Esther Povitsky “Hot For My Name” Review/ Summary with Spoilers
At times, “Hot For My Name” may make you wish Esther Povitsky didn’t say no to MTV about a reality series, for her parents damn near steal what should be her moment.
At times, “Hot For My Name” may make you wish Esther Povitsky didn’t say no to MTV about a reality series, for her parents damn near steal what should be her moment.
“Eric Andre: Legalize Everything” is pure and utter shock value that, if your tolerance is high, your laughs might be low.
“8:46,” is Chappelle at his best – a storyteller, in the form of a wise-man, who makes you laugh enough to pay attention as he drops the knowledge you need.
In “Momma, I Made It!” Yvonne Orji makes it clear “Insecure” didn’t make her who she is, all it did was put you on to someone already hilarious.
With Tomlinson avoiding joking about blackout drunk sex, there is something refreshing about her.
From Louis C.K., to Ariana Grande, and the double standards of life, Pete Davidson “Alive In New York” shows how limiting SNL is for the comic.
In one of the few comedy tapings you may ever see with a co-writer, Leslie Jones will get a few laughs out of, but doesn’t craft what we formerly called a special.
In “The Planet Is Burning,” Ilana Glazer speaks to her people and her core audience. If that isn’t you, I can’t necessarily say she’ll win you over.
Within 19 minutes, you get a real and raw taste of who Ms. Pat is, and she makes it clear her story can’t be surmised in a short set.
With a change in one-half of the shows, and no crossing over, is the newest entry of Live In Front Of A Studio Audience as good as the first?
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.