Shit.Meet.Fan (2024) Review | MCC Theater
“Shit.Meet.Fan” is dramatic and comical, and justifies why it there are limited tickets through its run that ends on December 15th.
A rating dedicated to performances which give you reasons to want to save up and see it again. Alongside share what honestly is a memorable experience.
“Shit.Meet.Fan” is dramatic and comical, and justifies why it there are limited tickets through its run that ends on December 15th.
Starring recent Tony Award winner Kara Young, prepare for a play about two people trying to find closure, with a third character who, with the audience, don’t just watch but become part of the experience.
Rachel McAdams pulls us in and transcends us in “Mary Jane.”
With engaging performances and the type of set design, lighting, and music to really get you into what’s happening on stage, “The Effect” is an experience that makes you question if you were slipped something.
8 years since her last record, and 18 from her first, the evolution of Corinne Bailey Rae from a songbird to a genre defying singer was on full display.
For an hour, we spend time with Mona, who, with Microsoft David, walks us through some of her recent struggles and the salve of having people there for you when in a dark place.
Dave Chappelle continues to pursue being that mischievous kid who feels validated to double down on a joke as long as he can get a laugh. But, when the jokes subside, you realize the controversy is an act, and there is depth beyond the superficial.
While many classic Betty Boop characters are missing in this musical, between the background animation, Angelica Hale, the comedic moments, and nostalgia, you’ll enjoy “Boop! The Musical.”
Hasan Minhaj, thanks to locking up people’s phones, gets to be free to speak not only about that New Yorker article but also about race, politics (like Hunter Biden), and the experience of being a Muslim-Indian American.
Aubrey Plaza’s brand of bizarre comes to New York City, and like the majority of her roles, there is complexity beyond the madness.
The popular podcast comes to the New York City Javits Center, and lives up to the hype of the many viral clips you’ve seen on social media.
“Here Lies Love” is a funky history lesson with heart to spare, and it signals the potential create future that Broadway has to offer.
“Bees & Honey” feels like a modernized 90s sitcom, like “Martin,” but with modern themes and heartening drama.
Strange, startlingly, but never horrifying, “The Grey House” may have some kinks to work out, but it is a welcome change for premiering shows on Broadway.
“My Name Is Mo’Nique” sometimes feels less like a comedy special and more like a one woman show, allowing you to laugh with Mo’Nique and cry with her.
Taking place barely over a day, “The Coast Starlight” is packed with a series of what-if conversations that leave you longing for connection.
While it sometimes feels like it says too much to make things more complicated than they need be, as time goes on, you realize avoiding simplicity is the point.
Masterful storyteller Trevor Noah brings the quality expected with notable accents, trying to bring a different perspective to pop culture and your usual COVID jokes.
In her one-woman show, Kristina Wong reminds you why theater, beyond musicals and Broadway, are a New York City staple.
Ain’t Too Proud – The Life and Times of The Temptations, is more so is the Otis Williams story, but that doesn’t take away from the nostalgia.
Alongside a comic who seemingly is waiting for a Judd Apatow call, we get Ms. Pat, who performs on the level of an unofficial Queen of Comedy,
Wild N’ Out Live definitely isn’t for the sensitive or those who can’t handle a joke but, if you don’t fit those boxes, you will have one hell of a time.
Smart, Funny, and Black, the brainchild of multihyphenate Amanda Seales, has such appeal that it makes you wish there was a Black network that would make this into a staple series.
After dealing with being considered a terrorist, having the full weight of the government pin her down, and more, Kathy Griffin returns as if she never left and delivers a routine worthy of a stand-up special.
While Summer: The Donna Summer Musical has a bit of an odd timeline for its narrative, it reminds you that the queen of disco’s reign has yet to end.
They say all of a person’s experience builds off one another. Which, after seeing Tank and the Bangas, I believe is true. For over the last year I’ve been to a Rock concert, a Hip Hop/ Rap concert, and also one featuring one of the top artists in R&B. And I honestly feel, all the…
Being this was my first stand up show, I wasn’t sure what to expect. Now, granted, I’ve been listening to “The Read” for years and am still subscribed to Kid Fury’s Youtube channel. Even if he hasn’t added a video in a year… But there is a difference between what you know has the potential…
While the opening acts bring about a sort of blemish to the show, Lizzo makes heading out to the Bowery Ballroom worth your time.
While I don’t see plays often, I figure why not crack open another section as I try to get out more. Now, focusing on Familiar, as with past Danai Gurira plays, like Eclipse, the focus is strongly about being totally African, yet there is this small desire to look at what American has and does….
Depending on how you look at it, either this is a show about trying to understand people and acceptance or how tolerance only goes so far as you are an asset, or convenient to those in power.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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