Drop (2025) Review & Summary
“Drop” wastes a perfectly good romance for a so-so thriller that has a decent mystery element and backends all the action seen in the trailer.
“Drop” wastes a perfectly good romance for a so-so thriller that has a decent mystery element and backends all the action seen in the trailer.
“The Amateur” may not feel as long as it is, but it is certainly forgettable, despite the names involved.
“The Woman In The Yard” is a reminder of how our thoughts and feelings, the lies we tell ourselves, often play the villains in our story.
Barbie Ferreira moves on from her Euphoria fame to a role which has the potential to make her a indie darling.
While Isabelle Fuhrman creates a connection with viewers, her connection with Mena Massoud is tainted too early in “Wish You Were Here” to remain in love with the idea of these two.
Beyond being an inspirational story focused on Claressa Sheilds, “The Fire Inside” is a coming-of-age story you rarely see Black girls have on the big screen.
A cast of familiar faces, ranging from Lynn Whitfield to J. Alphonse Nicholson, delivers a holiday movie that is dramatic but a bit more serious than your usual fare.
In “Here,” we watch as likable people live on this one plot of land for hundreds of years in a narrative that jumps around a bit much.
“On Becoming A Guinea Fowl” does well in world-building, highlighting a part of Zambia’s less tourist-focused culture, as a family secret gets smothered due to a funeral, rather than getting you into its characters.
“Bagman,” starring Sam Claflin and Antonia Thomas of “The Good Doctor,” lacks everything needed to be a compelling horror film, and not just because it is PG-13.
“Beetlejuice Beetlejuice” may avoid feeling like a cash grab, but there is no denying it doesn’t present anything notable to justify being made.
“Afraid” compensates for not really tapping into the fear it could have consistently produced by giving you characters who deserve a better horror movie.
Blake Lively stars in the adaptation of Colleen Hoover’s hit novel, which focuses on a woman with a traumatic childhood who is trying to secure her purpose, reciprocate love, and break generational trauma.
Josh Hartnett delivers a notable performance under M. Night Shyamalan’s direction and writing, but while the premise is good, things go downhill once it has to be more than a singular idea.
Dave Bautista and Chloe Coleman return as their characters face new dynamics in their relationship that brings laughs, action, and some generic Russian villains.
A young woman with notoriety as a game tester and professional gamer is gifted a new headset that syncs with her brain and brings painful memories to life.
“Tarot” scrapes the surface of the major arcana to create beings good for a jump scare but delivers a story that is more to holdover horror fans than become a classic.
“I Saw The TV Glow” contains a show you’d want to watch, in a movie which may leave you with mixed feelings.
Ryan Gosling reminds you that while “Barbie” was a high point, there is a reason he has been working for three decades.
In this post-apocalyptic tale, Milla Jovovich continues to show she is one of the top action stars out there, but the writing and story don’t deserve her.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.