My Name is Mo’Nique (2023) Is A Triumphant Return, Worthy Of One Of The Queens Of Comedy
“My Name Is Mo’Nique” sometimes feels less like a comedy special and more like a one woman show, allowing you to laugh with Mo’Nique and cry with her.
A rating dedicated to performances which give you reasons to want to save up and see it again. Alongside share what honestly is a memorable experience.
“My Name Is Mo’Nique” sometimes feels less like a comedy special and more like a one woman show, allowing you to laugh with Mo’Nique and cry with her.
Taking place barely over a day, “The Coast Starlight” is packed with a series of what-if conversations that leave you longing for connection.
While it sometimes feels like it says too much to make things more complicated than they need be, as time goes on, you realize avoiding simplicity is the point.
Masterful storyteller Trevor Noah brings the quality expected with notable accents, trying to bring a different perspective to pop culture and your usual COVID jokes.
In her one-woman show, Kristina Wong reminds you why theater, beyond musicals and Broadway, are a New York City staple.
Ain’t Too Proud – The Life and Times of The Temptations, is more so is the Otis Williams story, but that doesn’t take away from the nostalgia.
Alongside a comic who seemingly is waiting for a Judd Apatow call, we get Ms. Pat, who performs on the level of an unofficial Queen of Comedy,
Wild N’ Out Live definitely isn’t for the sensitive or those who can’t handle a joke but, if you don’t fit those boxes, you will have one hell of a time.
Smart, Funny, and Black, the brainchild of multihyphenate Amanda Seales, has such appeal that it makes you wish there was a Black network that would make this into a staple series.
After dealing with being considered a terrorist, having the full weight of the government pin her down, and more, Kathy Griffin returns as if she never left and delivers a routine worthy of a stand-up special.