She Loved Blossoms More (2024) – Written Review
Three brothers, mourning their mother, are tasked with creating a machine that could bring her back. However, as they make progress, things and people end up sacrificed.
The human experience, sometimes at its most raw, is what you’ll find in the drama tag.
Three brothers, mourning their mother, are tasked with creating a machine that could bring her back. However, as they make progress, things and people end up sacrificed.
After her best friend’s wake, a woman travels back to a weekend they shared to relive experiencing her friend one last time.
Starring Elizabeth Banks, we watch as a doctor handles the death of a patient from her protégé’s guilt, the administration’s desire to lessen the blow, to parents who just want answers.
In a multi week spanning movie, Farrah tries to navigate her feelings and frustrations as another wave of COVID hits, as well as the realization some of her relationships might be over.
Starring Yu Aier, a housewife slowly watches her world fall apart and finds herself in constant search for something to grab onto that will hold her up.
“Incision” seems to forget to give you reasons to get invested, beyond familiar faces and the assumed empathy for people being victimized.
“Love Kills” loses its luster as you figure out it is using sex and violence to compensate for a lackluster story.
At times feeling like a visual album, “The Young Wife” delivers both the anxiety and sense of overstimulation that can come when two worlds collide via marriage – especially when there are unresolved issues.
Megan Park delivers another coming-of-age story, but this one focuses on a young woman meeting herself in the future and questioning the sexuality she thought she was firm in.
Starring Elliot Page, known for “The Umbrella Academy”, in this NewFest Pride release, Page plays a transman returning home for the first time in 4 years since transitioning and dealing with their friends and family awkwardly trying to reintegrate back into his life.
Starring Natasha Marc and Robert Ri’Chard, in this BET+ release, a man decides to get revenge for his fallen wife, and you’re sadly left taking his word due to a lack of character development.
In its final season, “The Good Doctor” tries to end things on a high note but continues to commit to many of its flaws or trips in its pursuit to leave a lasting impression.
“The Ms. Pat Show” continues to blur the lines between being a sitcom and drama as it gives its live and at-home audience what feels like a top-notch play.
Starring Mark Clennon, based on the experience of director, writer, and editor M.H. Murray, in this theatrical release, we experience the aftermath of a man being assaulted.
With a shortened season, season 4 of “The Equalizer” tries its best to keep the course for many of its characters, but some are clearly sacrificed to meet the reduced episode count.
Starring Ryan Reynolds, Cailey Fleming, and John Krasinski, in this theatrical release, prepare to cry as a young girl deals with her father needing surgery and imaginary friends grieving over being forgotten.
“Babes,” starring Ilana Glazer of “Broad City” and “Survival of the Thickest” star Michelle Buteau, lead Pamela Adlon’s movie depicting the changes a person goes through once they have kids, from their romantic to platonic relationships.
Starring Sasha Pieterse of “Pretty Little Liars” fame, in this digital release, we watch as twin girls attracted to the same man create collateral damage in pursuit of that man.
“Ninja Kamui” is heavily reliant on flashy action sequences and inconsistently develops its characters or delivers a compelling story.
“Not Another church Movie” is barely a parody of Tyler Perry’s work and person, it is an hour-and-a-half series of insults.
“Maxton Hall – The World Between Us” may play out predictably for most of its season, but its actors compensate immensely for its by-the-beats story.
“I Saw The TV Glow” contains a show you’d want to watch, in a movie which may leave you with mixed feelings.
While you may think “Wildcat” is a biopic, more so, it is a series of short stories by Flannery O’Connor linked up and barely featuring the writer in a notable capacity.
Zendaya plays the third wheel in one of the most intense love triangles in modern cinema.
“Asleep In My Palm” is one of those movies that drop you into a character’s life, doesn’t make much of a push to catch you up, and instead leans towards you seeing someone as they are.
Set in 1992, Chicago, specifically the – projects “We Grown Now,” is a coming-of-age film with few peers to compare it to quickly.
“The Brink Of” may have a few catchy indie pop songs, but the will they or won’t they at the heart of it may not win too many over.
In “Parachute,” we’re reminded how love and romance isn’t a cure but sometimes a drug to alleviate symptoms.
As a mutations cause some of humanity to turn into animals, we watch as one family deals with the government’s response.
“Snack Shack” is fun but may leave you hungry for something more fulfilling.
Season 1 of “Fallout” continues the trend of good video game adaptations we’ve seen recently, with this trying to balance the seriousness of a nuclear apocalypse with the comedy Obsidian Entertainment gave “Fallout: New Vegas.”
In a movie that largely sidesteps what the war is about, “Civil War” puts us in the point of view of journalists who make it clear there are no heroes in war, just dead bodies.
“The Greatest Hits” brings visuals to the saying, “Music moves you,” as a woman is repeatedly transported through time when triggered by songs that hold memories of her deceased ex.
In a comedy that evolves over time, a handful of wicked letters explores what it means to be a woman in small-town Britain in the 1920s.
“Winnie The Pooh: Blood and Honey 2” moves beyond the shock value of a murderous childhood icon and tries to add depth to its characters.
In a complicated revenge tale, one assault leads to the desire to create revenge porn but when a romance blooms, so begins the question of whether to take things that far?
“Knox Goes Away” is a shakeup to the formula that was set by Liam Neeson’s recent filmography and is rarely challenged.
This is a character guide for CBS’ “Elsbeth,” with character descriptions, quotes, names of actors, and more.
With a beautiful and balanced bond formed at the heart of the film, “Insomniacs After School” has less to deal with sleeping issues and more about reasons to be awake.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
Pages