Ali Wong: Live (2023) – Review and Summary (with Spoilers)
While Ali Wong’s opening act doesn’t present the type of comedy that can leave a strong impression, seeing her live and raw about life post-divorce is a treat.
While Ali Wong’s opening act doesn’t present the type of comedy that can leave a strong impression, seeing her live and raw about life post-divorce is a treat.
“Once Upon A… One More Time” is a feminist musical set to the music of Britney Spears that may feel like it is preaching to the choir and needs more oomph in its ensemble numbers.
“Bees & Honey” feels like a modernized 90s sitcom, like “Martin,” but with modern themes and heartening drama.
Strange, startlingly, but never horrifying, “The Grey House” may have some kinks to work out, but it is a welcome change for premiering shows on Broadway.
What sometimes can feel like watching your fun aunt hold court at a family reunion devolves into a play that overstays it’s welcome.
“My Name Is Mo’Nique” sometimes feels less like a comedy special and more like a one woman show, allowing you to laugh with Mo’Nique and cry with her.
“Conversations After Sex” may do itself a disservice by not naming its character or having different men play the lead’s lover, but it still delivers in many ways.
Taking place barely over a day, “The Coast Starlight” is packed with a series of what-if conversations that leave you longing for connection.
While it sometimes feels like it says too much to make things more complicated than they need be, as time goes on, you realize avoiding simplicity is the point.
Masterful storyteller Trevor Noah brings the quality expected with notable accents, trying to bring a different perspective to pop culture and your usual COVID jokes.