They Cloned Tyrone (2023) – Movie Review and Summary
“Barbie” and “Oppenheimer” may be all over the news, but Juel Taylor’s “They Cloned Tyrone” is an inventive joy that shouldn’t be missed.
“Barbie” and “Oppenheimer” may be all over the news, but Juel Taylor’s “They Cloned Tyrone” is an inventive joy that shouldn’t be missed.
Anyone who has been part of a theater production will recognize any of the shenanigans that take place in Theater Camp, a funny love letter to young thespians.
“Barbie” is a fun, often comical movie laced with a strong feminist message and depiction of what can happen if toxic masculinity and patriarchal views go unchecked.
“The Horror of Dolores Roach” boasts a great cast ready to bite into the show’s bloody premise, but its tone shifts into systemic problems and landing a second season ruin a potentially good single season.
“The Out-Laws” is a pleasant “watch because it is new, and you feel you’ve watched everything else” movie.
“My Eyes Are Up Here” presents to you a romance complicated by more than just someone’s personal baggage.
Can you imagine, to hopefully have kids one day, having to go to a room where everyone knows what you are doing and… you know.
While comical in some ways, “Voice Activated” reminds you how much accessibility matters in the development of technology and patience when dealing with other people.
In a therapy session, Mara recounts all the people who have died she has grown close to and her anxiety that it could soon happen again.
“Regular Rabbit” is absolutely absurd without having to be violent, slapstick, or implement farce comedy.
Pitching any kind of film, short film included, and getting financing is hard – but imagine trying to pitch to your dad and uncle who don’t get your vision that much.
Alcoholism is a disease which can get passed down from generation to generation but separately, then together, a mother and daughter seek out help with their addiction.
What better way to end 2023 Pride than a movie like “Nimona,” which reminds you how quickly hate spreads when powered by fear and the power behind being able to self-identify?
“I’m a Virgo” is Boots Riley’s satire of superheroes while confronting capitalism in a 13-foot-tall character. It’s bonkers in the best way.
“Sheroes” is the generic yet less entertaining version of Spring Breakers, with more guns and less sense. If I could walk out of this movie, I would.
“Cinnamon” packs multiple genres and cinematic flourishes within its 90 minutes that will leave your mouth agape, shaking your head, sometimes laughing, but never looking away.
“Daddy Issues” is a reminder of the awkwardness which can come the final stages of coming-of-age.
“The Mecca of Comedy” is an intriguing look into the DC comedy scene, but it could use another edit and more comedy.
Alongside being visually stunning, almost AAA video game quality at times, “Deep Sea” is an emotional experience, especially as it enters its third act.
“The Line” is a wonderful showcase for Austin Abrams’ talent as it wastes both Halle Bailey and Angus Cloud.
Jennifer Lawrence plays what feels like an embellished version of her public persona in a pleasant film that seems like it should have been released on Hulu.
“The Perfect Find” makes a decent romantic comedy once it moves past its ageism and misogynoir jokes.
Alongside delivering the expected laughs, “Joy Ride” is an emotional story about culture, identity, and how friends can reaffirm who you are.
“Perpetrator” is more interested in ways to use and shoot blood than truly give life to its characters and anything it sets up plot-wise.
“The Blackening” is one of the funniest films I’ve seen in years and has the makings of being a classic thank to being funny throughout the whole film, and not just a handful of scenes.
“Bottoms” might be one of the first notable dark-humor teen sex comedies that don’t feel like a female version of something you saw before.
Arnold Schwarzenegger in “Fubar” is a callback to his action movies, but you’ll have a better time rewatching those action movies than watch this.
Some of the most memorable moments from your favorite comedies aren’t from the lead actor, but the supporting star!
Sebastian Maniscalco’s “About My Father” showcases a sweet relationship between De Niro and Maniscalco, but it’s coated in forgettable comedy and a story we’ve seen too many times.
American Born Chinese is ambitious and nuanced in its Asian American representation, yet there are parts that feel watered down or changed by its Disney overlords.
A few chronically funny mishaps and personalities lead to a half-a-million-dollar reward.
A Black Lady Sketch Show may be missing some old cast members, but Robin Thede, Gabrielle Dennis, and
Skye Townsend become comedy all-stars.
“Once Upon A… One More Time” is a feminist musical set to the music of Britney Spears that may feel like it is preaching to the choir and needs more oomph in its ensemble numbers.
“The Little Mermaid” thankfully takes enough from the Broadway musical and further creative license from the Hans Christian Anderson story to make an entertaining, though serviceable, film.
“Primo” will ruffle your hair and give you a big bear hug in this warm and rewarding comedy.
“Robots” is a forgettable comedy that seems to yearn for when men got to be funny and women were meant to be seen and buzzkills.
“A Black Lady Sketch Show” ends season 4 with a commitment to chaos and characters that is certain to continue.
Margaret Qualley presents a dictionary-worthy depiction of mind f*** that deserves notice.
Swarm centers around a quirky super-fan has an extreme obsession with the fictional pop star, Queen Ni’Jah, which leads her down a rocky path of self-discovery and murder.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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