RSVP (2024) Movie Review
Starring Natasha Marc and Robert Ri’Chard, in this BET+ release, a man decides to get revenge for his fallen wife, and you’re sadly left taking his word due to a lack of character development.
The human experience, sometimes at its most raw, is what you’ll find in the drama tag.
Starring Natasha Marc and Robert Ri’Chard, in this BET+ release, a man decides to get revenge for his fallen wife, and you’re sadly left taking his word due to a lack of character development.
In its final season, “The Good Doctor” tries to end things on a high note but continues to commit to many of its flaws or trips in its pursuit to leave a lasting impression.
“The Ms. Pat Show” continues to blur the lines between being a sitcom and drama as it gives its live and at-home audience what feels like a top-notch play.
Starring Mark Clennon, based on the experience of director, writer, and editor M.H. Murray, in this theatrical release, we experience the aftermath of a man being assaulted.
With a shortened season, season 4 of “The Equalizer” tries its best to keep the course for many of its characters, but some are clearly sacrificed to meet the reduced episode count.
Starring Ryan Reynolds, Cailey Fleming, and John Krasinski, in this theatrical release, prepare to cry as a young girl deals with her father needing surgery and imaginary friends grieving over being forgotten.
“Babes,” starring Ilana Glazer of “Broad City” and “Survival of the Thickest” star Michelle Buteau, lead Pamela Adlon’s movie depicting the changes a person goes through once they have kids, from their romantic to platonic relationships.
Starring Sasha Pieterse of “Pretty Little Liars” fame, in this digital release, we watch as twin girls attracted to the same man create collateral damage in pursuit of that man.
“Ninja Kamui” is heavily reliant on flashy action sequences and inconsistently develops its characters or delivers a compelling story.
“Not Another church Movie” is barely a parody of Tyler Perry’s work and person, it is an hour-and-a-half series of insults.
“Maxton Hall – The World Between Us” may play out predictably for most of its season, but its actors compensate immensely for its by-the-beats story.
“I Saw The TV Glow” contains a show you’d want to watch, in a movie which may leave you with mixed feelings.
While you may think “Wildcat” is a biopic, more so, it is a series of short stories by Flannery O’Connor linked up and barely featuring the writer in a notable capacity.
Zendaya plays the third wheel in one of the most intense love triangles in modern cinema.
“Asleep In My Palm” is one of those movies that drop you into a character’s life, doesn’t make much of a push to catch you up, and instead leans towards you seeing someone as they are.
Set in 1992, Chicago, specifically the – projects “We Grown Now,” is a coming-of-age film with few peers to compare it to quickly.
“The Brink Of” may have a few catchy indie pop songs, but the will they or won’t they at the heart of it may not win too many over.
In “Parachute,” we’re reminded how love and romance isn’t a cure but sometimes a drug to alleviate symptoms.
As a mutations cause some of humanity to turn into animals, we watch as one family deals with the government’s response.
“Snack Shack” is fun but may leave you hungry for something more fulfilling.
Season 1 of “Fallout” continues the trend of good video game adaptations we’ve seen recently, with this trying to balance the seriousness of a nuclear apocalypse with the comedy Obsidian Entertainment gave “Fallout: New Vegas.”
In a movie that largely sidesteps what the war is about, “Civil War” puts us in the point of view of journalists who make it clear there are no heroes in war, just dead bodies.
“The Greatest Hits” brings visuals to the saying, “Music moves you,” as a woman is repeatedly transported through time when triggered by songs that hold memories of her deceased ex.
In a comedy that evolves over time, a handful of wicked letters explores what it means to be a woman in small-town Britain in the 1920s.
“Winnie The Pooh: Blood and Honey 2” moves beyond the shock value of a murderous childhood icon and tries to add depth to its characters.
In a complicated revenge tale, one assault leads to the desire to create revenge porn but when a romance blooms, so begins the question of whether to take things that far?
“Knox Goes Away” is a shakeup to the formula that was set by Liam Neeson’s recent filmography and is rarely challenged.
This is a character guide for CBS’ “Elsbeth,” with character descriptions, quotes, names of actors, and more.
With a beautiful and balanced bond formed at the heart of the film, “Insomniacs After School” has less to deal with sleeping issues and more about reasons to be awake.
While DeWanda Wise delivers a notable performance, the story of “Imaginary” makes it for naught.
While a bit of a drag and having the feel of Oscar bait at first, by the end of the movie you’ll be in tears so bad the back of your throat will ache.
Simone’s spirit refuses to die and even if Monica moves across the country, she seemingly will never escape Simone’s vengeance.
“Mea Culpa” portrays the struggles of Mea, a defense attorney, balancing career success with personal turmoil amid family conflicts and a high-profile murder case.
The final entry in the “Through My Window” franchise, “Through My Window – Looking At You,” might be the best one yet, partly thanks to the 2nd movie removing a certain character.
“Kemba” presents an important case highlighting how the NAACP, specifically the Legal Defense Fund (LDF), didn’t stop being assets after the 1960s.
“Bleeding Love” takes on a road trip that’s kept engaging by Ewan and Clara McGregor’s performances.
While “Ordinary Angels” isn’t firmly in the “faith-based” movie camp, it is undoubtedly a reminder that angels may appear in the strangest forms when you have reached a low point.
“Played and Betrayed,” featuring “House of the Dragon” actress Savannah Steyn is in line with many of Tubi’s offerings, for better or worse.
Jenna Ortega matches wits with Martin Freeman, in a movie that has them blur the lines between student and high school teacher.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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