Amari is the founder and head writer of Wherever-I-Look.com and has been writing reviews since 2010, with a focus on dramas and comedies.
“Laid” ultimately feels like a show that shouldn’t have been remade and will test how bulletproof Stephanie Hsu’s career is (assuming this isn’t actually a rating bonanza for Peacock).
It appears episode 6 might have been a blip rather than a sign of things getting better.
The day Ruby has been waiting for and dreaded finally has come.
An exception to the consecutive deaths is found! However, is it someone who deserves to live?
This is a show and character guide for Peacock’s “Laid” with character descriptions, quotes, information on groups and locations, and more.
While the names, faces, and potential acts done, gets laid out, it seems we’re still not going to get to know the exes. Just Ruby, and to some degree AJ.
While one conversation is the silver lining, a lot of what “Laid” gives this episode is disappointing and worrisome for the show’s future.
“Before” presents the idea it knew how to end the series, or first season, but wasn’t sure how to build up to it.
“Laid” doesn’t necessarily start strong, but Stephanie Hsu has enough charm to make you want to give this a chance.
This is a show and character guide for Peacock and Sky’s “The Day Of The Jackal” with character descriptions, quotes, information on groups and locations, and more.
Category Details Originally Aired December 16, 2024 Network CBS Director(s) Robert Townsend Writer(s) Phil Beauman, Shawn Wayans Character ACTOR’S NAME Poppa Damon Damon Wayans Damon Jr. Damon Wayans Jr. Ivy Essence Atkins Nina Tetona Jackson *Lola Adriyan Rae New Characters Have An Asterisk * Storyline Recap Death Is A Traumatic Event – Poppa Damon, Damon…
Beyond being an inspirational story focused on Claressa Sheilds, “The Fire Inside” is a coming-of-age story you rarely see Black girls have on the big screen.
The final season of “My Brilliant Friend” makes it seem like, even with two additional episodes compared to past seasons, too much had to be covered, so everything is rushed.
Through Eddie Redmayne’s work and the development of his character, “The Jackal,” we get perhaps one of the best antiheroes of the year.
“Makeine: Too Many Losing Heroines” gives you that high school nostalgia in perhaps the best or worst way, as it explores burgeoning feelings like love.
While an effort is made to build out the world in “Why Does Nobody Remember Me In This World?” Sadly, the answer to the title’s question is that no one is that memorable.
With Eli unable to duck and dodge the topic of Lynn, we finally get answers to one of the season’s most pertinent questions.
It had to happen eventually. Bianca lays eyes on The Jackal, and they find themselves in a situation where they must either run, fight, or die, and running doesn’t seem a viable option.
“Industry” remains one of the most consistent shows on television, with a 3rd season which reminds you why HBO has been a stable brand for decades.
Season 2 shows progress from the growing pains of season 1, but still seems a bit bloated and like it undertilizes its potential.
“F Mary Kill” presents a lighter and comical version of “Cat Person ” regarding what women may fear when dating men.
Attention is redirected towards Poppa Damon, who is dealing with his aging woes, and Junior, who lost his wedding ring.
“The Equalizer” has a holiday episode in which some fans may get what they want, but it may only deliver coal for others.
OWN For The Holidays returns, and as it becomes one of the last instances when OWN releases scripted content, this tame but likable film is not the best way to start the season.
While “Y2K” may bug anyone born in the 1990s and before, it could be a fun film for those who only know the time through Tumblr aesthetics and unearned nostalgia.
“Werewolves” reminds you why the werewolf trend hasn’t revived like vampires despite multiple movies in a year with no true revival in sight.
“Before” continues the pattern of not giving you much of anything of note until the end when something notable finally happens.
“Brewster’s Millions Christmas,” like many movies using name recognition for a boost, feels like it didn’t and shouldn’t have used its predecessor as a crutch, for this one could have stood on its own.
They always say that when there is a will, there is a way, and in a pivotal episode, The Jackal pushes to see if that can be true for his personal and professional life.
“Allswell In New York” will likely become a movie you badly wish was at least a mini-series, for while a completed film, it feels like such a tease.
As Damon Wayans Jr. continues to take over “Poppa’s House,” it feels like if there is a season 2, the whole show needs to be reconfigured.
“The Day Before Christmas” gives you a corny but likable romance building around Christmas.
As shifts in romantic relationships happen, Mel has a moment while she and Robyn are in state prison.
While much of what is to be expected is given with “Sweethearts,” at least the gay character, who feels obligatory/formulaic for films like this, is given a much better storyline than expected.
Alongside Bianca visiting Larry, we learn the truth about who Alexander Duggan was.
While it is always wonderful to see Raven Goodwin in a starring role, “Style Me For Christmas,” focusing on a talented woman’s desirability to an R&B superstar does lead to a tightrope walk between problematic and aspirational.
While episode 6 seemed for a moment to be a blip, the ending of episode 7 allows you to hold faith that maybe the season can stick the landing.
Poppa Damon and Damon Jr. clash over parenting styles as Poppa Damon questions Ivy’s touchy-feely nature.
“The Fix” is a reminder that sci-fi productions don’t always need a major backer to look good and hold something compelling.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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