No Way Out (2022) – Review/ Summary (with Spoilers)
While the beginning of “No Way Out” gets you wrapped up in its leads’ love affair, once it transitions from being a romance, it is all downhill – right off a cliff.
The human experience, sometimes at its most raw, is what you’ll find in the drama tag.
While the beginning of “No Way Out” gets you wrapped up in its leads’ love affair, once it transitions from being a romance, it is all downhill – right off a cliff.
“Fall” will make your anxiety skyrocket and create moments when you will suspend disbelief and hold your breath as you question whether the leads will live or die.
When “Easter Sunday” strips away the fat and focuses just on the complicated dynamics families can have, it becomes a pleasure to watch.
“Bodies, Bodies, Bodies” satirical take on Gen Z/late Millennials will leave you giggling and potentially forgiving its ending.
“Don’t Blame Karma” is comical at times, but the romance it wishes to explore and the drama which creates the comedy and complicates the romance is disappointing.
In “Shaka Inkosi Yamakhosi” you’re given an overview of who the great Shaka Zulu was.
In this military drama romance, two people who live on opposites sides of the political spectrum find love while in a state of desperation.
With the star power of Angourie Rice, “Honor Society” becomes far more than a tale about a malicious overachiever trying to get the hell out of her small town.
“Not Okay” may star Zoey Deutch and feature her on the poster, but Mia Isaac’s performance and character becomes the shining star.
Two couples, separated by 15 years, find themselves at the potential end of their relationship. However, a murder mystery might be able to save one of them.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.