My Brilliant Friend: Season 4 Episode 9 “Chapter 33: The Disappearance” – Recap and Review
We learn why this season’s subtitle is “The Story of the Lost Child” in this episode.
Amari is the founder and head writer of Wherever-I-Look.com and has been writing reviews since 2010, with a focus on dramas and comedies.
We learn why this season’s subtitle is “The Story of the Lost Child” in this episode.
As AI enters Poppa’s work, Damon Jr. begins working on a documentary about his dad.
As Mel continues to deal with the events of the last season, Marcus seeks Robyn’s advice on balancing a fulfilling career without abandoning his family.
This is a character guide for Apple TV +’s “Before,” with character descriptions, quotes, names of actors, and more.
This is a character guide for CBS’ “Poppa’s House,” with character descriptions, quotes, names of actors, and more.
This is a character guide for Apple TV+’s “Bad Monkey” with character descriptions, quotes, names of actors, and more.
Dylan Sprouse stars as a veteran who is caught in a terrorist attack on American soil, trying to keep his little sister from being killed in action.
Eli begins to let us in on what happened the day Lynn died as Noah experiences new traumas.
In “Here,” we watch as likable people live on this one plot of land for hundreds of years in a narrative that jumps around a bit much.
Timeleft offers the opportunity to dine with strangers and has recently received a social media ad push—but is it worth it?
“Time Cut” feels so middle of the road, to appeal to maybe too many segments, that it just feels like a poor imitation of a better product.
“Gazer,” thanks to its writing and lead, Ariella Mastroianni, keeps you engaged through its nearly two-hour mystery/investigation as a multitude of questions pop up.
As the Solaras invite Lila to continue her potentially futile war against them, Imma becomes increasingly closed off as she realizes her life is unlike her biological or play cousin.
As Dr. Reed tries to force Poppa to open up, she starts to stick her nose in Damon and Nina’s marriage.
As we learn a bit about Noah’s history, we meet Eli’s daughter and learn about the type of father he is.
In a pseudo-Halloween episode, while Robyn is chasing ghosts, Aunt Vi and Delilah deliver the real thing to be interested in.
“On Becoming A Guinea Fowl” does well in world-building, highlighting a part of Zambia’s less tourist-focused culture, as a family secret gets smothered due to a funeral, rather than getting you into its characters.
Apple TV+ introduces a new mystery show to its lineup, and like most, “Before” starts strong, but does it have staying power?
“Hard Truths” crafts a brilliant love-to-hate lead, but the limitations of movies will make you badly wish this was a miniseries.
As the final season of “My Brilliant Friend” continues to limp to the finish line, it seems the most frustrating part about this season might finally be over.
The Wayans family returns to network television, and as they adapt to the humor of the times, it remains clear the Wayans aren’t just a family name but an undeniable and consistent brand.
“The Equalizer” returns and unlike the past season, it addresses what happened in its last and makes it clear things won’t turn around quickly.
It’s a romance, it’s a revenge tale, it is Melissa Barrera proving she doesn’t need “Scream” to be a movie star.
“Cabo Negro” gives you a slice of life take on being queer and Muslim, but it may not have what many need to want to watch the full film.
“Tell Me Lies” ends its second season leaving you to question why is episode 8 the season finale since everything doesn’t get wrapped up.
Season 2 ends on a less shocking note than season 1, but also a bit more emotional than season 1 as well.
Focusing on the founding, rise and fall of PTL, Tammy Faye is more about the company than the woman who made it matter.
“Anora” is probably going to be one of the funniest sex comedies you’ve seen that are heavy on the sex and got released beyond a limited release in theaters.
As Immacolata reaches what could be her final moments, Elena stumbles upon a secret that changes her life’s trajectory.
“Carnage For Christmas” gives you a campy horror movie that may have notable visuals, but some may find it lacks substance.
“Smile 2” presents the idea the franchise is perfecting a formula which should be able to get it through a few movies before getting stale.
Shanelle takes the stand for her trial and JT’s first victim, Eboni, tells her story.
“Young Hearts” delivers the type of innocent, first love you rarely see since most LBTQ+ romances are about kids well into their teens who see the pinnacle of any potential relationship as having sex.
In “Rookie,” we watch a sports story which makes the leads’ attraction only part of the story.
Stephen makes a revelation about Lucy as Wrigley and Pippa have an intimate moment that he ruins to the point of you worrying about his safety.
Andrew Garfield and Florence Pugh star in a romance movie made for those in their 30s, who have had significant relationships and aren’t scrambling with money or their career.
The Nick and Eve case comes to a close in what might be a polarizing finale.
“Shit.Meet.Fan” is dramatic and comical, and justifies why it there are limited tickets through its run that ends on December 15th.
As Lila gives birth, a possible tragedy strikes at the worst time as her body tries to regulate the rush of hormones she is feeling.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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