Drop (2025) Review & Summary
“Drop” wastes a perfectly good romance for a so-so thriller that has a decent mystery element and backends all the action seen in the trailer.
“Drop” wastes a perfectly good romance for a so-so thriller that has a decent mystery element and backends all the action seen in the trailer.
“The Amateur” may not feel as long as it is, but it is certainly forgettable, despite the names involved.
“The Woman In The Yard” is a reminder of how our thoughts and feelings, the lies we tell ourselves, often play the villains in our story.
Barbie Ferreira moves on from her Euphoria fame to a role which has the potential to make her a indie darling.
While Isabelle Fuhrman creates a connection with viewers, her connection with Mena Massoud is tainted too early in “Wish You Were Here” to remain in love with the idea of these two.
Beyond being an inspirational story focused on Claressa Sheilds, “The Fire Inside” is a coming-of-age story you rarely see Black girls have on the big screen.
A cast of familiar faces, ranging from Lynn Whitfield to J. Alphonse Nicholson, delivers a holiday movie that is dramatic but a bit more serious than your usual fare.
In “Here,” we watch as likable people live on this one plot of land for hundreds of years in a narrative that jumps around a bit much.
“On Becoming A Guinea Fowl” does well in world-building, highlighting a part of Zambia’s less tourist-focused culture, as a family secret gets smothered due to a funeral, rather than getting you into its characters.
“Bagman,” starring Sam Claflin and Antonia Thomas of “The Good Doctor,” lacks everything needed to be a compelling horror film, and not just because it is PG-13.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.