Lights Out: Nat “King” Cole at New York Theater Workshop – Review
“Lights Out: Nat King Cole” sometimes allows Daniel J. Watts, as Cole’s internal strife, to get way too much of the spotlight.
A rating dedicated to performances which give you reasons to want to save up and see it again. Alongside share what honestly is a memorable experience.
“Lights Out: Nat King Cole” sometimes allows Daniel J. Watts, as Cole’s internal strife, to get way too much of the spotlight.
Liz Miele returned to her home state with Neil Rubenstein and things got awkward thanks to their jokes, and a notable heckler.
Sanaz Toossi’s “English” becomes the latest example of why theaters should record their productions, for this to be trapped on a New York stage would be a crime.
In Michelle Buteau’s “A Buteau-ful Mind” from family life to aging and talking about her allyship to the LGBT+ community, Buteau delivers the laughs.
“Shit.Meet.Fan” is dramatic and comical, and justifies why it there are limited tickets through its run that ends on December 15th.
Starring recent Tony Award winner Kara Young, prepare for a play about two people trying to find closure, with a third character who, with the audience, don’t just watch but become part of the experience.
Rachel McAdams pulls us in and transcends us in “Mary Jane.”
With engaging performances and the type of set design, lighting, and music to really get you into what’s happening on stage, “The Effect” is an experience that makes you question if you were slipped something.
8 years since her last record, and 18 from her first, the evolution of Corinne Bailey Rae from a songbird to a genre defying singer was on full display.
For an hour, we spend time with Mona, who, with Microsoft David, walks us through some of her recent struggles and the salve of having people there for you when in a dark place.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.