Sinners (2025) Review & Summary
Sinners further cements that Coogler and Jordan are one of the top actor and writer/director duos in American media currently, with signs they will raise each other’s pedestal each time they work together.
The human experience, sometimes at its most raw, is what you’ll find in the drama tag.
Sinners further cements that Coogler and Jordan are one of the top actor and writer/director duos in American media currently, with signs they will raise each other’s pedestal each time they work together.
While On Swift Horses might be longer than many may care for, it is undeniably engaging and you’ll wish it were a mini-series to allow you bite-sized pieces of more.
Warfare brings what Alex Garland learned about the brutality of sound in Civil War, but lacks the characters and story to make this film comparably noteworthy.
“Drop” wastes a perfectly good romance for a so-so thriller that has a decent mystery element and backends all the action seen in the trailer.
“The Amateur” may not feel as long as it is, but it is certainly forgettable, despite the names involved.
“The Woman In The Yard” is a reminder of how our thoughts and feelings, the lies we tell ourselves, often play the villains in our story.
While Jenna Ortega makes the best out of what is offered, a lot of “Death Of A Unicorn” is hit or miss.
Barbie Ferreira moves on from her Euphoria fame to a role which has the potential to make her a indie darling.
The younger years of Frida Kahlo are brough to life via animation, and produce a wonderful display for those families or kids with someone who has sometimes debilitating ailments.
“The Unbreakable Boy” will make you cry because of the performances that get you so invested in the individual and shared lives of the characters.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.