Twinless (Tribeca 2025) Film Review & Summary
James Sweeney with Twinless presents himself as one of the best writer-directors who also star in their own films in this generation.
James Sweeney with Twinless presents himself as one of the best writer-directors who also star in their own films in this generation.
In Honeyjoon, a mother and daughter try to figure out how and if they can connect without the man who used to bond them.
Pinch explores the continued struggles women face in being believed when men, often assumed to be the good ones, behave badly.
Bird in Hand presents several opportunities for meaningful conversations, but often sidesteps them—without quite offering enough humor to make up for what’s missing.
The Travel Companion travels light in regards to giving you something, or someone, you’ll actively want to invest in for an hour and a half.
Lemonade Blessing provides a different kind of coming-of-age film, especially with the inclusion of faith, as it shows the conflict in ways that don’t feel sensationalized.
Trophy Boys honors the chaos which comes from male youth as it both challenges and embraces the patriarchy.
Sisters, in showing both chosen family and blood family, and the unique benefits and liabities of both, reminds you why both are necessary.
Lost In Starlight, as its leads work through their personal anxiety and trauma, reminds you what finding “The One” looks like.
Dying For Sex creates an almost perfect mini-series that can inspire, make you cry, and potentially have you feel seen.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.