A Man Called Otto (2022) – Review/ Summary (with Spoilers)
“A Man Called Otto” is the perfect way to end 2022, especially if you need a good cry.
“A Man Called Otto” is the perfect way to end 2022, especially if you need a good cry.
“High Heat” delivers, mainly thanks to its notable kills, but certainly not its comedy.
“Babylon” has wonderful lead characters with potentially engrossing storylines, but it feels so bloated, thanks to putting them together and being three hours long.
“Whitney Houston: I Wanna Dance With Somebody” will make you forget the countless TV movies that predates it.
“Atlanta” ends its run without any desire to conform to the expectations of a final season, as it continues to have a loose arc for its characters.
“The White Lotus” tries to use the same formula from season 1, with all but two characters, Tanya and Greg, being new, and it leads to mixed results on occasion but still a relatively entertaining season.
While “Something From Tiffany’s” has one unfortunate Holiday movie obligation, everything else about this movie will potentially make it your favorite one released this season.
While it reaches levels of ridiculous that may make you roll your eyes, you’ll be chuckling throughout all “Divorce Bait” throws at you.
In this “Be careful what you wish for” movie, “A Miracle Before Christmas” delivers a movie that’s a bit rough but watchable.
The innuendo-filled “Christmas with The Campbells” is not a family Christmas movie but could be good for the adults to watch or listen to while getting things ready or cleaning up.
“Darby and The Dead,” being yet another teen movie focused on the outcast who, with a makeover, becomes popular, sidesteps what could have made it interesting.
While the early part of “Rolling Into Christmas” is high quality, as relationship drama comes into play, things go downhill fast.
While Jenna Ortega makes a superb Wednesday, unfortunately, they put her in a world reminiscent of the “Chilling Adventures of Sabrina” with boy drama and a mediocre mystery.
Somehow, “Violent Night” finds a way to be flinch-worthy violent, consistently comical, and even stir up your emotions.
With an interesting premise that has a child giving their father a resurgence in their career, “Fantasy Football” is family-friendly and entertaining.
Masterful storyteller Trevor Noah brings the quality expected with notable accents, trying to bring a different perspective to pop culture and your usual COVID jokes.
Like many BET productions, you would be remiss to underestimate “Christmas Party Crashers” based on its name and what’s sold in the poster.
“Christmas With You,” like most Christmas movies, is just different enough to stand out thanks to embracing parts of Latin American culture.
While “The Menu” handles the pretentious characters with a certain level of comedic flair, the humor may not appeal to those who don’t find the personalities of the rich and pompous entertaining.
While the romance between the two leads is notable, the hijinks the character Bisi, played by Bisola Aiyeola goes through and exhibits, steals “Dinner at My Place.”
“Bar Fight” is a simple comedy that, while not laugh-out-loud funny, is enjoyable for the most part.
While it doesn’t have the makings of a classic, you might be surprised how much you enjoy this likable but forgettable Christmas movie.
“A Wesley Christmas,” like past BET movies, has an unexpected heart amongst your usual holiday storylines.
Dispel your skepticism as “Wednesday” is not only well cast but includes the supernatural in such a way you’ll question why isn’t it a horror release.
“Glass Onion: A Knives Out Mystery” may have a disappointing mystery, but its zany and comedic characters compensate for that.
“Lyle, Lyle Crocodile” knows what the heart of the film could be, yet it refuses to stick to it and thus becomes a forgettable movie hoping to cash in due to lack of competition.
“Entergalatic” reminds you that adult animation not only has the potential to thrive but also explore beyond graphic violence or sexual content.
“Hocus Pocus 2” might be one of the few sequels you likely didn’t ask for that is far better than expected.
“Bro” lives up to the hype and precedent it wants to set as one of the biggest gay romantic comedies, if not one of the best romantic comedies.
“My Best Friend’s Exorcism” is a run-of-the-mill horror film that lacks scares but does attempt to have a sweet friendship at its center.
While the third season of “High School Musical: The Musical: The Series” only covers two weeks, it is jam-packed with notable new characters and storylines that maintain, or improve, the series.
While “Game of Thrones” is considered Bella Ramsay’s breakout role, Birdy has given proof that Ramsay can and will have diverse stardom.
“The Resort” may not have the best payoff for its central mystery, but the relationships between the characters might save it for you.
“Goodbye, Don Glees!” is a coming-of-age story that takes longer than it should to hook you, but once it has you, you’re attentive.
While “Margaux” has visual effects not up to the grade you might be used to, the cast and story will keep you around until the end.
“About Fate” is a cute and simple romantic comedy with minor dramatic elements that has the potential to make you swoon a bit.
“Who Invited Them” reminds you of the dangers of having a house party where anyone could step into the place you call home.
“Three Thousand Years of Longing” is mainly about a Djinn’s attempts at love and freedom over three thousand years.
“Mike” is so good that it is unfortunate that it doesn’t involve or is supported by Mike Tyson.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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