Deep Sea (2023) – Movie Review and Summary (with Spoilers)
Alongside being visually stunning, almost AAA video game quality at times, “Deep Sea” is an emotional experience, especially as it enters its third act.
Alongside being visually stunning, almost AAA video game quality at times, “Deep Sea” is an emotional experience, especially as it enters its third act.
“The Line” is a wonderful showcase for Austin Abrams’ talent as it wastes both Halle Bailey and Angus Cloud.
Jennifer Lawrence plays what feels like an embellished version of her public persona in a pleasant film that seems like it should have been released on Hulu.
“The Perfect Find” makes a decent romantic comedy once it moves past its ageism and misogynoir jokes.
Alongside delivering the expected laughs, “Joy Ride” is an emotional story about culture, identity, and how friends can reaffirm who you are.
“Perpetrator” is more interested in ways to use and shoot blood than truly give life to its characters and anything it sets up plot-wise.
“The Blackening” is one of the funniest films I’ve seen in years and has the makings of being a classic thank to being funny throughout the whole film, and not just a handful of scenes.
“Bottoms” might be one of the first notable dark-humor teen sex comedies that don’t feel like a female version of something you saw before.
Arnold Schwarzenegger in “Fubar” is a callback to his action movies, but you’ll have a better time rewatching those action movies than watch this.
Some of the most memorable moments from your favorite comedies aren’t from the lead actor, but the supporting star!
Sebastian Maniscalco’s “About My Father” showcases a sweet relationship between De Niro and Maniscalco, but it’s coated in forgettable comedy and a story we’ve seen too many times.
American Born Chinese is ambitious and nuanced in its Asian American representation, yet there are parts that feel watered down or changed by its Disney overlords.
A few chronically funny mishaps and personalities lead to a half-a-million-dollar reward.
A Black Lady Sketch Show may be missing some old cast members, but Robin Thede, Gabrielle Dennis, and
Skye Townsend become comedy all-stars.
“Once Upon A… One More Time” is a feminist musical set to the music of Britney Spears that may feel like it is preaching to the choir and needs more oomph in its ensemble numbers.
“The Little Mermaid” thankfully takes enough from the Broadway musical and further creative license from the Hans Christian Anderson story to make an entertaining, though serviceable, film.
“Primo” will ruffle your hair and give you a big bear hug in this warm and rewarding comedy.
“Robots” is a forgettable comedy that seems to yearn for when men got to be funny and women were meant to be seen and buzzkills.
“A Black Lady Sketch Show” ends season 4 with a commitment to chaos and characters that is certain to continue.
Margaret Qualley presents a dictionary-worthy depiction of mind f*** that deserves notice.
Swarm centers around a quirky super-fan has an extreme obsession with the fictional pop star, Queen Ni’Jah, which leads her down a rocky path of self-discovery and murder.
From The Real Housewives of B.C. to watching Thede trying to orgasm, “A Black Lady Sketch Show” delivers its silliest episode this season.
The Muppets Mayhem is the wackiest and most inspired Muppets project in a near decade.
“Book Club 2: The Next Chapter” is a light-hearted, funny, and beautiful portrait which uses Paulo Coelho’s “The Alchemist” as the catalyst for everything.
The improv is especially high in “My Love Language is Words of Defamation” which makes for a loose and funny but unfocused episode.
“Bees & Honey” feels like a modernized 90s sitcom, like “Martin,” but with modern themes and heartening drama.
Guardians of the Galaxy may be a rocky and exhaustive journey, but its heart in Rocket provides a fitting end to Marvel’s gang of misfits.
“Bupkis” means “nothing of value or significance.” But a show about nothing would still be more interesting than a show about Pete Davidson’s life.
A Black Lady Sketch Show continues to be highly relatable with a particular standout performance by Gabrielle Dennis.
Strange, startlingly, but never horrifying, “The Grey House” may have some kinks to work out, but it is a welcome change for premiering shows on Broadway.
In the pursuit of the next “Half Baked” or “How High,” MTV presents its latest attempt to make a classic in “Pretty Stoned.”
“What Kind of Medicine Does Dr. King Practice?” continues to find A Black Lady Sketch Show in a groove of quick outrageous yet relatable premises.
“Polite Society” has all the workings of a sleeper hit thanks to its blend of action, comedy, and injection of culture to make it stand out.
This nightmare comedy dives into your worst fears. You could love it and you can hate it, but you should really see Beau is Afraid.
After two hours of little comedy, romance, and confusing action, you’ll wish you would have ghosted this movie after seeing it.
“Are You There God, It’s Me Margaret” is the kind of coming-of-age story that isn’t produced enough with this amount of marketing.
“I’m Clappin’ from My Puss” is a great introduction to why Robin Thede’s A Black Lady Sketch Show is quickly becoming a comedy institution.
Ana de Armas is team player in a charming and fun Saturday Night Live.
Renfield, familiar to Dracula betrays him by seeking a new empowered and purposeful life in heroic pursuits, but there is Hell to pay!
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.