The Brink Of (2024) Movie Review
“The Brink Of” may have a few catchy indie pop songs, but the will they or won’t they at the heart of it may not win too many over.
The Musical tag features both those who burst into song in front of you on stage or from the comfort of wherever you are.
“The Brink Of” may have a few catchy indie pop songs, but the will they or won’t they at the heart of it may not win too many over.
In “Música,” Rudy Mancuso may not reinvent the musical genre but gives something different enough to revive your love for the genre if it has left you jaded.
Alicia Keys is the latest musician to have their work turned into a musical, and like most, this seems geared toward her fans and may not be on Broadway long.
Seemingly inspired by Jennifer Lopez’s own journey to find her forever love, “This Is Me… Now” encapsulates Lopez’s past in a way that could cause mixed feelings.
For an hour, we spend time with Mona, who, with Microsoft David, walks us through some of her recent struggles and the salve of having people there for you when in a dark place.
Between the music and performances, the 2023 version of “The Color Purple” does enough to stand out, but it sometimes falters if you compare it to the 1985 movie.
While many classic Betty Boop characters are missing in this musical, between the background animation, Angelica Hale, the comedic moments, and nostalgia, you’ll enjoy “Boop! The Musical.”
Timothee Chalamet, in channeling the light, curiosity, and silliness of Willy Wonka, brings the more lovable side out of the iconic character.
Bollywood takes on the Archie comics in Netflix’s clever and creative “The Archies.”
“Wish” seems like it was made for Disney Plus as part of Disney’s 100th anniversary celebration, but someone had enough faith in it to garner a theatrical release.
With a notable focus on Louis Armstrong’s four wives, “A Wonderful World” might be Broadway-bound, but doesn’t seem like it may stay for long.
Josh Sharp and Aaron Jackson’s “Dicks: The Musical” is gross, horrid, and very funny. If you ever wanted to see John Waters’ version of The Parent Trap, this movie is for you.
In what can be seen as a mini-career and life retrospective, Tony Winner Alex Newell walks their audience through some of their favorites Broadway numbers, including those they made a hit.
Lisa Arnold and Kate Larson’s “Into the Spotlight” is cheerful and sunny even in its darkest moments, but the movie spreads itself thin and doesn’t explore its key ingredients in enough detail.
While flawed in more ways than one, “The Idol” does have a few silver linings which allow you to get through it – despite one notable, divisive performance.
“Once Upon A… One More Time” is a feminist musical set to the music of Britney Spears that may feel like it is preaching to the choir and needs more oomph in its ensemble numbers.
“The Little Mermaid” thankfully takes enough from the Broadway musical and further creative license from the Hans Christian Anderson story to make an entertaining, though serviceable, film.
Keke Palmer’s “Big Boss” certainly had the potential to be something notable, but the music interrupts what brings the film value.
The Muppets Mayhem is the wackiest and most inspired Muppets project in a near decade.
“The Magic Flute” is the kind of movie adaptation that will make you wonder, if the film is this good, would seeing it live be just the same or better?
“Little Richard: I Am Everything” is more than a documentary on the architect of Rock n’ Roll, but an Ivy League course, shrunk to a little over an hour and a half, about his social and musical impact.
“Whitney Houston: I Wanna Dance With Somebody” will make you forget the countless TV movies that predates it.
“The Sound of Christmas” gives you everything you could want from a holiday movie. There is singing, promotion of the Christian faith, and all kinds of drama.
“Lyle, Lyle Crocodile” knows what the heart of the film could be, yet it refuses to stick to it and thus becomes a forgettable movie hoping to cash in due to lack of competition.
While the third season of “High School Musical: The Musical: The Series” only covers two weeks, it is jam-packed with notable new characters and storylines that maintain, or improve, the series.
“On The Come Up” may have the characters and plot points, but like many book adaptations, it lacks the source material’s soul.
While “Learn To Swim” may give you faint nostalgia for “Love Jones,” the music keeps you far more than the relationship drama.
In this military drama romance, two people who live on opposites sides of the political spectrum find love while in a state of desperation.
“Rap Sh!t” may start a little rough as the lead eclipses a lot of the show’s potential assets with her insecurities, but once her best friend does some course correction, it takes off.
From the perspective of Elvis Presley’s manager, “Elvis” chronicles the rise of a king and his imprisonment in Las Vegas.
Better than the first, Grace VanderWaal returns as Stargirl, but now in Los Angeles, and as she crafts a new community, she hopes her mom’s instability doesn’t ruin her new home.
The story of the Sex Pistols begins with a sad, lonely, but charming boy named Steve Jones trying to prove he is more than his molester says he is.
In the musical Sneakerella, you get an almost DCOM vibe from the latest Disney+ release.
Mixing a lead with an unfortunate personal life, musical numbers, and this borderline jubilant magician makes for a sometimes strange experience in The Sound of Magic.
Until We Meet Again is a little bit all over the place. Mainly due to how it plays with the different genres it pursues.
Belle touches your heart in every which way possible. Be it through song, exploring a person’s trauma, or by instilling hope that one day you may not move on but at least heal.
While the performances, choreography, and singing are top-notch, and many of the changes welcomed, the central relationship remains a struggle to sit through.
It’s like Zoey’s Extraordinary Playlist didn’t end in this Christmas-themed movie – but that statement is for better and for worse.
While Sing 2 still avoids making significant strides in developing its characters, there is no denying that it is a crowd-pleaser.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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