The human experience, sometimes at its most raw, is what you’ll find in the drama tag.
Sometimes I Feel Like Walking may start off interesting, due to the assumed subject matter, but then it shifts in such a way that makes it feel like that initial hook was a Trojan Horse.
Otherlands explores the quiet ache of loneliness and the emotional risk of seeking connection, through a deeply human story about chosen family and unspoken longing.
Danielle Deadwyler continues to carve her own path and create one of the most interesting filmographies with 40 Acres.
Sovereign takes a news story and fleshes it out in such a way which feels more geared towards entertainment than taking the situation seriously.
John Malkovich delivers a feel-good movie in Mr. Blake At Your Service, about a widow looking to reconnect with his wife through the place they fell in love.
In We Are Kings, two boys use pirated discs to start a business in 2001, with the hopes it could make them some money, and maybe help one get a girl.
Materialists may not hold a candle to Past Lives, but it does present the idea a scripted matchmaking show could be good – just maybe not with the lead characters.
Oh, Hi! asks its audience, how far can its lead actress go, and you stay on her side?
While Tow has a wonderful story of perseverance, at times, its supporting characters draw the type of interest that pulls away focus from the lead.
Happy Birthday is a reminder that child actors can excel without high level trauma or being an accessory to an adult’s performance.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
Welcome to Wherever I Look, your go-to destination for insightful and personable reviews of the latest TV episodes, movies, and live performances. Also, dive into our character guides and discover what’s truly worth your time.
