Hola Frida (2025) Review
The younger years of Frida Kahlo are brough to life via animation, and produce a wonderful display for those families or kids with someone who has sometimes debilitating ailments.
The younger years of Frida Kahlo are brough to life via animation, and produce a wonderful display for those families or kids with someone who has sometimes debilitating ailments.
“My Dead Friend Zoe” is a tear inducing towards the end and primarily held together by Sonequa Martin-Green’s performance.
“I Love You Forever” joins a growing group of movies that exhibit how abuse begins from even the most unlikely of people, specifically men.
“The Monkey” with being inspired by a short story by Stephen King, and slight “Final Destination” vibes, gives you a horror movie that will hit the spot.
“Remember Me” feels like the pitch for an odd, but lovable and relatable show.
“Love Hurts” may present interesting action sequences, but it falters, maybe even fails, regarding everything else it is expected to deliver.
“Heart Eyes” delivers decent laughs and an acceptable level of brutality, but lacks the writing needed to make the Heart Eyes Killer into an icon.
“Clean Slate” stars Laverne Cox stars in one of the legendary Norman Lear’s final shows, which tries to balances a sense of universality with cultural specific stories.
“The Colors Within” creates what feels like a coming of age tale that doesn’t have overdone characters, struggles, or triumphs.
“One Of Them Days” is the kind of comedy that you can see become a single outing or a franchise in Issa Rae and Keke Palmer’s filmographies – depending on how well it does.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.