Once Upon A One More Time (2023) – Musical Review
“Once Upon A… One More Time” is a feminist musical set to the music of Britney Spears that may feel like it is preaching to the choir and needs more oomph in its ensemble numbers.
Live Performance
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Bees and Honey (2023) – Play Review
“Bees & Honey” feels like a modernized 90s sitcom, like “Martin,” but with modern themes and heartening drama.
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Grey House (2023) – Play Review
Strange, startlingly, but never horrifying, “The Grey House” may have some kinks to work out, but it is a welcome change for premiering shows on Broadway.
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The Wife of Willesden (2023) – Review/ Summary (with Spoilers)
What sometimes can feel like watching your fun aunt hold court at a family reunion devolves into a play that overstays it’s welcome.
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My Name is Mo’Nique (2023) Is A Triumphant Return, Worthy Of One Of The Queens Of Comedy
“My Name Is Mo’Nique” sometimes feels less like a comedy special and more like a one woman show, allowing you to laugh with Mo’Nique and cry with her.
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“Conversations After Sex” at the Irish Arts Center (2023) – Review/ Summary
“Conversations After Sex” may do itself a disservice by not naming its character or having different men play the lead’s lover, but it still delivers in many ways.
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The Coast Starlight (2023) – Review/ Summary
Taking place barely over a day, “The Coast Starlight” is packed with a series of what-if conversations that leave you longing for connection.
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The Sign in Sidney Brustein’s Window (2023) – Review/ Summary
While it sometimes feels like it says too much to make things more complicated than they need be, as time goes on, you realize avoiding simplicity is the point.
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Trevor Noah: I Wish You Would (2022) – Review/ Summary (with Spoilers)
Masterful storyteller Trevor Noah brings the quality expected with notable accents, trying to bring a different perspective to pop culture and your usual COVID jokes.
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Nicole Byer: BBW (Big Beautiful Weirdo) – Overview/ Review (With Spoilers)
Raunchy in a way that will surely not make her for everybody, Nicole Byer defiantly shows a different brand of being a dirty comic.
