Once Upon A One More Time (2023) – Musical Review
“Once Upon A… One More Time” is a feminist musical set to the music of Britney Spears that may feel like it is preaching to the choir and needs more oomph in its ensemble numbers.
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“Once Upon A… One More Time” is a feminist musical set to the music of Britney Spears that may feel like it is preaching to the choir and needs more oomph in its ensemble numbers.
General Information
Includes information about the production, cast, staff, venue, and crew.
| Director(s) | Keone, Mari Madrid |
| Writer(s) | Jon Hartmere |
| Organizer(s) | Resolutions Productions |
| Language | English |
| Attendance Type | Offline |
| Event Status | On Schedule |
| Venue or Network (Marquis Theatre) | 210 West 46th Street, New York, NY 10036 |
| Performance Date | May 25, 2023 |
| First Performance At This Venue | May 13, 2023 |
| Opening Night Performance | June 22, 2023 |
| Last Performance At This Venue | To Be Determined |
| Venue URL | https://broadwaydirect.com/show/once-upon-a-one-more-time/ |
| Tickets Starting At | $59.75 |
| Genre(s) | Adventure, Comedy, Drama, Fantasy, Romance, Young Adult, LGBT+, Musical |
| Duration | 2 Hours and 15 Minutes (with 15-minute intermission) |
| Noted Performers | |
| Cinderella | Briga Heelan |
| Prince Charming | Justin Guarini |
| Snow White | Aisha Jackson |
| Ariel (Little Mermaid) | Lauren Zakrin |
| Princess Pea | Morgan Whitley |
| OFG (Original Fairy Godmother) | Brooke Dillman |
| Sleeping Beauty | Ashley Chiu |
| Rapunzel | Gabrielle Beckford |
| Stepmother | Jennifer Simard |
| Belinda | Ryann Redmond |
| Betany | Tess Soltau |
| Prince Erudite | Ryan Steele |
| Clumsy | Nathan Levy |
| Narrator | Adam Godley |
| Creative Team | |
| Scene Design | Anna Fleischle |
| Costume Design | Loren Elstein |
| Lighting Design | Kenneth Posner |
| Sound Design | Andrew Keister |
| Choreography | Keone, Mari Madrid |
| Production Design | Sven Ortel |
Summary
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In the land of fairytales, stories are repeated every bedtime, and the only change in the last hundred years are stories getting a tad less violent from the Grimm’s Fairy Tales versions, among others. But, it doesn’t appear to be enough for some. Cinderella leads the charge as she questions whether her story with Prince Charming is truly a happy ending, specifically hers.
Enter OFG, “The Feminine Mystique,” and an awakening that the controller of stories, the Narrator, doesn’t appreciate. Especially as Cinderella makes discoveries and she shares them with Snow White, Ariel, Princess Pea, Sleeping Beauty, and Rapunzel. Thus leading to what can only be considered a rebellion, if not an outright revolution.
Character Descriptions
Please Note: This character guide is not an exhaustive list of every cast member, and character descriptions may contain what can be considered spoilers.
Cinderella
Per The Narrator, Cinderella is the favorite among children. However, despite her popularity and fairy tale ending, Cinderella has questioned and desired more. It is unheard of for the Princesses and for the Narrator, it is a rebellious act to talk about changing anyone’s story.
Prince Charming
Obnoxious, misogynistic, but still certainly charming, Prince Charming is a showman who knows how to manipulate the ladies, but his charm may not be strong enough to combat growing discontent.
Snow White
The fairest of them all is also the dimmest, but when empowered by Cinderella, while Snow White may show minimal signs of common sense, she may have a social intelligence worth noting.
Ariel
Silent due to Ursula, the sea witch, stealing her voice, she signs what she feels for most of the production.
Princess Pea
With everyone else being given lavish endings and stories, Princess Pea is an envious character who will remind any princess who complains the difference between their story and hers.
OFG (Original Fairy Godmother)
Banished due to her going off script and questioning the Narrator with her feminist beliefs, when Cinderella starts asking questions, OFG swoops in to give guidance.
Sleeping Beauty
Sleeping Beauty is mainly sleepy or a bit drunk, but not much is said or done with the character.
Rapunzel
Rapunzel is a spit fire who increasingly grows tired of people climbing her hair and being unable to wear her natural curls.
Stepmother
The Stepmother just wants what is best for her daughters, and with only knowing how to manipulate men for some sort of power, she cozies up to The Narrator to advocate for Belinda and Betany.
Belinda
With her sister Betany, Belinda tortures Cinderella and questions her journey inspired by “The Feminine Mystique.”
