Maybe I Do (2023) – Review/ Summary (with Spoilers)
Emma Roberts and Luke Bracey act as Trojan horses for a movie about love, companionship, and marriage after 60.
Emma Roberts and Luke Bracey act as Trojan horses for a movie about love, companionship, and marriage after 60.
“Missing,” a pseudo-sequel to 2018’s “Searching,” is the kind of mystery/ thriller that gets your heart pumping and glued to the screen like a kid watching Cocomelon.
“M3GAN” continues the horror trends of 2022 by trying to craft a new horror icon but also work well as a stand-alone feature (though it does set up a sequel).
“A Man Called Otto” is the perfect way to end 2022, especially if you need a good cry.
While “Living” can operate as a joke of how bureaucracy can kill the soul, it also pushes you to remember your part in making a life easier or harder.
“Whitney Houston: I Wanna Dance With Somebody” will make you forget the countless TV movies that predates it.
“Darby and The Dead,” being yet another teen movie focused on the outcast who, with a makeover, becomes popular, sidesteps what could have made it interesting.
“In Her Hands” is a draining, in the best way, documentary to watch as you come to understand how imperialism affects those subjugated.
Vengence, death, and colonization fuel “Black Panther: Wakanda Forever,” but rarely as far as you wish it would.
While you have to appreciate “Prey For The Devil” reminding you the history of exorcisms is rooted in the ignorance of psychology and medicine, that doesn’t make its desire to become a franchise any more appealing.

The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.