Rated PG-13

Albany Road (2024): Review and Summary

A cast of familiar faces, ranging from Lynn Whitfield to J. Alphonse Nicholson, delivers a holiday movie that is dramatic but a bit more serious than your usual fare.

Here (2024): Review and Summary

In “Here,” we watch as likable people live on this one plot of land for hundreds of years in a narrative that jumps around a bit much.

On Becoming A Guinea Fowl (2024): Review and Summary

“On Becoming A Guinea Fowl” does well in world-building, highlighting a part of Zambia’s less tourist-focused culture, as a family secret gets smothered due to a funeral, rather than getting you into its characters.

Bagman: Review (with Spoilers)

“Bagman,” starring Sam Claflin and Antonia Thomas of “The Good Doctor,” lacks everything needed to be a compelling horror film, and not just because it is PG-13.

Beetlejuice Beetlejuice: Movie Review

“Beetlejuice Beetlejuice” may avoid feeling like a cash grab, but there is no denying it doesn’t present anything notable to justify being made.

Afraid (2024) – Movie Review (Written)

“Afraid” compensates for not really tapping into the fear it could have consistently produced by giving you characters who deserve a better horror movie.

It Ends With Us (2024) – Movie Review (Written)

Blake Lively stars in the adaptation of Colleen Hoover’s hit novel, which focuses on a woman with a traumatic childhood who is trying to secure her purpose, reciprocate love, and break generational trauma.

Trap (2024) – Written Review

Josh Hartnett delivers a notable performance under M. Night Shyamalan’s direction and writing, but while the premise is good, things go downhill once it has to be more than a singular idea.

Latency (2024)

A young woman with notoriety as a game tester and professional gamer is gifted a new headset that syncs with her brain and brings painful memories to life.

Tarot (2024) Movie Review

“Tarot” scrapes the surface of the major arcana to create beings good for a jump scare but delivers a story that is more to holdover horror fans than become a classic.

Breathe (2024) Movie Review

In this post-apocalyptic tale, Milla Jovovich continues to show she is one of the top action stars out there, but the writing and story don’t deserve her.

The Greatest Hits (2024) Movie Review

“The Greatest Hits” brings visuals to the saying, “Music moves you,” as a woman is repeatedly transported through time when triggered by songs that hold memories of her deceased ex.

Música (2024) Movie Review

In “Música,” Rudy Mancuso may not reinvent the musical genre but gives something different enough to revive your love for the genre if it has left you jaded.

Lisa Frankenstein – Movie Review and Summary

“Lisa Frankenstein” doesn’t merely ride the wave of Frankenstein-type movies but carves out its own little niche thanks to the combination of those in front of and behind the camera.

Lift (2024) – Movie Review

In what is another push to transform Kevin Hart from his “Big Little Man” persona into a legitimate action star, he leads a heist crew forced to work for Interpol.

Origin (2024) – Movie Review

In many ways, “Origins” feels like a one-hour documentary turned 2+ hour drama despite having strong enough thoughts and messages that didn’t need a dramatization.

Night Swim (2024) – Movie Review

“Night Swim” may scratch that itch for horror fans who need a jump scare, but it certainly won’t start off the year on a high note for Blumhouse like “M3GAN” did.

The Book of Clarence (2024) – Movie Review

While “The Book of Clarence” may seem potentially controversial because it contains Jesus of Nazareth, outside of some of the conversations it could start, it is tame to the point of being boring.

The Color Purple (2023) – Movie Review

Between the music and performances, the 2023 version of “The Color Purple” does enough to stand out, but it sometimes falters if you compare it to the 1985 movie.

The Creator (2023) – Review and Summary

As emotionally stirring as it is beautiful, “The Creator” presents the worst case scenario for humanity’s relationship with robots in such a way that the film has the potential to be seen as a modern classic at best or underrated at worse.

Love At First Sight (2023) – Review and Summary

A girl who doesn’t plan as well as she should meets a boy who leaves very little to chance, and rather than this leading to them balancing each other out, it sets up a meet-cute story that will certainly make you a fan of Haley Lu Richardson.

A Haunting In Venice (2023) – Review

In “A Haunting In Venice,” Hercule Poirot returns and makes it clear that, while the third movie starring the character, there is the potential for a James Bond-level number of movies starring lead and director Kenneth Branagh.

Slotherhouse (2023) – Review and Summary

“Slotherhouse,” like most horror comedies, are enjoyable as long as you can embrace how ridiculous it is for if you look past the superficial, there isn’t much there.