The human experience, sometimes at its most raw, is what you’ll find in the drama tag.
“Clean Slate” stars Laverne Cox stars in one of the legendary Norman Lear’s final shows, which tries to balances a sense of universality with cultural specific stories.
“Ricky” begins as a rarely seen point of view about post-incarceration, follows a recidivisim storyline that is all too familiar.
“Virgin of the Quarry Lake” is a surprisingly bloody coming of age story, focused on a girl looking to have just one thing after a life filled with abandonment.
“Love, Brooklyn” has the makings of a classic that evolves as its initial audience watches it over and over throughout their lifetime.
“Bunnylovr” presents subtle and tame in ways that indeed are not for everyone.
“Companion” pushes Sophie Thatcher to the point of showing not only is she the top scream queen out there, but she could conquer the drama genre next.
“Disfluency” delivers a nuanced take on a devastating life event in ways that remind you there is no one way you must handle things.
While “Grafted” has a body horror element that appeals to subgenre fans, it lacks anything else that will captivate them.
“I Feel Fine” lulls you into the sense that this will be like any other coming-of-age movie, leading to the gut punch of realizing this is a film that may not have a happy ending.
While sometimes feeling like it lacks the expected payoff, “Inheritance” helps Phoebe Dynevor seem like a safe bet if she’s associated with a production.
“Marked Men” is made for a specific audience, and to capture that audience, it contains everything that could be interesting about this film – but fails in execution.
“The Colors Within” creates what feels like a coming of age tale that doesn’t have overdone characters, struggles, or triumphs.
A video review and summary of Prime Video’s On Call: Season 1.
Prime Video’s “On Call” goes against trend when it comes to giving us a cop show, and while there is a certain level of adjustment required, it ultimately makes for a quality binge-watch.
While Pamela Anderson reinvents herself, it sometimes seems at the cost of giving the spotlight to her peers, with perhaps as much to prove.
With mixed results, “Good Side of Bad” seeks a less embellished version of experiencing a mental illness or supporting someone that does.
“Before” is one of those strange shows that starts and ends well but really challenges your loyalty throughout the middle.
“Babygirl” is the rare example where the story deserves more attention than the performances.
“Nosferatu” doesn’t justify bringing back the dead, even with Robert Eggers’ brand of visuals and eccentric performances to expendable characters.
Beyond being an inspirational story focused on Claressa Sheilds, “The Fire Inside” is a coming-of-age story you rarely see Black girls have on the big screen.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
Welcome to Wherever I Look, your go-to destination for insightful and personable reviews of the latest TV episodes, movies, and live performances. Also, dive into our character guides and discover what’s truly worth your time.
