Dear Zoe (2022) – Review/ Summary (with Spoilers)
While there are times when the drama of Tess’ life makes this tedious to watch, by the end of “Dear Zoe,” you’ll nonetheless find yourself potentially in tears.
The human experience, sometimes at its most raw, is what you’ll find in the drama tag.
While there are times when the drama of Tess’ life makes this tedious to watch, by the end of “Dear Zoe,” you’ll nonetheless find yourself potentially in tears.
“Tell Me Lies” may appear to be another young adult drama, but as it explores the interpersonal relationships between the core friend group and some of their families, it breaks away from its peers.
With being story-driven more than character-driven, “House of the Dragon” may seem like it has learned from its predecessor, but in reality, it is simply taking a different approach.
“Industry” returns and doesn’t experience a sophomore slump despite a bit of a time jump and the inclusion of new characters who are a bit underutilized.
While you have to appreciate “Prey For The Devil” reminding you the history of exorcisms is rooted in the ignorance of psychology and medicine, that doesn’t make its desire to become a franchise any more appealing.
By having a small cast with volatile emotions paired with a fat suit that is used to elicit sympathy, “The Whale” may make you cry, but its lasting impact is questionable.
In this moving, biographical first feature from writer/director Elegance Bratton not only gives a stirring film but pulls from Jeremy Pope and Gabrielle Union the best performances of their careers.
Male intimacy, and what western society is still adjusting to, makes “Close” a notable exploration of a loving friendship between two boys.
“Stars At Noon” leans on Margaret Qualley as a crutch, to the point of you imagining it bending and damn near breaking by the end of the film.
“The Midnight Club” is a sluggish watch with predictable jump scares and while it could get better, it makes a paltry effort to convince you to stay.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.