Never Let Go: Review & Summary
“Never Let Go” may star Halle Berry, but after a certain point, it is all about showcasing her young co-stars and furthering their careers.
Amari is the founder and head writer of Wherever-I-Look.com and has been writing reviews since 2010, with a focus on dramas and comedies.
“Never Let Go” may star Halle Berry, but after a certain point, it is all about showcasing her young co-stars and furthering their careers.
Dave Bautista takes advantage of his known action hero persona to push the idea he could also be the lead in romance movies in the future.
“The Substance” pushes the need to question whether its potential message is lost in the pursuit of gore and its desire to show and critique the exploitation of a women.
In a episode focused on Elena’s mounting misery, it will make you long for Lila as you may have in previous seasons.
Harper and Yasmin retake the focus of “Industry” in a bombastic episode.
Natasha Rothwell, known for Kelli in “Insecure” and Belinda in “The White Lotus” stars in a show that may have a depressing foundation, but you can see all the opportunities to find ways to laugh to keep from crying.
Despite Shanelle’s trial finally beginning, only one moment of it is worth taking note of as Lewis’ deals with what was revealed in the last episode.
While James McAvoy tapping into his crazy brings on some level of entertainment, as a whole, “Speak No Evil” plays it safe for a film despite its violence.
Grace, effort, and accountability come into question with each relationship, during or post-college, as everyone continues to struggle with who they spend time with.
As it becomes time for Rogelio to return the support Yancy has given him all these years, Neville finds himself getting shot.
Focus continues to be on Komari as the fall festival is days away and she works herself to the point of collapsing.
“My Brilliant Friend” returns for its final season, and despite a time jump, new faces, and how long it has been since the last season, it’s easy to slip right back in.
In a rather dry episode, “Why Does Nobody Remember Me In This World?” sidesteps focusing on the war between non-human entities, to maintain focus on characters who have long lost their luster.
Aaron Pierre and AnnaSophia Robb star in a too long for its own good revenge tale that lacks what it needs to justify a 2+ hour runtime.
As weeks pass and Shanelle’s trial draws closer, trying to find ways to make sure she doesn’t stay in jail increasingly become tricky.
The focus of “Industry” slightly shifts to Robert, as the fallout of Lumi crashing and burning continues to rock PierPoint.
In the third season finale, at best, you can say season three is a transition season for what could happen in season 4. At worst? This could be a sign the show has peaked.
As the aftermath of the last episode reverberates, things for the finale are set up, and they aren’t that exciting.
Bree and Evan have a fateful conversation as Lucy and Diana find themselves strangely on the same page about something.
“Tell Me Lies” returns and presents us with more potentially messy situations as we’re reminded why so many people should just be single.
With Nick being willing to kill Yancy, and Yancy now accused of murder, is Rosa enough for him to not only solve the case, but live to see it go to trial?
“The Front Room” starring Brandy is the kind of film that needs to be seen with an audience that will make commentary throughout in order to have the best experience.
“Beetlejuice Beetlejuice” may avoid feeling like a cash grab, but there is no denying it doesn’t present anything notable to justify being made.
Lucy Hale and Keir Gilchrist may deliver familiar characters from their repertoire, but amongst the odd story and comedy of “Running On Empty,” they make it work.
“The Deliverance” mixes the family drama Lee Daniels has become known for with a supernatural horror element that, with Glenn Close’s performance, is a notable watch.
It’s a Rishi-focused episode in which we watch his life fall apart and see him hoping for a Boxing Day miracle.
As Corey’s intentions behind defending Shanelle are revealed, we get a bit more about Lucy and understand what Shanelle was thinking.
Jax is tested regarding her abilities to let go as she has to allow Corey to run her case, and take some accountability in her marriage, and let go of what Lewis did or didn’t do.
“Reasonbable Doubt” returns without skipping a beat as it addresses the events of the season 1 finale.
As a transition in who runs the literature club begins, Nukumizu learns that the club needs a faculty club advisor to continue.
As the battle with Lord Alfreya ends, who will be next and whether the Last Riser will continue to be a menace is questioned.
“Hoard” may not use its two hours to the best of its abilities, but star Saura Lightfoot-Leon will keep you engaged throughout.
It is Investor’s Day and as to be expected, it doesn’t go smoothly at all. But, not to be outdone, Phil finds himself challenged not only by Omar’s situation but Ashley’s.
As Phil and Vivian go on a couple’s retreat, the boys deal with Phil and Omar’s plan to alter South LA and Amira causing utter chaos.
“Afraid” compensates for not really tapping into the fear it could have consistently produced by giving you characters who deserve a better horror movie.
In what feels like a filler episode, Lord Alfreya does a whole lot of talking and we get some minor B-side battles.
Lemon continues to sort through her emotions towards Mitsuki.
Will has a long overdue conversation with Lou, as Phil and Jazz both prep for a fight over who owns the shop and the land it is on.
Episode four focuses more on filling in the details of Nick’s past, and a little of Yancy’s, as it sets up the next chapter of “Bad Monkey.”
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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