Boop! The Musical – Review
While many classic Betty Boop characters are missing in this musical, between the background animation, Angelica Hale, the comedic moments, and nostalgia, you’ll enjoy “Boop! The Musical.”
While many classic Betty Boop characters are missing in this musical, between the background animation, Angelica Hale, the comedic moments, and nostalgia, you’ll enjoy “Boop! The Musical.”
If you ever wondered how far can Christmas movies go to make it seem like love can push past damn near anything, come and read about “Christmas Rescue.”
“Poor Things” is a bizarre dark comedy featuring a coming-of-age story and the sexual awakening of a woman given a second chance at life.
Timothee Chalamet, in channeling the light, curiosity, and silliness of Willy Wonka, brings the more lovable side out of the iconic character.
In this sweet-as-can-be movie, a woman learns to say yes to something outside of working toward career goals, allowing her to have a fulfilling personal life.
Three women who spend nearly the entire movie in bikinis handle high-level drug deals in a film that straddles being corny and notably intriguing.
“The Ms. Pat Show” stays the course as it explores more challenging themes and perceptions and seeks a balance between laughter and processing trauma.
“A Christmas Serenade” feels like a rare, tame holiday movie. But with a heavy focus on faith, a church setting, and quoting of scripture, it might be for those who grow tired of how Christmas movies have become very liberal and dramatic.
“How the Gringo Stole Christmas” is a prime example of how not to shoot a comedy.
Hulu’s “The Artful Dodger” is an unnecessary spin-off of “Oliver Twist,” but great characters and acting make it fun escapism.
While “Family Switch” hits all the familiar beats of a body swap comedy, it still has enough heart to get you pass the expected results.
Eddie Murphy has his first, surprisingly, holiday movie, and between Jillian Bell and Chris Redd, you’ll find yourself laughing with the kids in the room too.
Let the “The Holdovers” be your family in what’s possibly my favorite movie this year.
“American Fiction” may not have anything new to say with its social commentary about media, but it still is able to deliver laughs, touching moments, and a handful of frustration.
In this holiday movie definitely just made for the adults, after feeling neglected by her husband, Mrs. Claus decides to head to Miami and let her friend potentially push her to do the unthinkable.
“So Fly Christmas” doesn’t include that awkward gray between relationships, as it focuses on a friendship in which one half has been far more lucky in love than the other.
“Genie” may focus on a father’s decline professionally and personally to begin, but once McCarthy shows up, it is no longer about that, and she steals the film.
“Dashing Through The Snow” doesn’t follow the usual holiday movie formula, thus requiring getting used to what it offers, which you could come to like.
“Wish” seems like it was made for Disney Plus as part of Disney’s 100th anniversary celebration, but someone had enough faith in it to garner a theatrical release.
Acting as a comedy, think piece, and a reminder of the power and dangers of the KGB, “Spain” excels in some ways but can seem to be word vomit in others.
“It’s A Wonderful Knife” is a bit corny, undeniably bloody, but has a silver lining to it because of its supporting actors.
“A Wesley Christmas Wedding” largely sets aside the drama experienced in the first movie and more so gives us laughs, love, and a touch of loneliness from a few.
Netflix and Melanie Laurent’s “Wingwomen” is a fun but forgettable action-comedy that is light in drama and plot.
“What Happens Later” may feature the archetypes that made Meg Ryan and David Duchovny staples in the entertainment industry, but they lack the chemistry needed to make this film good.
With a notable focus on Louis Armstrong’s four wives, “A Wonderful World” might be Broadway-bound, but doesn’t seem like it may stay for long.
Prime Video’s “Everybody Loves Diamonds” should be a slick ride, but a heist story told in 8 episodes makes the ride stop-and-start.
A character guide for Prime Video’s “Everybody Loves Diamonds,” with character descriptions, names of actors, and more.
The popular podcast comes to the New York City Javits Center, and lives up to the hype of the many viral clips you’ve seen on social media.
Nathan Fielder and Benny Safdie’s “The Curse” holds up a mirror to our fascination with reality TV and fabricated feel-good moments.
At the minimum, “Eileen” delivers entertaining performances worth the ticket price, and at max, you will witness at least one performance worthy of a major accolade.
Josh Sharp and Aaron Jackson’s “Dicks: The Musical” is gross, horrid, and very funny. If you ever wanted to see John Waters’ version of The Parent Trap, this movie is for you.
In what can be seen as a mini-career and life retrospective, Tony Winner Alex Newell walks their audience through some of their favorites Broadway numbers, including those they made a hit.
“Totally Killer,” as its title implies, is a fun horror movie to watch but ultimately is more content to consume than a new movie to put into your annual Halloween rotation.
“The Kill Room” gives what is expected from Tarantino alumnus Uma Thurman and Samuel L. Jackson in a forgettable but likable crime comedy.
Part 2 of “Love & Murder: Atlanta Playboy” focuses on the murder investigation and with Taye Diggs in it less, it means more drama from the caricatures of Lance’s past lovers.
Ramon Felipe Pesante and Jenni Ruiza’s “Playing Sam” is a strong showcase for Ruiza’s talents and a love letter to any struggling artist.
A girl who doesn’t plan as well as she should meets a boy who leaves very little to chance, and rather than this leading to them balancing each other out, it sets up a meet-cute story that will certainly make you a fan of Haley Lu Richardson.
Michael Jai White’s “Outlaw Johnny Black” is a good silly 90-minute western trapped in a 2-hour middling movie.
Unfortunately, “Cassandro” sidesteps going too deep into any potential wound or struggle to give you a light-hearted drama that easily becomes dull due to its rounded edges.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.