worse in Nicola Peltz’s messy directorial debut, “Lola.”
“Skeletons In The Closet” may make you curious, thanks to the inclusion of Terrence Howard and Cuba Gooding Jr., but it lacks anything to justify your initial interest.
“Beautiful Wedding” exists because there is an audience more than it has any desire to move the story forward or mature its characters.
“One Night Stay” is a thriller that doesn’t know how to end, so it delivers something quick and shoddy.
The cast and crew all seem to be part of this bad action movie as a “Last Resort.”
“The Sacrifice Game” starts promising but by the end, the real crime is sacrificing time to watch this movie.
“How the Gringo Stole Christmas” is a prime example of how not to shoot a comedy.
In this holiday movie definitely just made for the adults, after feeling neglected by her husband, Mrs. Claus decides to head to Miami and let her friend potentially push her to do the unthinkable.
“Best. Christmas. Ever!” might be the worst. movie. this year!
“Helen’s Dead” is a murder mystery, but the real mystery is why anyone would want to be in this movie.
“Vindicta” is a Latin term that refers to “just revenge,” yet after watching “Vindicta,” viewers might want to enact their own justified revenge on the filmmakers.
“SaW X” brings back John and Amanda and tries to milk them both for every last bit of nostalgia possible while failing to realize the franchise has rightfully moved on from them.
Part 2 of “Love & Murder: Atlanta Playboy” focuses on the murder investigation and with Taye Diggs in it less, it means more drama from the caricatures of Lance’s past lovers.
If you’ve seen anything similar to “Vicious Affair,” I can guarantee you this movie’s only difference is who is in the cast.
“What Happens In The Dark” shows some signs it could have been interesting, but instead, it is lukewarm thanks to a lack of information about what’s going on, how we got here, and who is dishing out the consequences.
“Deltopia” may be the least fun movie about a party that I’ve ever seen, and writers Michael Easterling and Jaala Ruffman make college seem like a place you never want to go.
“Ruined” fits the bill of the crazed light skin person whose desires for one half of a married couple lead to them becoming so crazy they are willing to kill.
Netflix and Gal Gadot’s “Heart of Stone” is a disappointing spy film without any heart put into the script or action.
See Jackie Chan and John Cena sit down and talk a lot in “Hidden Strike,” a movie that has had a stalled post-production for 5 years.
The great talent and interesting concept in “Natty Knocks” can’t create the chills and jumps needed for this to be a memorable scary movie.
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“Sheroes” is the generic yet less entertaining version of Spring Breakers, with more guns and less sense. If I could walk out of this movie, I would.
Save your time by skipping “Knights of the Zodiac” and read or watch the original 1980s “Saint Seiya” series instead.
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“Under Her Control,” aka “Le jefa,” is a rather dry film for most of the duration until it finally gets interesting in the latter half of the film.
“Beauty” is heavily inspired by Whitney Houston’s story but by no means should be considered a “Dreamgirls” take on the legend’s life.
In this silly horror short, two girls questions if the man who seemingly wants to kill them might be cute under his mask?
For those thinking they need to watch the movie to understand Showtime’s The Man Who Fell To Earth, you are not missing much.
Expired will likely be one of the most dreary films you could ever see that didn’t involve watching someone be traumatized.
Don’t Kill Me is sparse on details to the point of wondering if something was lost in translation.
Kimi is a meek thriller that doesn’t fully tap into the role of listening devices or the people who troubleshoot the AI behind them.
How I Became A Superhero reminds you that superpowers have long lost their luster as a hook, and you need good characters and a story.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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