Don’t Look Deeper: Season 1 Episode 1 to 3 [Series Premiere] – Recap/ Review with Spoilers
In the not so distant future, a young woman learns she is a robot and thus comes the question of who knows, who created her, and how can she get freedom?
The human experience, sometimes at its most raw, is what you’ll find in the drama tag.
In the not so distant future, a young woman learns she is a robot and thus comes the question of who knows, who created her, and how can she get freedom?
Thanks to a series of rather strange events, “Liza, Liza, Skies are Grey” loses its chance to be a cute teen romance.
While “Hightown” struggles to find its groove at first, after discarding a few storylines and characters, it picks up the pace and becomes a reason to subscribe to Starz.
“Fatal Affair” is tame, predictable, and lacks any sort of chemistry between its lead actress and her co-stars.
“I May Destroy You” presents far more than a narrative about navigating life post being raped. It is a conversation starter with a wide range of topics.
“P-Valley” offers you everything and more as its girls present something far beyond a southern version of “Hustlers.”
“Little Voice” is an absolutely adorable show, but if you don’t already have Apple TV+, is it worth another subscription?
As we’re introduced to the Mutoh family and witness the graphic aftermath of an earthquake, there is a need to question if “Japan Sinks: 2020” may pick up.
“I Am Not Okay With This” benefits from understanding the normalcy of weird, but its story, which sometimes drags, keeps it from being as good as its potential.
“Only” is a sci-fi drama, with a small cast, that is less about entertaining its audience and more about trying to use the sci-fi element for a bait and switch.
“10 Things We Should Do Before We Break Up” is an odd romantic drama in which a woman mulls an abortion or turning a one night stand into a lifetime commitment.
While an inconsistent villain presence does sometimes plague “Gleipnir,” in terms of character investment and story? It goes beyond expectations.
“Sing ‘Yesterday’ For Me” does well in the beginning, but as time goes on, its pacing starts to dismantle its highlights.
“Looks That Kill” makes for a lukewarm dark comedy, but has a romance that makes it worth viewing.
While “Miss Juneteenth” acts as a timely history lesson, it is the mother/ daughter relationship that is the main draw.
“Insecure,” after a lengthy hiatus, returns, and while it does contain explosive moments, it’s the quiet ones that bring out its best scenes.
After a ten-episode season in season 2, the 6 episode season 3 feels like a disservice to such a great show.
Unfortunately, it takes “The King of Staten Island” almost an hour, out of 2, to be all that you expected and hoped it would be.
“365 Days” tries to make Stockholm syndrome sexy and ends up just making a big-budget soft-core porn.
“I May Destroy You” begins not with the crime central to its marketing, but a reminder of the person who preceded the adjectives placed on assault survivors.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.