Author: Amari Allah

Amari is the founder and head writer of Wherever-I-Look.com and has been writing reviews since 2010, with a focus on dramas and comedies.

Aftermath (2024): Review and Summary

Dylan Sprouse stars as a veteran who is caught in a terrorist attack on American soil, trying to keep his little sister from being killed in action.

Here (2024): Review and Summary

In “Here,” we watch as likable people live on this one plot of land for hundreds of years in a narrative that jumps around a bit much.

Time Cut (2024): Review and Summary

“Time Cut” feels so middle of the road, to appeal to maybe too many segments, that it just feels like a poor imitation of a better product.

Gazer (2024): Review and Summary

“Gazer,” thanks to its writing and lead, Ariella Mastroianni, keeps you engaged through its nearly two-hour mystery/investigation as a multitude of questions pop up.

On Becoming A Guinea Fowl (2024): Review and Summary

“On Becoming A Guinea Fowl” does well in world-building, highlighting a part of Zambia’s less tourist-focused culture, as a family secret gets smothered due to a funeral, rather than getting you into its characters.

Anora (2024): Review and Summary

“Anora” is probably going to be one of the funniest sex comedies you’ve seen that are heavy on the sex and got released beyond a limited release in theaters.

Smile 2 (2024): Review and Summary

“Smile 2” presents the idea the franchise is perfecting a formula which should be able to get it through a few movies before getting stale.

Young Hearts (2024): Review and Summary

“Young Hearts” delivers the type of innocent, first love you rarely see since most LBTQ+ romances are about kids well into their teens who see the pinnacle of any potential relationship as having sex.

We Live In Time (2024): Review and Summary

Andrew Garfield and Florence Pugh star in a romance movie made for those in their 30s, who have had significant relationships and aren’t scrambling with money or their career.