Lights Out: Nat “King” Cole at New York Theater Workshop – Review
“Lights Out: Nat King Cole” sometimes allows Daniel J. Watts, as Cole’s internal strife, to get way too much of the spotlight.
“Lights Out: Nat King Cole” sometimes allows Daniel J. Watts, as Cole’s internal strife, to get way too much of the spotlight.
Liz Miele returned to her home state with Neil Rubenstein and things got awkward thanks to their jokes, and a notable heckler.
Sanaz Toossi’s “English” becomes the latest example of why theaters should record their productions, for this to be trapped on a New York stage would be a crime.
In Michelle Buteau’s “A Buteau-ful Mind” from family life to aging and talking about her allyship to the LGBT+ community, Buteau delivers the laughs.
Focusing on the founding, rise and fall of PTL, Tammy Faye is more about the company than the woman who made it matter.
“Shit.Meet.Fan” is dramatic and comical, and justifies why it there are limited tickets through its run that ends on December 15th.
Starring recent Tony Award winner Kara Young, prepare for a play about two people trying to find closure, with a third character who, with the audience, don’t just watch but become part of the experience.
Taking advantage of how the Club Shay Shay interview has pushed him to be seen as a truth teller, “Katt Williams: Woke Foke” tests whether audiences are ready for the truth.
Rachel McAdams pulls us in and transcends us in “Mary Jane.”
Alicia Keys is the latest musician to have their work turned into a musical, and like most, this seems geared toward her fans and may not be on Broadway long.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.