My Dead Friend Zoe (2025) Review
“My Dead Friend Zoe” is a tear inducing towards the end and primarily held together by Sonequa Martin-Green’s performance.
“My Dead Friend Zoe” is a tear inducing towards the end and primarily held together by Sonequa Martin-Green’s performance.
“I Love You Forever” joins a growing group of movies that exhibit how abuse begins from even the most unlikely of people, specifically men.
“The Monkey” with being inspired by a short story by Stephen King, and slight “Final Destination” vibes, gives you a horror movie that will hit the spot.
“Remember Me” feels like the pitch for an odd, but lovable and relatable show.
“Love Hurts” may present interesting action sequences, but it falters, maybe even fails, regarding everything else it is expected to deliver.
“Heart Eyes” delivers decent laughs and an acceptable level of brutality, but lacks the writing needed to make the Heart Eyes Killer into an icon.
“Clean Slate” stars Laverne Cox stars in one of the legendary Norman Lear’s final shows, which tries to balances a sense of universality with cultural specific stories.
“The Colors Within” creates what feels like a coming of age tale that doesn’t have overdone characters, struggles, or triumphs.
“One Of Them Days” is the kind of comedy that you can see become a single outing or a franchise in Issa Rae and Keke Palmer’s filmographies – depending on how well it does.
With mixed results, “Good Side of Bad” seeks a less embellished version of experiencing a mental illness or supporting someone that does.
“Blended Christmas” shows the challenges of a family which includes bonus children, an ex-spouse, and the effort for everyone to come together during Christmas.
“Bloody Axe Wound” achieves the rare balance of being funny, heartfelt, romantic, and bloody.
Stephanie Hsu’s first major starring role is a bit rough and may struggle to win new fans and could test fans who were waiting for her to have her moment.
“Makeine: Too Many Losing Heroines” gives you that high school nostalgia in perhaps the best or worst way, as it explores burgeoning feelings like love.
“F Mary Kill” presents a lighter and comical version of “Cat Person ” regarding what women may fear when dating men.
OWN For The Holidays returns, and as it becomes one of the last instances when OWN releases scripted content, this tame but likable film is not the best way to start the season.
While “Y2K” may bug anyone born in the 1990s and before, it could be a fun film for those who only know the time through Tumblr aesthetics and unearned nostalgia.
“Brewster’s Millions Christmas,” like many movies using name recognition for a boost, feels like it didn’t and shouldn’t have used its predecessor as a crutch, for this one could have stood on its own.
“Allswell In New York” will likely become a movie you badly wish was at least a mini-series, for while a completed film, it feels like such a tease.
“The Day Before Christmas” gives you a corny but likable romance building around Christmas.
While much of what is to be expected is given with “Sweethearts,” at least the gay character, who feels obligatory/formulaic for films like this, is given a much better storyline than expected.
While it is always wonderful to see Raven Goodwin in a starring role, “Style Me For Christmas,” focusing on a talented woman’s desirability to an R&B superstar does lead to a tightrope walk between problematic and aspirational.
BET+’s staple holiday franchise returns with the Wesley family heading to South Africa as Todd and Chris’ company tries to close a deal with a major South African tech firm and family.
A cast of familiar faces, ranging from Lynn Whitfield to J. Alphonse Nicholson, delivers a holiday movie that is dramatic but a bit more serious than your usual fare.
“The Best Christmas Pageant Ever” is a tear-inducing movie that reminds us that it really only takes one person, giving grace and kindness, to change the hearts of many.
This is a character guide for CBS’ “Poppa’s House,” with character descriptions, quotes, names of actors, and more.
“Hard Truths” crafts a brilliant love-to-hate lead, but the limitations of movies will make you badly wish this was a miniseries.
It’s a romance, it’s a revenge tale, it is Melissa Barrera proving she doesn’t need “Scream” to be a movie star.
Focusing on the founding, rise and fall of PTL, Tammy Faye is more about the company than the woman who made it matter.
“Anora” is probably going to be one of the funniest sex comedies you’ve seen that are heavy on the sex and got released beyond a limited release in theaters.
“Carnage For Christmas” gives you a campy horror movie that may have notable visuals, but some may find it lacks substance.
In “Rookie,” we watch a sports story which makes the leads’ attraction only part of the story.
Andrew Garfield and Florence Pugh star in a romance movie made for those in their 30s, who have had significant relationships and aren’t scrambling with money or their career.
“Shit.Meet.Fan” is dramatic and comical, and justifies why it there are limited tickets through its run that ends on December 15th.
Featuring the voices of Lupita Nyong’o, Kit Connor, and Pedro Pascal, “The Wild Robot” delivers dark humor and tear-inducing moments, making this one of the best American-made animated movies of the year.
“Beetlejuice Beetlejuice” may avoid feeling like a cash grab, but there is no denying it doesn’t present anything notable to justify being made.
Lucy Hale and Keir Gilchrist may deliver familiar characters from their repertoire, but amongst the odd story and comedy of “Running On Empty,” they make it work.
Starring recent Tony Award winner Kara Young, prepare for a play about two people trying to find closure, with a third character who, with the audience, don’t just watch but become part of the experience.
Starring Dylan Sprouse and Patrick Warburton, “The Duel” provides just as many laughs as it creates opportunities to discuss the modern state of masculinity.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.