We Are Kings (Tribeca 2025) Short Film Review & Summary
In We Are Kings, two boys use pirated discs to start a business in 2001, with the hopes it could make them some money, and maybe help one get a girl.
The human experience, sometimes at its most raw, is what you’ll find in the drama tag.
In We Are Kings, two boys use pirated discs to start a business in 2001, with the hopes it could make them some money, and maybe help one get a girl.
Materialists may not hold a candle to Past Lives, but it does present the idea a scripted matchmaking show could be good – just maybe not with the lead characters.
Oh, Hi! asks its audience, how far can its lead actress go, and you stay on her side?
While Tow has a wonderful story of perseverance, at times, its supporting characters draw the type of interest that pulls away focus from the lead.
Happy Birthday is a reminder that child actors can excel without high level trauma or being an accessory to an adult’s performance.
In “A Tree Fell In The Woods,” a group of friends try to navigate whether a secret coming out is worth blowing up their lives or should be ignored.
Ride or Die finds its greatest strength in Stella Everett’s performance, but it struggles to move beyond the appearance of sensationalism.
In Cold Light, while it sets up an intriguing film focused on an ex-con tempted with returning to their old ways, ends up leaving audiences cold.
James Sweeney with Twinless presents himself as one of the best writer-directors who also star in their own films in this generation.
The Wolf, The Fox and The Leopard, in focusing how not only animals but how people become domesticated, can be both heartbreaking and invigorating.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.