With engaging performances and the type of set design, lighting, and music to really get you into what’s happening on stage, “The Effect” is an experience that makes you question if you were slipped something.
8 years since her last record, and 18 from her first, the evolution of Corinne Bailey Rae from a songbird to a genre defying singer was on full display.
With recently hitting 30, Taylor Tomlinson is past her quarter-life crisis, but even with great career success, she clues us into whether her personal life could catch up so she can have it all.
For an hour, we spend time with Mona, who, with Microsoft David, walks us through some of her recent struggles and the salve of having people there for you when in a dark place.
Dave Chappelle continues to pursue being that mischievous kid who feels validated to double down on a joke as long as he can get a laugh. But, when the jokes subside, you realize the controversy is an act, and there is depth beyond the superficial.
While many classic Betty Boop characters are missing in this musical, between the background animation, Angelica Hale, the comedic moments, and nostalgia, you’ll enjoy “Boop! The Musical.”
Hasan Minhaj, thanks to locking up people’s phones, gets to be free to speak not only about that New Yorker article but also about race, politics (like Hunter Biden), and the experience of being a Muslim-Indian American.
Acting as a comedy, think piece, and a reminder of the power and dangers of the KGB, “Spain” excels in some ways but can seem to be word vomit in others.
Aubrey Plaza’s brand of bizarre comes to New York City, and like the majority of her roles, there is complexity beyond the madness.
With a notable focus on Louis Armstrong’s four wives, “A Wonderful World” might be Broadway-bound, but doesn’t seem like it may stay for long.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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