Paranormal Cirque: Specter – Repetitive at Times But Entertaining
Paranormal Cirque: Specter certainly presents the gothic and horror views and vibe, but it doesn’t utilize its theme/niche as it should.
Paranormal Cirque: Specter certainly presents the gothic and horror views and vibe, but it doesn’t utilize its theme/niche as it should.
Four Woman, Four Lives, One Shared Background, And Many Uneasy Alliances.
Tony Award winner Kara Young stars alongside Nicholas Braun in a 30-year-spanning play about two eccentric, flawed people, whose love for each other has terrible timing.
Trophy Boys honors the chaos which comes from male youth as it both challenges and embraces the patriarchy.
“Lights Out: Nat King Cole” sometimes allows Daniel J. Watts, as Cole’s internal strife, to get way too much of the spotlight.
Liz Miele returned to her home state with Neil Rubenstein and things got awkward thanks to their jokes, and a notable heckler.
Sanaz Toossi’s “English” becomes the latest example of why theaters should record their productions, for this to be trapped on a New York stage would be a crime.
In Michelle Buteau’s “A Buteau-ful Mind” from family life to aging and talking about her allyship to the LGBT+ community, Buteau delivers the laughs.
Focusing on the founding, rise and fall of PTL, Tammy Faye is more about the company than the woman who made it matter.
“Shit.Meet.Fan” is dramatic and comical, and justifies why it there are limited tickets through its run that ends on December 15th.