Liz Miele: 2025 Tour – Review
Liz Miele returned to her home state with Neil Rubenstein and things got awkward thanks to their jokes, and a notable heckler.
A rating dedicated to performances which give you reasons to want to save up and see it again. Alongside share what honestly is a memorable experience.
Liz Miele returned to her home state with Neil Rubenstein and things got awkward thanks to their jokes, and a notable heckler.
Sanaz Toossi’s “English” becomes the latest example of why theaters should record their productions, for this to be trapped on a New York stage would be a crime.
In Michelle Buteau’s “A Buteau-ful Mind” from family life to aging and talking about her allyship to the LGBT+ community, Buteau delivers the laughs.
“Shit.Meet.Fan” is dramatic and comical, and justifies why it there are limited tickets through its run that ends on December 15th.
Starring recent Tony Award winner Kara Young, prepare for a play about two people trying to find closure, with a third character who, with the audience, don’t just watch but become part of the experience.
Rachel McAdams pulls us in and transcends us in “Mary Jane.”
With engaging performances and the type of set design, lighting, and music to really get you into what’s happening on stage, “The Effect” is an experience that makes you question if you were slipped something.
8 years since her last record, and 18 from her first, the evolution of Corinne Bailey Rae from a songbird to a genre defying singer was on full display.
For an hour, we spend time with Mona, who, with Microsoft David, walks us through some of her recent struggles and the salve of having people there for you when in a dark place.
Dave Chappelle continues to pursue being that mischievous kid who feels validated to double down on a joke as long as he can get a laugh. But, when the jokes subside, you realize the controversy is an act, and there is depth beyond the superficial.
While many classic Betty Boop characters are missing in this musical, between the background animation, Angelica Hale, the comedic moments, and nostalgia, you’ll enjoy “Boop! The Musical.”
Hasan Minhaj, thanks to locking up people’s phones, gets to be free to speak not only about that New Yorker article but also about race, politics (like Hunter Biden), and the experience of being a Muslim-Indian American.
Aubrey Plaza’s brand of bizarre comes to New York City, and like the majority of her roles, there is complexity beyond the madness.
The popular podcast comes to the New York City Javits Center, and lives up to the hype of the many viral clips you’ve seen on social media.
“Here Lies Love” is a funky history lesson with heart to spare, and it signals the potential create future that Broadway has to offer.
“Bees & Honey” feels like a modernized 90s sitcom, like “Martin,” but with modern themes and heartening drama.
Strange, startlingly, but never horrifying, “The Grey House” may have some kinks to work out, but it is a welcome change for premiering shows on Broadway.
“My Name Is Mo’Nique” sometimes feels less like a comedy special and more like a one woman show, allowing you to laugh with Mo’Nique and cry with her.
Taking place barely over a day, “The Coast Starlight” is packed with a series of what-if conversations that leave you longing for connection.
While it sometimes feels like it says too much to make things more complicated than they need be, as time goes on, you realize avoiding simplicity is the point.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.