Another Simple Favor (2025) Review & Summary
While the banter between Lively and Kendrick remains a high point, Another Simple Favor falls apart when it no longer is building to something but has to actually deliver the goods.
While the banter between Lively and Kendrick remains a high point, Another Simple Favor falls apart when it no longer is building to something but has to actually deliver the goods.
Audrey is bizarre, usually in the best way, but sometimes it does veer towards doing the most and potentially ruining what it was doing so well at.
The Comic Shop is a reminder that the utmost importance in life is finding your people.
With a interesting gimmick, simple romance, and a touch of risque moments, while “My Love Will Make You Disappear” won’t be a classic, it is a good romantic comedy to hold you over till one shows up.
A mix between taking advantage of how much Ray Nicholson looks like his father and the name recognition of Samara Weaving only to make Alba Baptista the most interesting part of “Borderline.”
While Jenna Ortega makes the best out of what is offered, a lot of “Death Of A Unicorn” is hit or miss.
Barbie Ferreira moves on from her Euphoria fame to a role which has the potential to make her a indie darling.
“Novocaine” is a reminder that spring is coming and we’re exiting the period where movies aren’t expected to be huge hits, but potentially the biggest of the year – with films like “Novocaine” being a warmup.
“Totto-Chan: The Little Girl at the Window” is a sweet movie, which not only gives a historical peek into Japan in the early 1940s but also delivers Totto-chan to the world.
“Salta” also known as “Jump” is one of the sweetest sci-fi family movies you may ever see, especially one that doesn’t involve someone being dead or trying to prevent a death.
The younger years of Frida Kahlo are brough to life via animation, and produce a wonderful display for those families or kids with someone who has sometimes debilitating ailments.
“My Dead Friend Zoe” is a tear inducing towards the end and primarily held together by Sonequa Martin-Green’s performance.
“I Love You Forever” joins a growing group of movies that exhibit how abuse begins from even the most unlikely of people, specifically men.
“The Monkey” with being inspired by a short story by Stephen King, and slight “Final Destination” vibes, gives you a horror movie that will hit the spot.
“Remember Me” feels like the pitch for an odd, but lovable and relatable show.
“Love Hurts” may present interesting action sequences, but it falters, maybe even fails, regarding everything else it is expected to deliver.
“Heart Eyes” delivers decent laughs and an acceptable level of brutality, but lacks the writing needed to make the Heart Eyes Killer into an icon.
“Clean Slate” stars Laverne Cox stars in one of the legendary Norman Lear’s final shows, which tries to balances a sense of universality with cultural specific stories.
“The Colors Within” creates what feels like a coming of age tale that doesn’t have overdone characters, struggles, or triumphs.
“One Of Them Days” is the kind of comedy that you can see become a single outing or a franchise in Issa Rae and Keke Palmer’s filmographies – depending on how well it does.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.