Betany
Betany, potentially the nicer between her and Belinda, is by no means a saint and is still a bully.
Prince Erudite
Prince Erudite is one of Prince Charming’s close friends, who is a closeted gay Prince.
Clumsy
Clumsy is one of the Seven Dwarves in Snow White’s story who is the one she is closest to and who Prince Erudite wants to be close to.
Things To Note
Content Information
- Dialog: some cursing, mostly noticeable in the singing of “Work Bitch.”
- Violence: minor violence, like Rapunzel hitting people with her hair
- Sexual Content: Mainly the occasional moment of innuendo
- Miscellaneous: N/a
Marquise Theater Note
- If you have to use the bathroom during intermission, there are bathrooms on the upper floors. No need to wait in line.
Collected Quote(s)
You did what you could with what you thought you had.
— OFG
Review
Note: “Once Upon A One More Time” is currently in previews
Our Rating: Mixed (If Affordable)
Notable Performances or Moments
Justin Guarini
That energy Guarini brings to the Dr. Pepper commercials, matched with the desire to spoof Prince Charming and paint him as an egotistical misogynist? Oh, Guarini eats it all up. It makes him a stand out, deserving of every applause, and I’d say he damn near steals the show, for he is the most consistent whether he is singing, dancing, or delivering his lines.
This story might be about the princesses, but Guarini makes damn sure Prince Charming is not left behind.
Highlights
Comedy A Step Above Camp
It’s a musical featuring the music of Britney Spears used to tell how princesses decided to assert autonomy over their lives. Naturally, you know the production couldn’t be serious, which makes it good. It pokes fun at everyone, from questioning Ariel trading her voice and life, for a boy, to Princess Pea being envious of everyone and mad that they all, especially Cinderella, complain about their lives. All of it is so deliciously self-aware, and then when you add in Cinderella’s stepmom? The sarcasm, the shade, the dry humor? Oh, it is just too good. Add in how Clumsy and Prince Erudite flirt and hint at their sexuality, and while “Once upon a, One More Time” may not be for everyone, it is a good time for those it was clearly made for.
Rapunzel and Snow White
Rapunzel and Snow White are scene stealers. Maybe not on the level of Prince Charming, but between Rapunzel’s voice and Snow White giving Prince Charming a run for his money to be the funniest character? At times you may see Cinderella as a Trojan Horse to allow situations to be set up for these two to shine.
How Some Songs Are Repurposed
From the evil stepmom getting a Jordan Peele-esque version of “Toxic” to the stepsisters using “Work Bitch” as a taunt for Cinderella, more often than not, when Britney Spears’ songs are modified to fit the tone or context of a situation, you appreciate and welcome it. Even the ones that are expected, like “Cinderella,” “Lucky,” and “Circus,” I can’t say if you’ll want to purchase or stream the soundtrack, but I do believe you’ll enjoy the songs during the show.
Criticism
The Ensemble Numbers
When a single singer is featured, or there is a duet, songs are executed well. The ensemble pieces, like the opening “Hit Me Baby One More Time,” are blemishes, and that first song may likely crater your expectations or reaffirm skeptics who question what this production may offer of value. Now, let me be clear and say this is regarding the singing during ensemble pieces – which sounds like generic Broadway fare. The dancing, on the other hand, is well done.
On The Fence
The Messaging
“Once Upon A One More Time” is a preaching to the choir type musical. It knows it is playing to liberal New Yorkers, likely there are gay people in attendance, and it makes it clear it wants to appeal to them. Whether it is the inclusion of Prince Erudite and Clumsy having a crush on one another and being the sole relationship to root for, making it clear, there is a lot of misogyny in how princesses are written and the world in general, or how men likely won’t change what has been convenient for them.
Honestly, the only time it pushes the idea it wants some level of complication beyond good feminist, bad feminist, and misogyny, is with the evil stepmom. She is given a moment of grace or allowed to be layered, as OFG acknowledges via the quote above. But, as for all others, there is a clear dichotomy where you can only exist on one side of feminism or the other, and the grey of it all, especially considering characters apparently can be banished and replaced – isn’t developed.
Wanting To Question Why Some Princesses Were More Developed Than Others
It’s easy to understand why Cinderella and Snow White were chosen to be one of the main princesses, but the rest? It’s a bit more difficult. Why is Belle second tier with Goldilocks and Little Red Riding Hood? Why no Princess and the Frog, since “The Frog Prince” is a Grimm Fairy Tale?
This isn’t to discount the jokes made due to Ariel being unable to speak or Princess Pea not having an ending involving wealth, but it’s hard to not raise an eyebrow and desire to ask questions.
