Clean Hands (2026) – Review and Summary | Tribeca Film Festival
Zach Braff and Esther McGregor deliver a “Based on a True Story” film that doesn’t feel like an exploitation of someone’s hardship, but a call to action that doesn’t feel preachy.
Young Adult
In the Young Adult tag, you’ll find coming-of-age stories and productions featuring those in their late teens through twenties getting their lives together.
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Ephemera (2026) – Review and Summary | Tribeca Film Festival
Ephemera builds a pillar for itself and becomes likely one of the best lesbian romance films, queer romance films, if not romance films – period, this year.
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Human Theories (2026) – Review and Summary | Tribeca Film Festival
Human Theories feels like a new “(Insert City Name), I Love You” movie, as it explores a multitude of loosely connected stories set in NYC.
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The Keeper of the Camphor Tree (2026) – Review and Summary | Tribeca Film Festival
Faith, family, and tradition create notable reactions as a young man tries to put his life back together after being falsely accused of a crime.
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You Tryna Say You Love Me? (2026) – Review and Summary | Tribeca Film Festival
A first date goes beyond the superficial as intentions are made clear in You Tryna Say You Love Me?
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Fly (2026) – Review and Summary
It’s hard to fly when dreams are expensive, and opportunities are few.
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Leviticus (2026) – Review and Summary
What you lust over could be the death of you in Leviticus.
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Saccharine (2026) – Review | Prepare To Change Your Relationship To Food
Saccharine walks a tightrope as it navigates being fat, body positivity, and the line separating what is unhealthy and what is simply feeding a natural hunger.
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Is God Is (2026): Review | Sterling K. Brown’s Audition For Dr. Jekyll/Mr. Hyde
Is God Is does well in building up its villain, but makes its would-be heroes and their journey feel secondary.
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Obsession (2026) – Review | May A “Love” Like This Only Find Our Enemies
Obsession is a star-maker for Inde Navarrette, who is a bloody good reminder of “Be careful what you wish for.”
